Status
Available
Call number
Library's review
Indeholder "Jerry Pournelle: Preface", "John F. Carr: Introduction", "Omnilinual", "Naudsonce", "Oomphel in the Sky", "Graveyard of Dreams", "When in the Course --".
"Jerry Pournelle: Preface" handler om ???
"John F. Carr: Introduction" handler om ???
"Omnilinual" handler om ???
"Naudsonce" handler om
"Oomphel in the Sky" handler om ???
"Graveyard of Dreams" handler om ???
"When in the Course --" handler om ???
"Jerry Pournelle: Preface" handler om ???
"John F. Carr: Introduction" handler om ???
"Omnilinual" handler om ???
"Naudsonce" handler om
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???"Oomphel in the Sky" handler om ???
"Graveyard of Dreams" handler om ???
"When in the Course --" handler om ???
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Collection
Publication
Ace (1983), Paperback
Description
A collection of 5 interrelated stories by this author. Also use: Lord Kalvan of Otherwhere (1984) and Empire (1981).
User reviews
LibraryThing member jjmcgaffey
I just wanted to read one of the stories - Graveyard of Dreams, before I read Cosmic Computer. But then I looked at Omnilinual again - I absolutely love that story, archaeology on Mars! And then I wanted to read Oomphel in the Sky again - Travis Foxx as a young man, which means not far from the
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System States War, the origin of the Sword Worlds and the end of the Federation. I skipped over Naudsonce - the physical discovery is rather neat, but I don't much like anybody in the story and other than the discovery it's kind of pointless. Not bad, but not all that interesting. Then I read When In the Course- and of course had to go read Lord Kalvan of Otherwhen. I do love the way Piper's stories interlink. Though this one is a meta-link, since what apparently happened was that Piper wrote this story in the Federation universe, then revised it (probably, Jerry Pournelle suggests, at the insistance of John Campbell) into Gunpowder God, the short story that is the seed from which Lord Kalvan grew - set in the Paratime universe(s). Hmm, now I need to go read that one… As with Lord Kalvan, all these stories are part of my background - interwoven into a good deal of my life. They're still fun to read, to see exactly how Piper put it. Love them all (except Naudsonce, which I only like). Show Less
LibraryThing member RandyStafford
These stories are from the time when computers were huge and stupid, when you took your DNA the way you found it, when we were sure there were a bunch of aliens waiting to be met, and you could engineer a culture the way you engineered a bridge. In other words, these stories are all about fifty
If you do that, you'll be entertained by one of the great practitioners of adventure science fiction, the man who created the popular Little Fuzzy series. The stories in this collection are set in the same universe, Piper's TerroHuman Future History, specifically during its early days. Aliens are central to most of the stories whether it's deciphering their history, attempting communication with them, or manipulating their culture.
Piper was a great student of history and often makes specific allusions to the historical event inspiring a certain story. But the plots come off as credible and still readable instead of shoddy analogies with the past.
"Omnilingual" is perhaps Piper's most famous short story. Its account of finding a Rosetta Stone to decipher the language of dead Martians is mixed with evocative accounts of their ruins and final struggles. "Naudsonce" is one of those alien puzzle anthropology stories. Here the puzzle is whether an alien race is telepathic or just has an astonishingly inconsistent language. The solution is credible and lies in the aliens' physiology. This is perhaps the only story in the collection not inspired by some bit of history.
"Oomphel in the Sky" seems inspired by what anthropologists call "revitalization movements" similar to the American Indian's Ghost Dance of the late 1800s. The aliens of Kwannon start murdering and burning out human colonists in preparation for the Last Hot Time, an anticipation of the planet approaching perihelion with one of the system's suns. In the grand manner of an Astounding story of the time, our hero fixes their culture and fixes the problem. He also has to contend with neo-Marxists in the Native Welfare Commission who are hostile to his plan and the general efficiency of the military and private enterprise in providing for the Commission's native charges. While sympathetic to Piper's side of the debate, this story, in some ways, seemed to me the most dated in the book. If the story were written now, the bureaucrats would not be denouncing the influence of Kwannon priests (a la a 1950s Marxist denounciation of religion holding the masses back from their inevitable destiny) but celebrating their diversity - whatever its effects. It's Piper's hero that is most respectful of the aliens' innate abilities if not their specific beliefs. It's all about working with and accepting "social forces", alien or human, rather than working against them.
"Graveyard of Dreams" is a melancholy story with a hopeful end that has a bit of the air of cargo cults about it. Poictesme's residents try to hold off their economic decline by scavenging the huge amount of military hardware left behind after a Federation civil war. Their ultimate quest is for a huge, sophisticated battle computer, the alleged key to Federation victory.
"When in the Course - " is something of an anomaly. Never published in Piper's lifetime because Astounding's editor John W. Campbell rejected the story and its implausible element of parallel evolution, half of it was cannibalized to become part of Piper's Paratime series, specifically part of the novel Lord Kalvan of Otherwhen. The flavor of the story is similar to that novel with also something of L. Sprague de Camp's Lest Darkness Fall. A group of humans land on Freya, their last chance to get a profitable colonial charter. They introduce all sorts of innovations - like secret police and propaganda as well as gunpowder production - to the natives so they can get a treaty for their company and the natives can throw off a local religious tyranny.
Piper's work is all in the public domain and freely available online. However, this collection is worth buying for Carr's attempt to piece together Piper's future history with its cycles of war, barbarism, expansion, and decline. It was a vast project Piper planned and, unfortunately, since many of his papers vanished after his suicide, the chronology of the series is not always obvious.
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years old, and you have to make some mental allowances for when, say, characters drag out that ancient bit of technology - the photostat. If you do that, you'll be entertained by one of the great practitioners of adventure science fiction, the man who created the popular Little Fuzzy series. The stories in this collection are set in the same universe, Piper's TerroHuman Future History, specifically during its early days. Aliens are central to most of the stories whether it's deciphering their history, attempting communication with them, or manipulating their culture.
Piper was a great student of history and often makes specific allusions to the historical event inspiring a certain story. But the plots come off as credible and still readable instead of shoddy analogies with the past.
"Omnilingual" is perhaps Piper's most famous short story. Its account of finding a Rosetta Stone to decipher the language of dead Martians is mixed with evocative accounts of their ruins and final struggles. "Naudsonce" is one of those alien puzzle anthropology stories. Here the puzzle is whether an alien race is telepathic or just has an astonishingly inconsistent language. The solution is credible and lies in the aliens' physiology. This is perhaps the only story in the collection not inspired by some bit of history.
"Oomphel in the Sky" seems inspired by what anthropologists call "revitalization movements" similar to the American Indian's Ghost Dance of the late 1800s. The aliens of Kwannon start murdering and burning out human colonists in preparation for the Last Hot Time, an anticipation of the planet approaching perihelion with one of the system's suns. In the grand manner of an Astounding story of the time, our hero fixes their culture and fixes the problem. He also has to contend with neo-Marxists in the Native Welfare Commission who are hostile to his plan and the general efficiency of the military and private enterprise in providing for the Commission's native charges. While sympathetic to Piper's side of the debate, this story, in some ways, seemed to me the most dated in the book. If the story were written now, the bureaucrats would not be denouncing the influence of Kwannon priests (a la a 1950s Marxist denounciation of religion holding the masses back from their inevitable destiny) but celebrating their diversity - whatever its effects. It's Piper's hero that is most respectful of the aliens' innate abilities if not their specific beliefs. It's all about working with and accepting "social forces", alien or human, rather than working against them.
"Graveyard of Dreams" is a melancholy story with a hopeful end that has a bit of the air of cargo cults about it. Poictesme's residents try to hold off their economic decline by scavenging the huge amount of military hardware left behind after a Federation civil war. Their ultimate quest is for a huge, sophisticated battle computer, the alleged key to Federation victory.
"When in the Course - " is something of an anomaly. Never published in Piper's lifetime because Astounding's editor John W. Campbell rejected the story and its implausible element of parallel evolution, half of it was cannibalized to become part of Piper's Paratime series, specifically part of the novel Lord Kalvan of Otherwhen. The flavor of the story is similar to that novel with also something of L. Sprague de Camp's Lest Darkness Fall. A group of humans land on Freya, their last chance to get a profitable colonial charter. They introduce all sorts of innovations - like secret police and propaganda as well as gunpowder production - to the natives so they can get a treaty for their company and the natives can throw off a local religious tyranny.
Piper's work is all in the public domain and freely available online. However, this collection is worth buying for Carr's attempt to piece together Piper's future history with its cycles of war, barbarism, expansion, and decline. It was a vast project Piper planned and, unfortunately, since many of his papers vanished after his suicide, the chronology of the series is not always obvious.
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Subjects
Language
Original language
English
Original publication date
1981 (collection)
Physical description
284 p.; 17.2 cm
ISBN
0441231896 / 9780441231898
Local notes
Omslag: Michael Whelan
Omslaget er ikke krediteret, men ifølge isfdb.org er det Michael Whelan
Omslaget viser en flok soldater med en leder klædt i en lysere uniform. Ved lederens ene ben kigger en lille sød alien frem
Indskannet omslag - N650U - 150 dpi
Omslaget er ikke krediteret, men ifølge isfdb.org er det Michael Whelan
Omslaget viser en flok soldater med en leder klædt i en lysere uniform. Ved lederens ene ben kigger en lille sød alien frem
Indskannet omslag - N650U - 150 dpi
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Pages
284
DDC/MDS
| 813.54 |