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Politimanden Niels Bentzon er et godt menneske og en god politimand. Han smider gerne alt tøjet for at få en gidseltager til at overgive sig. Han bliver indblandet i en sag, hvor en italiensk politimand Tommaso di Barbara i Venedig har fundet et mønster i 34 tidligere
Niels får hjælp af en meget vaks kvindelig fysiker, Hannah Lund, der er skrap til at gennemskue mønstre i alting, også mønstre, der ikke er der i virkeligheden. Hannah har været gift med et matematisk geni, Gustav Lund, og deres søn Jonathan var også superintelligent, men blev skitzofren i teenageårene og hængte sig samme dag som faderen fik Abel-prisen.
Alle ofrene har et underligt mønster på ryggen. Det er ikke tatoveret og det ser ud til bare at komme. Hannah kan se at det er tal. Fra 1 til 34 skrevet med forskellige sprogs tegn og talsystemer. Hun gennemskuer også at dødsfaldene sker i rækkefølge og med flere tusinde km imellem. Og finder en forklaring med at samle kontinenterne i et superkontinent og se at afstandene så bliver ens. De tegner atom nummer 36. De sidste to dødsfald viser sig at have Tommaso og Niels som mål. Og Hannah kan regne ud at det sidste er på Rigshospitalet, så de to flytter sig langt væk fra Rigshospitalet. Niels har en fobi overfor at rejse udenfor Danmark, så de finder et hotel i Vestjylland. Her overværer Niels en togulykke og redder nogle børn, men bliver selv kvæstet og fløjet til Rigshospitalet. Hannah er også blevet ramt og har haft hjertestop, men er blevet genoplivet. I Rigshospitalets arkiver findes optegnelser om en patient med samme slags mønster på ryggen, som Niels er begyndt at få. Han overlevede ved at gøre noget ondt ved sin kone.
Hannah får Niels til at skyde mod hende, men hun har selv pillet patronerne ud først. Alligevel er det nok til at redde Niels og dermed også redde verden fra at blive overtaget af det onde. Det er noget med Abraham og Isak.
Flotte tegninger, men handlingen er det rene vås med en gammeltestamentlig Gud, der styrer folks skæbner. A. J. Kazinski er et pseudonym for Anders Klarland og Jacob Weinreich. Undervejs er der en sidehistorie med et klimatopmøde i København og en terrorist, Abdul Hadi fra Yemen. Og noget med beløbet 80 eurocent.
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Fiction. Mystery. Thriller. HTML: According to Jewish legend, there are 36 righteous people on Earth at any given time. Without them, humanity would perish. But the 36 do not know they are the chosen ones, and many are dying. A monk in Beijing, an economist in Mumbai, a glassmaker in Venice and more have all perished under bizarre circumstances, with strange marks on their backs. Veteran Danish detective Niels Bentzon is called to investigate. He's ready to dismiss the assignment�??but then he meets Hannah, a brilliant astrophysicist mourning the death of her son. Together, they piece together the puzzle of these far-flung deaths, and a pattern emerges. Thirty-four have died, and only Bentzon and Hannah can predict the time and place of the final two.… (more)
User reviews
The Last Good Man is a thriller about 36 good people who are being eliminated around the world and the two policemen in different countries who are the only ones who believe what's going on: the main protagonist
There are a lot of great things about this book. It's fast paced, well written, and the first half of the book makes mostly the right moves. There are secrets that are revealed that I am highly impressed by. Niels is a likeable protagonist and Hannah, the physicist, is also a compelling character that adds a high level of intelligence to the book.
There are some issues, which prevent me from giving this book five stars. The big reveal in the last third of the book was anticlimactic; previous surprises were much more impressive-- this surprise was easily figured out. I also wanted to hear more about Tommaso, who was the first person to believe there was a pattern to all of these deaths. How did he come up with this pattern? We only see glimpses, and then the rest is Niels trying to figure out what Tommaso has already figured out. Also, it seems kind of ridiculous that neither of them answer their cell phones for the first half of the book. And then, from there on, I was expecting... more. The ending just seems a letdown when the opening is so grand, so big. I was really anticipating a big conspiracy to reveal itself.
That said, I blazed through the book in a day. It was a fast, fun read, especially the first half of the book, and had some great characters.
Four stars because although it was a bit difficult to get into to swing of reading (normal for me with translations), once I was in
"Because of numbers?"
"Because he claimed that so-called complex numbers existed. And his
"Who was right?"
"Tycho Brahe. But he lost his nose."
Venetian policeman Tommaso di Barbara has discovered a trend in killings around the world - every Friday at sunset, a good person is murdered. Humanitarian, lawyer, volunteer - they all die with a strange burn-like mark on their back. Niels Bentzon picks up the Interpol report - but can't bear the thought of travel and doesn't speak di Barbara's language. Only once he teams up with Hannah Lund, astrophysicist extraordinaire mourning the premature death of her son, is he able to impose a pattern and find out when the next murders will be. The question is, can he stop them?
Parts of this were really well written - as a police procedural, with all of the distractions from the climate conference and the terrorist threat, it succeeded. I kept reading, engrossed, all the way to the end with no trouble.
Niels and Hannah are both interesting characters - neither is perfect and each is dealing with their own romantic issues - but as a partnership they work very well. In particular, their weaknesses are key - Hannah's inability to deal with normal interpersonal situations, Niels' travel phobia; both are worked slyly into the story but are completely obvious as obstacles when we happen on to them.
Kazinski writes Venice and Copenhagen well - the floods, the abandoned madhouse/hospital, the cold, the ridiculous media interactions with the police at the conference, the conflicts between cyclists and cars in Copenhagen and most of all, the pervasive, penetrating, personal cold that a north European winter brings (I'm writing this with the heating on, socks and slippers, and a blanket over my knees).
However, this gets big negative marks for resorting to a fate-imposed, generational mysticism. I bought it until Niels tried to run away and whatever he did, events conspired to send him back to Copenhagen; similarly the suggested passing of the burden to a new soul at the climax dragged this novel down into Dan Brown land. Except worse because at least there, none of it is magical and spiritual and fate, it's all just bad guys.
The story line follows the Jewish belief that there are 36 good but not especially religious people who can save the world. As the book progresses, Neils investigates death after death while trying to stop the murders. He is trying to save the world by saving the 36 good people as they are the only ones standing in the way of evil taking control. It is a fast moving and enjoyable thriller. I give it a 3.5 star rating.
By A.J. Kazinsk]
Narrated by [[Simon Vance]]
Ⓟ 2012, HighBridge Audio
13.9 hours
The "Tzadikim Nistarim" are the 36 hidden righteous people of the earth according to Jewish mystic tradition. None of the 36 people self-identify as being good or righteous, but their actions have the
The Last Good Man has all the makings of a great thriller: a touch of the occult, international settings, deadlines with dire consequences if not met, spiritual musings, flawed protagonists, and an elusive villain... and yet, it all falls a bit flat. The novel's arc is robbed of tension with its schizophrenic quality: Is this going to be a police procedural set in Italy? Or is it going to be a Scandinavian crime thriller ? Is the whole of the novel supposed to be a sort of modern, metaphorical, Talmudic commentary? A.J. Kazinski seems to have mashed three novels into one, supplying the listener with an overabundance of detail and sub-plots (e.g. eighty cents, Skype sex, an Arab terrorist, an architect...) that do nothing to advance the story and worse, weaken the overall narrative until it collapses into a series of anti-climactic events.
Simon Vance is the British-American narrator who brings his BBC4 polish and credentials as a reader of international thrillers (e.g. The Millennium Trilogy - by Steig Larsson) to The Last Good Man. His reading is clear, the pace steady, pronunciations are consistent, all characters are delineated well and credibly... all the things that listeners have come to expect as de rigueur from a seasoned professional such as he.
OTHER: I dnloaded a digital copy of The Last Good Man (by A.J. Kazinski; narrated by Simon Vance) from downpour.com. I receive no monies, goods or services in exchange for reviewing the product and/or mentioning any of the persons or companies that are or may be implied in this post.
The first 100 pages were strong enough. But the middle part bogged down in elements that were repetative and, frankly, the devices used by the authors were clunky. I kept reading because I wanted to see how they finished the work and how the devices changed throughout. I can't say I would have kept reading if not for what I might learn about how to handle my own project.
I continued on because this was an "instant" bestseller in the authors' country and has received some press in the U.S. because of that. I was interested to see why this became a bestseller, and was surprised whenever I found another of those clunky devices, unnecessary repetition, and poorly executed scenes.
Then, the end matter told me what was really up. It seems the authors are both filmmakers in their home country. So the book was a bestseller pretty much because of their fame rather than any quality attributed to the book.
Was the plot interesting enough? Yes. But too many of the other elements associated with the book were poorly excuted to support its success.
Beyond those disappointments, the story, itself, was good.
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Omslaget viser en mand, der står i snevejr på kanten af et fladt tag på et højhus og kigger ned
Indskannet omslag - N650U - 150 dpi
Side 17: Hvad end det er for en medicin, du er på, så virker den ikke.
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839.81 |