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Fiction. Horror. Thriller. HTML: WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL A chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist. The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend. Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface�??and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.… (more)
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The story involves the Barrett family who are going through some hard times. John, the father, has been out of
I know, I'm giving away less than the back cover but trust me, just starting reading the book and you'll be hooked. Tremblay provides depth and dimension to all of his characters. The entire story played through my mind like a movie or a TV series. Tremblay uses a method that makes the whole story so incredibly believable. And then he'll take a chapter and rip apart everything he just did so you don't know what is real and what is not. Those chapters are incredible all by themselves for their depth and analysis. And then, then he slips in one jaw-dropping reveal after another. I literally had to stop and re-read sections after a couple of those moments. And if that wasn't enough, the visuals at the end had me in tears. It fit perfectly but at the same time was so sad to have it revealed. This was easily the best book I've read in a while. Don't miss it.
The story is mostly
Is Marjorie really possessed or is she suffering from mental illness? Is the family being taken advantage of, or have they done what they had to for the money? And is Dad's religious fervor going to save the family? The reader is kept on unsure footing as we're seeing the family through the eyes of a child, but the Merry we meet 15 years after the family's reality show aired is a blogger who is pretty obsessed with the show that made her family infamous. 4.2 stars
The second one is harder. I know A Head Full of Ghosts is a good book, that it is well written by Paul Tremblay, and I can attest that it affected me. I remember updating my wife about where I was and what was going on in the book while I read it. The scariest parts for me came early in the book, and I will admit there was a couple of days where I just set the book aside in the NOPE section while I got up the courage to read it again. Read it I did, and I think the book has some problems that deal with the nature of the reality television side of the story and its implications, and I don't like how it ended. For me, it had one too many endings. But it is the end of this book that makes it controversial and makes it stick with you, and if the basis of judging a book as good or bad is whether or not it sticks with you, well, I had a head full of ghosts long after I finished reading this book.
This
A Head Full of Ghosts is a treat for the horror fan, as it is packed with references to classic horror fiction and films. It is clear from
Tremblay ratchets up the tension relentlessly, until we are compelled to keep reading to find out what happens at the exorcism and what becomes of Merry's family. But--again like a lot of good horror--Tremblay lets readers draw their own conclusions about what actually happened. This ambiguity may frustrate some readers, but Tremblay leaves enough clues to help us come to a satisfying resolution.
The next paragraph is going to be one long spoiler.
It would be lots of fun to reread this book and look for clues as to whether my conclusions are correct. Tremblay's clever ambiguous reading lets every reader bring their own interpretation to it. This was a fun and compelling read, and a terrific addition to, as well as commentary on, the horror genre.
Full thoughts: My initial rating of Paul Tremblay's A Head Full of Ghosts
The book is largely self-referential and self-reflective, bringing critical attention to tropes common to contemporary horror and drawing strong parallels to popular horror texts, even as it uses the same tropes and borrows the same plots and details. In the first, this is successful, as it leads the audience to become horrified not by the supposed "possession," but the cultural machines that lead a fourteen-year-old girl to feign a possession, and her parents to agree to film crews exploiting her with untold ramifications for financial gain. Marjorie-as-actress provides interesting jump-scares, but it's young Merry's relationship with her sister, and her mistrust of the adults around her, that allows readers a different kind of horror story.
And then it collapses upon itself; the book thinks it is far smarter than it actually is. It is a freshman-Gothic-101 novel, that guy in the coffee shop who one day decided "to be Goth," read Wikipedia articles and watched notable films, and now collects naive 14-year-olds who seek his attention and self-professed authority, but yet has only a shallow understanding of his given subject and no actual drive to become truly informed. This negative attributes come in two forms: the dreadfully painful "blog posts" and the conclusion. The conclusion is particularly ham-fisted, walking a line of bad plagiarism, and ate the remainder of my patience.
The blog, written by Merry under a pen-name, undertakes an analysis of the show "The Possession" fifteen years after it aired. The writing of these chapters is particularly painful, adopting the tone not unlike what adults would assume a fourteen-year-old girl would sound like. Complete garbage in form and function, it's no better in the actual analysis it is supposed to provide, offering buzz words popular in critical fields without generating anything of substance. Suffering through these chapters was made worse when twice the writing was praised - once, when Merry tells the interviewer Rachel that her column had been picked up by a larger publication for its quality, and again when Rachel, a "best-selling author," (1) says "I've read the series of essays on the show three times, now. It's very well written and a compelling criticism and deconstruction, Merry" (256). That Tremblay has to put these words into the mouth of his fictional author, without letting the text stand on its own, speaks volumes to the actual quality of the writing.
It is the conclusion of Merry's story, however, which put the final nails in the critical coffin: I could ignore the terrible blog entries, and wade through the slugged allusions that are basically the book's bibliography, but I could not stomach the poorly-executed appropriation of a much better book for the grand finale.
But Shirley Jackson does this so much better, in We Have Always Lived in the Castle. In her novel the psychotic sister poisons the sugar she knows all but her favorite sister Constance will eat, killing their family to rid herself of the parental authority figures she mistrusts, and securing the full attention of the sister she adores. Merricat and Constance share endless nonsense stories featuring them both; Marjorie and "Merry monkey" share endless nonsense stories featuring them both. They are sisters separated by six years, initially living with parents they mistrust, and one suffers from a deep-seated psychosis that leaves her imagining violent actions against those around her. Tremblay's appropriation of Jackson's ideas is not clever allusion but unimaginative plagiarism.
Skip this one, and read Jackson's much superior novel instead.
A Head Full of Ghosts is a complex book that tells its story in a variety of ways. The story is being told to a best selling author who is writing adult Merry's account of the events. Some scenes are in present day with Merry chatting with the author, but her account is told through the eyes of her eight year old self. Even assuming Merry remembers everything accurately (which she admits she probably isn't) and isn't lying, she doesn't really know everything that happened. She was eight and protected from a lot of what went on behind the scenes and the decision-making processes. Of course she cared for her sister, but after a while simply became annoyed that no one really paid attention to her any longer. No one plays games with her anymore and her boundless energy is now seen as an annoyance since her sister has been sick. When horrible things start happening, Merry is of course terrified but has no idea if her sister is faking, possessed, or mentally ill. All she knows is that Marjorie isn't a fun playmate anymore and has no idea if the things she perceives are real or just imagination heightened by fear.
As a result of her sister's situation, Merry's parents are also very different people. Her father John is suddenly devoutly religious and prays for long periods of time. Merry is mostly confused by it because it was never part of her life. Now she feels deficient in her father's eyes and scared of his fervor. The religious leaders that come to supervise and exorcise take complete control. If he's capable of finding such an extreme "solution" to his daughter's problem, what else is he capable of? Her mother Sarah doesn't agree with the religious solution, but she's desperate to find a cure. She isn't happy about the TV show or the exorcism, so she turns to drinking heavily and becoming moody. The TV show portrays her as confused and barely there, but she always tried to keep Merry and Marjorie (to a lesser extent) from being exploited or scared. I found Merry's narrative rings true. She's just a normal kid, not some super smart, precocious adult version of a kid and it's refreshing.
This brings us to Marjorie. Most possession stories are about fear of girls turning into women, including becoming sexual, defying authority, and simply existing. This one seems to be no different. Marjorie is 14 years old, just around puberty. She used to be cheerful and eager to write stories with her little sister, but now, she wants some privacy and a life away from her family. Like normal teenage girl, she is contrary and sullen. Unlike a normal teenage girl, she is prone to fits of violence and other strange behavior. The most memorable one is after she's been sick, she graphically and messily masturbates while on her period and then urinates and defecates on the carpet. This is the most extreme and disgusting version of this type of scene in fiction. It really boils down to fear of women's sexuality by showing normal sexual expression in a grotesque way. In The Exorcist, it was Reagan stabbing her genitals and shoving her mother's face in the wound while spewing obscenities. A Head Full of Ghosts does the same thing, taking it to further extreme. She also does the requisite rebellious things turned up: physically fighting her father, obscenities, cursing the church, etc, which are an exaggerated version of normal teenage rebellion. It seems like Marjorie is faking for much of the novel, she admits it herself. However, she may be lying or delusional or possessed. I like that Merry and the readers by extension never definitely know which one.
In addition to this account, a blog by an annoying horror fan (who also turns out to be Merry writing under a pseudonym) analyzing and commenting on The Possession and descriptions of scenes from the actual TV show (edited from actual events or re-enactments aired on the Discovery Channel) are included in the story. I love how meta the story is in analyzing and picking apart itself so I don't have to do it (but I did a bit anyway). The entire narrative is through Merry's eyes. The ending throws the veracity of literally everything into question and I like it. Some may see the entire novel as pointless at that point, but I enjoyed the journey. I don't find the book scary, but it is unsettling. The suspense is built at times, but sometimes huge revelations are stated plainly. A couple of the scenes are practically burned into my brain and I enjoyed Tremblay's unique writing as he layered the story deceptively through one point of view. He took a genre I don't enjoy and made it interesting to me. IT still has misogynistic elements, but it's hard to get away from when it's an inherent part of the genre. I can't wait for his next book, Disappearance at Devil's Rock.
We are introduced to Merry, eight years old when the events filmed on The Possession took place, now grown up and telling her story to a writer. As Merry tells about her sister and the terrifying changes that took place around her, about her father's dependence on religion and his desperate turn to an exorcism (and the promised money from the reality show) to fix everything, about her mother's descent into drinking and depression, we are taken back into the past, shown the beginning, middle, and end of this terrifying tale. This is interspersed with a horror blogger who describes in detail the various episodes of The Possession, and analyzes them at length.
But is what we are being told the truth? Merry is an unreliable narrator, not only because of her young age when the events she describes took place, but because she readily admits that watching The Possession and reading articles on it may have caused her memories to warp and blur. What she thinks she remembers may not have actually happened that way.
And that is what is most amazing about this book, in the end. The terror builds until it is almost unbearable, the shocking revelation comes, and as readers are left in shock, they are also left wondering if Merry has just fed them over a hundred pages of lies, and, if so, if she did this on purpose.
"This must be so difficult for you, Meredith."
Stephen King tweeted “A HEAD FULL OF GHOSTS, by Paul Tremblay: Scared the living hell out of me, and I'm pretty hard to scare.” When I read that comment I thought, well, I have to read that one and I requested it from the library
This is not a genre I usually read but lately I seem to be fixated on horror or psychological thrillers.
The Barretts were an ordinary suburban family with an unemployed father, a working mother, a teenage daughter Marjorie and an 8 year old daughter, Merry.
It is Merry that tells the story as a young adult but the tale she tells is from the 8 year old’s prespective so some details are fuzzy, many questions are raised.
15 years ago, as Marjorie began to exhibit bizarre behaviours, she was considered to be mentally ill but gradually her father came to believe that she was possessed by evil spirits.
The family agreed to participate in the filming of a reality show called “Possession” to improve their financial situation and allowed an exorcism to be held to help their daughter. Horrific scenes were filmed, both as they occurred or as they were re-created for the show. And the exorcisim had devastating consequences.
As the description from the back cover of the book says, this story raises disturbing questions about memory and reality, science and religion, and the very nature of evil.
I found this to be a compelling read. Couldn’t put it down, well, couldn’t stop listening to it. The audio book was well read by the narrator, Joy Osmanski.
I am not fond of reality shows and this books reinforces why I find them distasteful. The filming of this show contributes to the disintegration of this family.
Fairly close to the end, I saw the ending coming. But I was shocked nonetheless! This book was well written and kept me guessing all the way through.
I found it to be believable and distressing. Was Mary ill? Was she truly possessed? Was her father the one who was mentally ill? Or the mother? Or the little sister? This has left me disturbed and thinking. And I like a book that leaves me thinking.
4.0 stars
This supremely dysfunctional family's story is told by Marjorie's eight-year old sister Merry some 15 years later. Merry often bears the brunt of Marjorie's frightening behavior, and it is easy for the reader to believe that something supernatural is afoot. Poor Merry is of necessity an unreliable narrator, because she was just a little kid when it all went down and she truly didn't understand all that was happening. So it's understandable if some of her story is a little off.
I really liked this book. It's a beautiful crafted little horror tale, with real thrills and chills as well as a realistic portrayal of a family in crisis.
3 stars (I would definitely read something else by Tremblay in the future)
When I was done with it I wasn't certain even if I loved it or hated it. I felt so strongly about it and the connection I made with the characters and the ending.. oh the ending... I wanted to throw the book across the room but I also want to give Paul Tremblay a hug
Although I would classify this book more of a psychological thriller than horror. Yes, the events that transpired to the Barretts was creepy, it did not make the hairs on my arms stand up or keep me from being afraid of the dark. I would say it was more like the Amityville Horror type of scary. The ending however was mild and a little disappointing. For all of the things that transpired to lead up to the ending was sad. However this was a quick read. I did like what I read and would check out more books by this author.