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"The miraculous new novel from New York Times-bestselling author Eleanor Brown, whose debut, The Weird Sisters, was a sensation beloved by critics and readers alike. Madeleine is trapped--by her family's expectations, by her controlling husband, and by her own fears--in an unhappy marriage and a life she never wanted. From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine's memories, her grandmother Margie is the kind of woman she should have been--elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie's bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafes, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine's marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother's bravery, Madeleine creates her own Parisian summer--reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine's stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be"--… (more)
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This novel is told from two viewpoints in alternating chapters - Madeleine in 1999 and her grandmother Margie in 1919. Both women had so
The author did a fantastic job with the two main characters. They are both very complex but sympathetic and have a lot in common despite the years that separate them.
One of my favorite parts of the novel were the descriptions of Paris during Margie's time there. I love Paris and I love reading books about that wonderful city. The author didn't disappoint me at all with the Paris that she wrote about.
Thanks to NetGalley for providing a copy of this book for a fair and honest review.
Madeleine has always felt that she was a
The Light of Paris was a delightfully endearing and fast-paced read. The story is told in alternating voices of Madeleine in 1999 and Margie in 1924. I enjoyed the parallel stories of two women that tried their best to be something they weren't just to please their families. Both Margie and Madeleine had dreams of who they wanted to be and both seemed to let those dreams die, Margie due to societal restrictions and Madeleine due to perceived restrictions. The Light of Paris is a story about self-discovery and awakening as much as it is about family, life, and love. If you enjoy reading stories about life, hope, and second chances, then you'll definitely want to read The Light of Paris.
This is not to say I did not enjoy the novel. There are parts of it that are enjoyable. The descriptions are Paris are entrancing; Ms. Brown makes even the most mundane experiences sound like an adventure. Watching Margie grow her wings and experience life for the first time is a true pleasure. Margie has a joie de vivre while there that only adds to the city’s charm. Oh to have been alive and young and in Paris during the 1920s!
The vibrancy of the Paris scenes contrast so severely from the modern scenes and the joy and sense of freedom you experience while reading about Paris disappear once the narration switches back to Madeleine. There is something about Madeleine’s constant inner monologue of excuses and justifications that quickly grows old, as does the nonstop questioning of her purpose in life. She is so defeatist; at one point in time, her mother accuses her of standing in her own way of happiness. The truth of this statement never really dawns on Madeleine. She interprets it as her mother means it – that she never gave her current life a chance. However, the opposite is true. She let others steamroll her into a box of a life that fit her no better than the proverbial square peg in a round hole and was conscious of it happening to her the entire time.
Therein lies my greatest problem with The Light of Paris and novels like it. I like my heroines to have a little more backbone and fight in them. Margie has some when she makes the decision to stay in Paris against her parents’ wishes but quickly loses that backbone when life takes an ill turn. Madeleine only gets a backbone upon reading her grandmother’s notebooks. One is left to wonder if she would have done anything different in her life had she never discovered them.
I know this is an unfair assessment. I do not like the happily ever after endings in such novels, but neither do I like characters – especially female ones – who are weak and easily controlled by others. The former is not realistic, but the latter is too realistic. Still, I like what I like, and I dislike what I dislike. In this case, the two things that bother me in fiction ended up in one book.
The Light of Paris is going to be one of those books that will encourage a love of Paris and help readers reassess their own lives. This is an important point. In Margie and Madeleine, readers can easily see themselves. Moreover, the two characters provide the inspiration for anyone to reflect on one’s dreams and passions and evaluate whether they can incorporate those dreams back into their lives. I really struggled to get past the somewhat formulaic plot and the annoying (to me) characters, but I just know that The Light of Paris is going to be a hot book this summer.
It didn't take long for me to realize that this book was going to be a disappointment. Both of the main characters, 1999-era Madeleine and her grandmother
Even suspending disbelief that in 1999 women were expected to sit at home and twiddle
Margie's chapters were more fun, and more believable, but even those took quite some time to pick up the pace.
It was a quick read, with sweet spots that I really enjoyed, but overall it just did not work for me.
I could empathize with Margie because she was growing up in the early 1900s, a time when women really didn’t have any other choice but to get married in order to have a decent life. And yet Margie is able to rebel for a summer and have a romantic, adventurous summer in Paris. I enjoyed reading about her life and adventures there.
I may have had my expectations too high for this book and that’s why I was so disappointed with it. I loved Eleanor Brown’s first book, The Weird Sisters, and I was hoping to love The Light of Paris just as much. It seems that Brown has fallen victim to the curse of the sophomore slump.
This a multiple generational story about love, adventure, obligations, control, sacrifice, broken dreams, conformity and finally happiness. Freedom, has it’s price, and a good life is worth it.
I struggled in the beginning, almost dropping it early on. It was depressing, with a sad character, but then it started changing. The message is good, the stories are lovely and full of lessons on living.
A beautifully written story about a woman coming to terms with her choices as she learns her grandmother's story. Very enjoyable read.