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Indeholder "Forord", "Første del. Alice sprunget", "Anden del. At kaste byrder fra sig", "Tredje del. Lille smule lang vej", "Fjerde del. Ovre på den anden side", "Litteraturliste".
"Forord" handler om at takke for fotografier og uddrag fra andre bøger.
"Første del. Alice
"Anden del. At kaste byrder fra sig" handler om at komme afsted.
"Tredje del. Lille smule lang vej" handler om at følges med en indfødt, hr Eddie. Hendes hund Diggity spiser noget gift og dør.
"Fjerde del. Ovre på den anden side" handler om den sidste del af rejsen, som mest handler om at undgå journalister og fotografer.
"Litteraturliste" er en liste over baggrundslitteratur og bøger, der er nævnt i teksten.
Robyn Davison, en enlig ung kvinde på ca 25 år, beslutter sig for at tage en kameltur tværs over Australiens ørken. Det gjorde hun i 1977 og to år senere skrev hun denne bog. Første del beskriver forberedelserne. Hun kommer til Alice Springs med 6 dollars på lommen, en hund Diggety og lidt tøj. Hendes plan er at få fat i nogle vilde kameler, tæmme dem og bruge dem som ridedyr til en lang rejse fra Alice Springs gennem det indre af Australien over til vestkysten.
Hun har ingen erfaring med kameler eller ørken, men heller ikke med at behandle de indfødte som snavs og det hjælper faktisk en del.
Hun arbejder for en skør tysker, Kurt, der har en kamelfarm og mishandler både hende og kamelerne en del. Senere sælger han farmen til nogle andre. Billigt, men til gengæld har de ingen forstand på kamelerne, så hun får lavet en aftale om at hjælpe dem mod at få to kameler. En af dem dør, men til gengæld får hun to andre, som kan bruges som lastkameler. Så hun har tre kameler Zelika, Dookie og Bob. Men hun skal også bruge udstyr som sadler, lasttasker med mere, så hun bruger mange timer med sytøj og nittejern. Hun tager afsted og undervejs dukker fotografen Rick Smolan op. De går i seng sammen, men han forstår stadig ikke hendes projekt, så fx fotograferer han et af de indfødtes hemmelige ritualer, hvorefter de naturligt nok er endnu mere afvisende overfor hende. Robyn trasker videre med sine kameler, som får gnavsår, infektioner og forstuvninger. Vilde kameltyre dukker op, men dem skyder hun. Det er sikkert klogt for en kameltyr i brunst er farlig, men alligevel virker det mærkeligt.
Richard hjælper hende nogle gange undervejs og de ender med at være venner. Hun når frem til kysten og får kamelerne afsat og kommer videre med sit liv.
Der er sådan lidt Troels Kløvedal over selve projektet. Mig og min hund tager på tur og skriver en bog om det. Her handler det også om at hjælpe de indfødte, selv om hun godt kan se at det ikke vil ske. Der er en hel masse om hendes tanker mens hun møffer rundt i sandet og leder efter kamelerne, når de er stukket af. Så interessant er det heller ikke.
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Biography & Autobiography. Nonfiction. HTML:The incredible true story of one woman's solo adventure across the Australian outback, accompanied by her faithful dog and four unpredictable camels. I arrived in the Alice at five a.m. with a dog, six dollars and a small suitcase full of inappropriate clothes. . . . There are some moments in life that are like pivots around which your existence turns. For Robyn Davidson, one of these moments comes at age twenty-seven in Alice Springs, a dodgy town at the frontier of the vast Australian desert. Davidson is intent on walking the 1,700 miles of desolate landscape between Alice Springs and the Indian Ocean, a personal pilgrimage with her dog�??and four camels. Tracks is the beautifully written, compelling true story of the author's journey and the love/hate relationships she develops along the way: with the Red Centre of Australia; with aboriginal culture; with a handsome photographer; and especially with her lovable and cranky camels, Bub, Dookie, Goliath, and Zeleika. Adapted into a critically acclaimed film starring Mia Wasikowska and Adam Driver, Tracks is an unforgettable story that proves that anything is possible. Perfect for fans of Cheryl Strayed's Wild.… (more)
User reviews
However, I found it hard to relate to
And I do this by way of sitting up in my comfy bed all hours of the night reading the bios of brave women who against all odds and without a man to support and aid them take on the journeys I can only dream about and long for.
I cried during the last section of this book and savored the journey and celebrated her accomplishments along with her. Next I will try and find the National Geographic
Davidson arrived in Alice Springs with her dog and six dollars and a plan to cross the western half of Australia with camels. Alice Springs, at that time, was a rough and tumble place and a woman alone was subject to much verbal abuse and sexual invitations. From the pictures in the book it is obvious that Davidson was good-looking with blonde hair and blue eyes. That probably attracted all the wrong kind of attention. Many times in her preparations she doubted herself and almost gave up. In the last paragraph of the book she writes "The two important things that I did learn were that you are as powerful and strong as you allow yourself to be, and that the most dfficult part of any endeavour is taking the first step, making the first decision." Eventually Davidson got three adult camels, two males and a female, and since the female gave birth shortly before the start of the trip there was also a calf along for the ride. Her dog, Diggity, also started out on the trip but, sadly, did not make it to the end. Davidson had an aboriginal elder guide her for a portion. She also had a photographer from National Geographic meet up with her along the way. However she did spend many days alone on the trek and discovered hidden strengths in facing adversity.
Hope the movie will make it to DVD soon.
The movie is also brilliant and highly, highly recommended - particularly if you can see it on a biggish screen where the stunning scenery can really shine.
If you're
An example of how well she expresses what some people never learn: "In different places, survival requires different things, based on the environment. Capacity for survival may be the ability to be changed by the environment."
Short, but not really a quick read - too intense, almost spiritual (but not difficult or artsy-fartsy)."
A very big country.
And a lot of it is hostile, unforgiving desert. So to set out to travel across half of the country from the centre to the sea, with a dog and four camels is a monumental achievement for Robyn Davidson. Not only is this a tough journey in a physical
And that is not the hardest thing she has to endure her apprenticeship with a camel trader, a particular unpleasant man makes for uncomfortable reading at the beginning of the book. She then moves to another who is far more helpful, and makes if possible for her to achieve the journey.
All the way through she endures constant battles with the animals, the environment and with the photographer, Rick Smolan, provided by National Geographic to record her journey. She spends time with an Aboriginal man called Eddie and understands his deep love and respect of the land that protects him and feeds him.
Along the way she reaches into the darker recess of her mind, and experiences the entire suite of raw emotions in her journey, and I think that this makes her as a woman too. The ending is an emotional roller coaster, as she realises her achievement, tries to avoid the press pack, far worse than any dingoes, and reaches the Indian Ocean.
Well worth reading, as this is a personal journey as well as a travelogue of a fascinating country.
“Could such a journey be made in the same way now? No, absolutely not. There would be many more people out there with many more ways of keeping tabs on you, more red tape to hold you back, more no-go areas, more fences, more vehicles, more control. New communication technology would make it impossible to get lost no matter how hard you tried.”
Things have changed so much, in fact, that Davidson admits to finding it “painful and difficult” to revisit that part of Australia at all. But back in the day, things were much simpler, if not more primitive, in nature. Davidson had grown bored with the life she was living, especially with the several jobs she had by then experienced and with her various studies. She was more of a loner than any of her friends and family, and very much enjoyed her own company. So, what could be more natural for a young woman like her than six months or so spent all alone in literally the middle of nowhere?
There was one slight problem, however. Davidson knew that the best way to make it across such a wide expanse of desert was with the help of camels. And she knew nothing, absolutely nothing, about camels other than that she wanted to capture three or four of the wild desert camels, break them, and train them as pack animals. Easier said than done, of course, so Davidson ended up working eight months for a man who promised to teach her everything she needed to know and to pay her by giving her two fully-trained camels of her own. What Robyn Davidson experienced in Alice Springs makes up over one-third of Tracks, and very little of it is pretty. The Alice Springs that Davidson endured for those months was so racist and misogynistic that she suffered from severe depression much of the time she was there preparing for her great adventure.
But what an adventure it turns out to be.
In order to make the trip possible at all, Davidson did something that must have felt to her as if she had just sold her soul to the devil. For four thousand dollars, she agreed to allow a National Geographic photographer to join her along the way three or four times so that the magazine could do an expansive article on her and her trip through the desert. It was only with that money, however, that she was able to outfit herself with the equipment she needed to survive in the desert on her own. And despite what started out as a rocky relationship between her and the photographer, her trip may have ended disastrously without his help. At the very least, her experience was changed for the better.
Bottom Line: Tracks is quite an amazing true adventure story, and Robyn Davidson was very frank about everything she saw and experienced during her journey. It is a book I strongly recommend to readers who enjoy reading about what I generally classify as “long walks” taken by one or two brave people who want to experience the planet in a way so few of us will ever manage to experience it for ourselves. There is also a movie version of Tracks by the same title out there, and it is sometimes pretty good despite failing to give much of a real sense of what Davidson went through in order to prepare for the trip or just how tortuous her days sometimes were. Even though the movie ticks off most of the milestone boxes of Davidson’s great adventure, it really comes nowhere near to meaningfully telling what her experiences were like. Do yourself a favor; read the book first.
Filled with novelties such as:
- How to train your camel
- What it’s like to own a pet crow (not recommended!)
- Surviving in the Australian Outback
And more traditional themes such as:
- A woman confronting a machismo culture
- Finding the inner strength to deal with external perils
- Self-discovery through suffering
- The nature of solitude
- Transcending social and self-imposed limitations
One of my favorite parts of the book is her descriptions of how she adapted to the vastness of the desert, the isolation, and the dreamlike state induced by endurance in an extreme environment. She developed creative solutions to the setbacks that inevitably occurred. She seemed to intuit at some level that her journey into the desert would change her for the better. I recognized her evolution from a somewhat immature and vulnerable person to an agent in her own life. I enjoyed reading the reasons she undertook such a trip, what she learned, and how it changed her. One of her goals was to become more familiar with the Aboriginal people, and she cogently illuminates their plight. Although she was not an author at that point, the book is filled with striking imagery of the desert.
Be advised that it includes a significant amount of abuse and harm to animals, along with racism and sexism. Recommended to fans of memoirs about personal challenges, travel-related adventures, endurance tests, or self-discovery. Overall, I found it an inspirational tale of a remarkable journey, both physically and psychologically.
Memorable quotes:
"To be free is to test yourself constantly, to gamble. It is not safe. I had learnt to use my fears as stepping stones rather than stumbling blocks..."
"Capacity for survival may be the ability to be changed by environment."
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Omslagsfoto: Rick Smolan
Omslaget viser en der rider på en kamel i ørkenen med to lastkameler følgende efter
Indskannet omslag - N650U - 150 dpi
Oversat fra engelsk "Tracks" af Hanne Tang Grödal
Tutbog
Side 16: Jeg skulle senere opdage, at bjergkæden, der rejser sig truende som et forstenet forhistorisk uhyre, har en dybtgående psykologisk indvirkning på de små mennesker nedenfor. Den gør dem kugleskøre. Den minder dem om ufattelige tidsdimensioner, som de er lige ved at kunne lukke ude med deres imiterede murstenshuse og visnede haver i engelsk stil.
Side 21: Der er fand'me ikke andet i vejen med de sorte, end den måde de hvide behandler dem på.
Side 34: Det begyndte at gå op for mig, at Kurt forholdt sig til mig præcis som om jeg var en kamel, der skulle tæmmes. For eksempel tillod han ikke, at jeg havde sko på, så jeg døjede yderst stærke smerter, mens mine fødder blev hærdede og min hud lærte at være modstandsdygtig over for burrer, der havde facon som morgenstjerner og var over en centimeter brede. Der var nætter, hvor jeg ikke kunne sove for smerter i mine opsvulmede, forstukne og betændte fødder. Hvis jeg gjorde ophævelser, blev det betragtet som opsætsighed, og desuden tillod min stolthed ikke, at jeg beklagede mig alt for tit. Jeg havde selv skabt mig dette fængsel, og nu var jeg nødt til at kunne modstå hvad som helst fra fangevogterens side. Da mine fødder endelig var blevet sorte, hårdhudede, revnede og barkede gav Kurt mig lov til at gå med sandaler.
Side 156: Den nat bragte to nye elementer ind i vores forhold. Det første var tolerance - det vil sige, nødvendigheden af at gå på kompromis. Det lagde den egentlige grund til et usandsynligt venskab, der, selv om det havde sine op- og nedture, skulle blive varigt. Det andet var sex.
Side 191: pituri, en tobaksagtig plante, som de indfødte tygger.
Side 192: Det er forbløffende, så godt man kan kommunikere med et andet menneske, når der ikke kommer ord i vejen. Vi kommunikerede allerbedst gennem vores åbenlyse glæde over omgivelserne.
Side 206: Et billede lyver mere end mange ord.
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