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The Nebula Award-winning author of The Forever War explores a world where time is money-and for some, both are running out . . . The Stileman Process is a medical miracle: Every ten years or so, you can restore youth and health to your aging, ailing body-as long as you can pay the enormous fee. The scientific advancement has altered the twenty-first-century world even more than space travel. Dallas Barr is one of the oldest men on Earth, and now he needs to repeat the procedure. But while scrambling desperately for his next essential million, he meets Maria, a woman from a previous life-and makes two chilling discoveries: Not all Stileman "immortals" were created the same. And their days may be more numbered than they think . . . From the author of The Hemingway Hoax and Camouflage, and the recipient of multiple science fiction honors including the Hugo, John W. Campbell, and Robert A. Heinlein Awards.… (more)
User reviews
Interesting story, fun to read.
Haldeman, in this novel, exhibits his trademark style: a fast-paced story of hard science and action told with a grace of sparse writing and cynical, wry, black humor. Here Haldeman tackles the immortal/longevity theme of sf. As usual
Haldeman deals with subtler aspects of immortality: the dangers inherent in making a fortune in only one way, the possibilities of multiple careers as protagonist Dallas Barr enjoys, and, most important and subtlest of all is the relationship of the immortals with each other and ephemerals. The immortals, as evidenced by Barr and Maria Marconi, carry on on-and-off relationships over decades. With Ephemerals they sometimes have the creepy realization they are the age of a person’s grandparent and will live on after their death.
There are other pleasures in the book. Haldeman talks of the financial conservatism of the immortals as well as the vision of others, of the complexity of the treatment which limits its application which limits population growth. I liked info maniac Eric Lundley, constant companion and brain-in-the box. The wild “anarchy” of Ceres was reminiscent of the American West. Haldeman writes of violence as a man who has seen it.
Haldeman uses typographical tricks of a limited nature and the “documentary” style of Haldeman’s literary idols John Dos Passos and John Brunner, a style I particularly enjoy and is particularly useful in sf.
The only flaw in this novel is the rather limited detail afforded villain Charles Briskin’s nefarious plans. It was interesting Sir Briskin was an economist with an ill-defined, vaguely explained plan for manipulation of world society. (I liked the wordly Barr not being at all interested in participating in conspiracies and slow to believe he is fighting one.) Briskin uses immortality as a way of ensuring subordinate loyalty. But the end is a bit rushed, and we don’t get much detail on Briskin’s plan. Barr and Marconi close the novel by stating the immortal existence has dimensions yet to be revealed.
I wish Haldeman would have pursed this world in future books.
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Omslaget viser to hænder, der trykkes sammen på en baggrund af små prikker
Indskannet omslag - N650U - 150 dpi
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813.54 |