Status
Available
Call number
Genres
Publication
[Kbh.] : Thaning & Appel, 1982.
Description
Fiction. Poetry. HTML: This one-of-a-kind masterpiece is a classic of American literature. In Spoon River Anthology, Kansas-born poet and playwright Edgar Lee Masters channels the imagined voices of the deceased men, women, and children buried in a cemetery in rural Illinois. Haunting and ethereal, inspiring and unforgettable, these poems will remain etched in readers' memories..
User reviews
LibraryThing member wildbill
The edition I have of this book was published in 1915 shortly after the poems were serialized in
" Reedy's Mirror".
The book begins with the poem "The Hill" which introduces the reader to the town cemetery. The residents of the cemetery tell the tale of their lives in remainder of the poems. The
the history of the town unfolds.
Towards the end of the book the author runs out of "A" material and I did not care for the last poem "The Spooniad" a nine page contribution attributed to a town resident. All in all it is an entertaining book for the short time it takes to read.
" Reedy's Mirror".
The book begins with the poem "The Hill" which introduces the reader to the town cemetery. The residents of the cemetery tell the tale of their lives in remainder of the poems. The
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author does a good job of telling a short story in two or three paragraphs of verse. There are separate stories from a husband and wife, members of a family or different people involved in the failure of a bank. There is a mixture of humor and tragedy as thethe history of the town unfolds.
Towards the end of the book the author runs out of "A" material and I did not care for the last poem "The Spooniad" a nine page contribution attributed to a town resident. All in all it is an entertaining book for the short time it takes to read.
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LibraryThing member MerryMary
An amazing collection of poems, ostensibly the voices of the dead in Spoon River cemetery. Each person has something to say about his or her life, and as you read, you find the poems interlacing and telling more of a story than any of the poems can tell singly. I've loved this collection for years.
LibraryThing member tracyjayhawk
Masters weaves a great story between the main characters of these short poems. The over-arching theme, of course, if the irony of "the good life" and "death as the great equalizer," but some of the poems are especially powerful. The inspiration for "Winesburg, Ohio" by Sherwood Anderson, many say.
LibraryThing member AlexTheHunn
Masters created a town of Spoon River and lets us look into the goings on there. This is nothing unusual in fiction. However, in this case we see the town through the voices of the dead. Every piece in this collection of free verse is that of one of the former inhabitants speaking from the grave.
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Some are funny, some of gut-wrenchingly sad, some are inspiring. Some connect together so a bit of a story emerges; many stand along. Show Less
LibraryThing member mmbowers
I have never, ever read this whole book (which is pretty concise) from cover to cover in page order, but instead skip around a bit, sometimes forward, sometimes backwards. Every time I find something jarring, enlightening, or funny that I missed before. It's one of those rare books where you can
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find new beauty in it every time you open it. Show Less
LibraryThing member spoko
For what could have just been a gimmick, it turns out to be surprisingly good.
LibraryThing member zappad0g
"You two have seen the secret together,
He sees it in you, and you in him.
And there you sit thrilling lest the Mystery
Stand before you and strike you dead
With a splendor like the sun's..." (from "Faith Matheny")
He sees it in you, and you in him.
And there you sit thrilling lest the Mystery
Stand before you and strike you dead
With a splendor like the sun's..." (from "Faith Matheny")
LibraryThing member Jannemangan
Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively describe the life of the fictional small town of Spoon River, named after the real Spoon River that ran near Masters' home town. The collection includes two hundred and twelve separate
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characters, all providing two-hundred forty-four accounts of their lives and losses. Show Less
LibraryThing member ValerieAndBooks
Published in 1915, each poem in this volume is a monologue spoken by a dead person. It is as if the reader is visiting a cemetery in the fictional town of Spoon River, and each name on a tombstone speaks for himself or herself. People from all walks of society are here. Much is revealed here. The
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reader often understands what each person is trying to say. It’s not necessarily all morbid or maudlin. Show Less
LibraryThing member jppoetryreader
This is a conceptually intriguing book in which the residents (represented by over 200 poems) of a small town cemetery speak from the grave about the truth as they see it, being free from social pressure or potential retribution to present themselves or others in a good light.
I think it's important
This is a book-length work that was written in sections that appeared serially before being collected into a single volume. As many people note, the poems at the beginning of the book are almost unremittingly depressing. They're largely about people who experienced injustice or floundered in the face of events they couldn't control. This lets up in the last third of the book, though not necessarily to good effect. I felt that Masters continued the project after it's vital energy had waned.
Women may be a little dissatisfied with the book because so few women are represented, 50 out of 244, and often in stereotypical ways. This isn't surprising considering that most of these poems appeared before women had even been granted the right to vote. Though the lack of representation is still a disappointment, it's worth acknowledging that he did give women a voice and laid bare some injustices toward them and community attitudes toward stereotypes represented that were unjust. He doesn't let things be simple.
The copy I read had a had an introduction by John Hollander and footnotes clarifying the many historical and literary allusions in the poems. I highly recommend people get a volume with the footnotes.
Much has been written about this work. In fact, it's the only book of poetry I've ever heard of that has its own website (spoonriveranthology.net), essentially a fan site. It's worth reading and rereading. By the end, I the many people/poems had become a blur and I'm not able to say which were my favorites. The next time through I'll mark them. And there will definitely be a next time through. Not all of the poems were great but many of them were superb and I'd like to find them again.
I don't think this book is for everyone but it struck me as a good book to have students read and discuss at the high school level because if offers so much to talk about, whether matters of poetics or history or justice. I intend to give a copy to my brother, who is a lawyer and would appreciate the many perspectives that turn up in the book. I also think any serious student of poetry should read it as an example of a big project. In our formal education, we so rarely presented with even remotely contemporary examples of book-length poems or projects. I was quite miffed to be left clueless about this book until running into it at my local library.
I want to warn the readers of this review that Spoon River Anthology is generally considered the only work of Masters worth preserving. As John Hollander put it, a "quite uninspired poet, who in the unique format, and under imaginative pressures, excelled himself by producing a masterpiece." His other poetry is very conventional rhymed verse and only in throwing off convention in middle age was he able to speak in a variety of voices and from a variety of perspectives to produce this fascinating work.
I think it's important
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to remember that Masters was a lawyer by profession, a person who had heard people's testimonies about incidents and different people and had seen how judges and juries dealt with them. This book isn't simply about a small town, it's about humanity and justice, sometimes in the legal sense and sometimes in the larger sense. It's also about how people perceive themselves and others. We get more than one perspective on different characters or events that come up as the individuals speak.This is a book-length work that was written in sections that appeared serially before being collected into a single volume. As many people note, the poems at the beginning of the book are almost unremittingly depressing. They're largely about people who experienced injustice or floundered in the face of events they couldn't control. This lets up in the last third of the book, though not necessarily to good effect. I felt that Masters continued the project after it's vital energy had waned.
Women may be a little dissatisfied with the book because so few women are represented, 50 out of 244, and often in stereotypical ways. This isn't surprising considering that most of these poems appeared before women had even been granted the right to vote. Though the lack of representation is still a disappointment, it's worth acknowledging that he did give women a voice and laid bare some injustices toward them and community attitudes toward stereotypes represented that were unjust. He doesn't let things be simple.
The copy I read had a had an introduction by John Hollander and footnotes clarifying the many historical and literary allusions in the poems. I highly recommend people get a volume with the footnotes.
Much has been written about this work. In fact, it's the only book of poetry I've ever heard of that has its own website (spoonriveranthology.net), essentially a fan site. It's worth reading and rereading. By the end, I the many people/poems had become a blur and I'm not able to say which were my favorites. The next time through I'll mark them. And there will definitely be a next time through. Not all of the poems were great but many of them were superb and I'd like to find them again.
I don't think this book is for everyone but it struck me as a good book to have students read and discuss at the high school level because if offers so much to talk about, whether matters of poetics or history or justice. I intend to give a copy to my brother, who is a lawyer and would appreciate the many perspectives that turn up in the book. I also think any serious student of poetry should read it as an example of a big project. In our formal education, we so rarely presented with even remotely contemporary examples of book-length poems or projects. I was quite miffed to be left clueless about this book until running into it at my local library.
I want to warn the readers of this review that Spoon River Anthology is generally considered the only work of Masters worth preserving. As John Hollander put it, a "quite uninspired poet, who in the unique format, and under imaginative pressures, excelled himself by producing a masterpiece." His other poetry is very conventional rhymed verse and only in throwing off convention in middle age was he able to speak in a variety of voices and from a variety of perspectives to produce this fascinating work.
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LibraryThing member Sarah_Beaudette
Some of the writing, albeit morbid, is downright delicious. Best taken in small doses, however. He beats the theme like a dead horse. I pride myself on a high tolerance for grief and morbidity, and I could only make it halfway through. Not surprising that James Franco made a contest of adapting it
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into a short film. There are about eight minutes' worth of gripping, compelling, poetry in this book. Save the rest for when you're feeling Poe-ish, or have just gone through a break-up and want to read about a caste of characters who are all worse off than you. Show Less
LibraryThing member Sarah_Beaudette
Some of the writing, albeit morbid, is downright delicious. Best taken in small doses, however. He beats the theme like a dead horse. I pride myself on a high tolerance for grief and morbidity, and I could only make it halfway through. Not surprising that James Franco made a contest of adapting it
Show More
into a short film. There are about eight minutes' worth of gripping, compelling, poetry in this book. Save the rest for when you're feeling Poe-ish, or have just gone through a break-up and want to read about a caste of characters who are all worse off than you. Show Less
LibraryThing member skwoodiwis
I sat down with this work determined to finish it. Should not have been worried about not finishing it. Beautiful, mournful work. Heart breaking. I would recommend this book to anyone over the age of 21 but over the age of 40 would be better. I feel one needs a few experiences in life to be able to
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follow and pick up the different works within this master piece. Show Less
LibraryThing member caseybp
I read this after seeing the play version and absolutely fell in love with Masters stories.
LibraryThing member asxz
Heard about this for the first time while reading Richard Price's Samaritan. It's a tremendous achievement. Witty and dour, morbid and feather-light. I will have to dip back into it again for all human life can be found within.
LibraryThing member CarrieWuj
This is a re-read of a classic I love, in anticipation of seeing it on stage. Masters' concept here is still unique and fresh and the short free-verse poems are easy to digest. Told from the graveyard in Spoon River, a small rural Illinois town, each character is essentially sharing his or her
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epitaph from the other side. How the characters interconnect and how the small town fosters lots of drama and hidden undercurrents of emotion is the truly interesting part. Favorites include: Richard Cory, Lucinda Matlock, Mrs. Merritt, Julia Miller, Chase Henry and many others. It's easy to dip in here and there and it doesn't need to be read cover-to-cover, but it is a worthwhile undertaking. Show Less
LibraryThing member Sarah_Beaudette
Some of the writing, albeit morbid, is downright delicious. Best taken in small doses, however. He beats the theme like a dead horse. I pride myself on a high tolerance for grief and morbidity, and I could only make it halfway through. Not surprising that James Franco made a contest of adapting it
Show More
into a short film. There are about eight minutes' worth of gripping, compelling, poetry in this book. Save the rest for when you're feeling Poe-ish, or have just gone through a break-up and want to read about a caste of characters who are all worse off than you. Show Less
LibraryThing member psalva
Astonishing! Wonderful!
Awards
Audie Award (Finalist — Classic — 2003)
Language
Original language
English
Original publication date
1914
Physical description
359 p.; 19.6 cm
ISBN
8741350065 / 9788741350066
Local notes
Omslag: Marlie Brande
Omslaget viser en kirkegård med gravsten og monumenter
Indskannet omslag - N650U - 150 dpi
Oversat fra engelsk "Spoon River Anthology" af Ove Brusendorff
Illustrationer: Marlie Brande
Omslaget viser en kirkegård med gravsten og monumenter
Indskannet omslag - N650U - 150 dpi
Oversat fra engelsk "Spoon River Anthology" af Ove Brusendorff
Illustrationer: Marlie Brande
Other editions
Spoon River Anthology by Edgar Lee Masters (Paperback)
Spoon River Antologien by Edgar Lee Masters (Paper Book)
Pages
359
DDC/MDS
| 811.52 |