Vincent van Gogh in full colour : Fifty plates

by W. Uhde

Hardcover, 1951

Status

Available

Call number

759.9492

Library's review

Indeholder "The Life and Work of Vincent van Gogh", "The Plates", " I. Self-portrait. 1888. Amsterdam. Rijksmuseum. 25 1/2 x 20 inches.", " II. Self-portrait with pipe. January 1889. Paris. Paul Rosenberg. 20 x 17 3/4 inches.", "1. Portrait of Père Tanguy. (1887). Paris. Musée Rodin. 36 1/4 x 28
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3/4 inches.", "2. Flowers in copper vase. (1886). Paris. Louvre. 29 x 23 3/4 inches.", "3. Self-portrait. (1887). Laren. V. W. van Gogh. 17 1/4 x 14 3/4 inches.", "4. Basket with apples. (1887). Hoenderlo. Rijksmuseum Kröller-Müller. 19 3/4 x 24 inches.", "5. Van Gogh's house at Arles. September 1888. Laren. V. W. van Gogh. 30 x 37 inches.", "6. Restaurant de la sirène at Joinville. 1887. Paris. Louvre. 22 1/2 x 26 3/4 inches.", "7. Cornfield. (1887). Laren. V. W. van Gogh. 21 1/4 x 25 1/2 inches.", "8. Market-gardens. June 1888. Laren. V. W. van Gogh. 28 1/2 x 36 1/4 inches.", "9. The aliscamps at Arles. November 1888. Hoenderlo. Rijksmuseum Kröller-Müller. 28 x 36 inches.", "10. The draw-bridge. Watercolour. 1888. Berlin. Baron von Simonlin. 11 3/4 x 11 3/4 inches.", "11. The zouave. June 1888. Vienna. A. von Hoboken. 32 x 25 1/2 inches.", "12. Girl on pink background. May 1888. Hoenderlo. Rijksmuseum Kröller-Müller. 19 3/4 x 19 1/4 inches.", "13. Flowering almond-twig. February 1888. Laren. V. W. van Gogh. Original size.", "14. Sunflowers. August 1888. London. Tate Gallery. 36 1/2 x 28 3/4 inches.", "15. The painter on his way to work. August 1888. Magdeburg. Kaiser-Friedrich Museum. 19 x 17 1/4 inches.", "16. Portrait of Eugène Boch. September 1888. Paris. Louvre. 23 1/2 x 17 1/2 inches.", "17. Pieta. September 1889. Laren. V. W. van Gogh. 28 3/4 x 23 3/4 inches.", "18. The draw-bridge. March 1888. Laren. V. W. van Gogh. 23 x 28 3/4 inches.", "19. Boats at Saintes-Maries. June 1888. Berlin. Bernhard Koehler. 15 1/4 x 21 1/4 inches.", "20. Boats on the Rhone. August 1888. Essen. Folkwang Museum. 21 3/4 x 26 inches.", "21. Still-life with coffe-pot. May 1888. Paris. Paul Rosenberg. 25 1/2 x 32 inches.", "22. La Mousmé. July 1888. Washington. National Gallery of Art (Chester Dale Collection). 29 x 23 1/2 inches.", "23. Café at night. September 1888. Hoenderlo. Rijksmuseum Kröller-Müller. 31 x 24 3/4 inches.", "24. The yellow chair with pipe. December 1888. London. National Gallery. 36 1/2 x 29 inches.", "25. Gauguin's armchar. December 1888. Laren. V. W. van Gogh. 35 3/4 x 28 1/2 inches.", "26. Portrait of an actor. 1888. Hoenderlo. Rijksmuseum Kröller-Müller. 24 3/4 x 20 1/2 inches.", "27. Portrait of Armand Roulin. November 1888. Vierhouten. D. G. van Beuningen. 25 x 21 inches.", "28. The sower. October 1888. Laren. V. W. van Gogh. 13 x 16 1/4 inches.", "29. View of Arles. April 1889. Munich. Neue Staatsgalerie. 28 1/2 x 36 1/4 inches.", "30. The postman Roulin. February 1889. Hoenderlo. Rijksmuseum Kröller-Müller. 24 3/4 x 20 1/2 inches.", "31. 'La Bercause' (Mme. Roulin). February 1889. Hoenderlo. Rijksmuseum Kröller-Müller. 35 1/2 x 28 inches.", "32. The Enclosed Field. November 1889. Hoenderlo. Rijksmuseum Kröller-Müller. 28 x 35 1/4 inches.", "33. Still-life with drawing-board. January 1889. Hoenderlo. Rijksmuseum Kröller-Müller. 19 3/4 x 25 1/4 inches.", "34. Landscape near Auvers. July 1890. Munich. Neue Staatsgalerie. 29 x 36 1/4 inches.", "35. Rowing boats. 1890. New York. Knoedler & Co. 28 1/2 x 36 1/4 inches.", "36. Mountain landscape. May 1890 . Hoenderlo. Rijksmuseum Kröller-Müller. 22 1/2 x 28 inches.", "37. The ravine. December 1889. Hoenderlo. Rijksmuseum Kröller-Müller. 28 3/4 x 36 1/4 inches.", "38. Child with orange. June 1890. Winterthur. Prof. H. Hahnloser. 19 3/4 x 20 inches.", "39. Two children. June 1890. Erlenbach-Zurich. Richard Kisling, Esq. 20 1/4 x 18 1/4 inches.", "40. Fir Woods. November 1889. Hoenderlo. Rijksmuseum Kröller-Müller. 35 1/2 x 28 inches.", "41. Portrait of Dr. Gachet. June 1890. New York. S. Kramarsky. 26 x 22 1/2 inches.", "42. Irises. May 1890. Laren. V. W. van Gogh. 36 1/4 x 29 inches.", "43. Road with cypresses. May 1890. Hoenderlo. Rijksmuseum Kröller-Müller. 35 1/4 x 28 inches.", "44. Crows over cornfield. July 1890. Laren. V. W. van Gogh. 19 3/4 x 39 1/2 inches.", "45. Meadow with butterflies. May 1890. London. Tate Gallery. 25 1/4 x 32 inches.", "46. Daubigny's garden. June 1890. Laren. V. W. van Gogh. 20 x 30 inches.", "47. Self-portrait. May 1890. Paris. Louvre. 25 1/2 x 21 1/4 inches.", "48. Van Gogh's bedroom at Arles. September 1889. Laren. V. W. van Gogh. 28 1/4 x 35 1/2 inches.", "Acknowledgements".

Fine reproduktioner af mange af van Goghs malerier, også nogle som jeg ikke kendte så godt. En del af dem tilhører Rijksmuseum Kröller-Müller, som jeg jo faktisk har været på.
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Publication

London : Phaidon, 1951. Ca 72 unnumbered pages.

Description

Vincent van Gogh's life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh's illness. The author of the article saw the painter as "a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological." Very little is known about Vincent's childhood. At the age of eleven he had to leave "the human nest", as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply "Vincent". He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent's work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh's life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: "I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, 'La tristesse durera toujours (The sadness will last forever).'".… (more)

Language

Original language

English

Original publication date

1951

Physical description

72 p.; 30.5 cm

Local notes

Omslag: Indbundet
Omslaget viser teksten Van Gogh in full colour
Indskannet omslag - N650U - 150 dpi

Pages

72

Library's rating

Rating

½ (8 ratings; 3.8)

DDC/MDS

759.9492
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