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Athol Fugard is renowned for his relentless explorations of personal and political survival in apartheid South Africa -- which include his now classic playsMaster Harold and the Boys andThe Blood Knot. Fugard has written a single novel,Tsotsi, which director Gavin Hood has made into a feature film that is South Africa's official entry for the 2006 Academy Awards. Set amid the sprawling Johannesburg township of Soweto, where survival is the primary objective,Tsotsi traces six days in the life of a ruthless young gang leader. When we meet Tsotsi, he is a man without a name (tsotsi is Afrikaans for "hoodlum") who has repressed his past and now exists only to stage and execute vicious crimes. When he inadvertently kidnaps a baby, Tsotsi is confronted with memories of his own painful childhood, and this angry young man begins to rediscover his own humanity, dignity, and capacity to love.… (more)
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This book will never leave you as you were.
It is set in South Africa during apartheid in a township outside Johannesburg. The township, Sophiatown, was destroyed in the 50s, to make way for the white city to expand. The townships are the only
The buildings are flimsy shacks made of odds and ends and the roads aren't paved. There is a communal water standpipe that blocks and blocks of people have to share. The only people who should be living there are those who work in the white city and have a pass. If they don't have a pass they are supposed to be go to black homelands, that have even less of the necessities of life.
Periodically the police conduct pass raids and pull people out of their beds, not even letting them get their pass to prove they belong. Mothers are torn from children, and old people are given no slack. Demolition gangs also come in and start destroying shacks, even if they are inhabited, the people with no place to live are carted off.
In this setting the POV character lives. He is a young man, early 20s and he is a criminal. A tough, vicious, thug who preys on those who try to eke out a poor life in the township. These young men are called Tsotsi as a group. Because the POV was a street child he has no past, no parents and no memories -- not even his name. He takes Tsotsi as his name.
He runs with 3 others like him. But one is a time-bomb that will soon shake Tsotsi's life. Boston is not just a thug, but a thinker, and a formerly decent man with a conscious. He infects Tsotsi with questions about his past, and his cruel actions currently.
Tsotsi ends up with a baby when the woman he is trying to rape, shoves a shoe box at him and runs off. Tsotsi has begun to change because he keeps the baby and tries to care for it. It triggers his memories of life before the streets. He makes further changes by breaking with his gang.
The end is quite devastating.
The writing is very simple and it works so well for the characters who are not educated, and who grapple with just trying to live and survive.
There are terrible heartbreaking scenes of the struggles the decent characters have, that show their humanity and dignity. Their world is comprised of simple pleasures: food, shelter, safety, love of family, a moment of peace.
The thugs are shown lazing, drinking, and abusing women while they wait for dark and plan their next job. Their lives are empty regardless of the money and free time they have.
Through it all are the oppressive laws and police that try to force the blacks into the shape the whites want, while denying them the basic status of humans.
Tsotsi's memories show the direct impact of the whites in their lives and of how people are broken and families destroyed all for the crime of being black.
This book so convincingly conveyed the life of a street child growing up in a hopeless environment, subsisting on a life of crime, living the hardships of the slums of Soweto, that I was amazed to learn that South African writer Athol Fugard is white.
The book was made into a highly-regarded movie (which was the impetus for my reading this book), which I also highly recommend.