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Norman Johnson er 53 år og professor i psykologi. Han er tilknyttet Luftfartstyrelsens havarikommision. Sammen med en broget flok af videnskabsfolk bliver han i 1986 fragtet til et sted i det sydlige Stillehav mellem Samoa og Fiji. Han
Flåden har lokaliseret noget, der ligner et rumskib på 300 meters dybde og de mener at det har ligget der mindst 300 år.
De andre på holdet er fra flåden: Harold C. Barnes, Jane Edmunds, Tina Chan, Alice Fletcher og Rose C. Levy. Og fra det civile: Theodore "Ted" Fielding, 40 år og astrofysiker, Elizabeth "Beth" Halpern, 36 år og zoolog, Harold J. Adams, 30 år og matematiker, Arthur Levine, havbiolog, Norman Jackson, psykolog.
Rumskibet blev fundet fordi et kabelskib fik klippet et kabel over ca på det sted. Rumskibet viser sig at være over en kilometer lang og flåden har fundet en dør, som de synes at holdet skal ned og kigge på.
Hal Adams har lugtet lunten, så han er ikke overrasket, da de opdager at det er et amerikansk rumskib fra fremtiden. De gætter på at det har været sendt igennem et ormehul og er kommet tilbage, før det blev sendt afsted. Inde i rumskibet finder de en stor (10 meters diameter) kugle, der har givet bogen navn. De udforsker rumskibet fra et habitat af store cylindre, som flåden har etableret tæt ved.
En storm tvinger deres overfladeskib væk, men de bliver ved rumskibet. Harry Adams finder ud af at åbne kuglen og er derinde tre timer, men kan ikke huske noget, da han kommer ud. Udenfor begynder nogle nye arter af blæksprutter, rejer og vandmænd at samle sig. Jane Edmunds går udenfor for at tage prøver, men bliver ætset ihjel af nogle vandmænd. Der dukker sjove tal op på en af deres terminaler og efter en kort stund knækker matematikeren koden - det er bare et qwerty-tastatur i spiral. De kan nu kommunikere med kuglen. Levy dør på vej tilbage fra et kontrolbesøg ved den lille ubåd, der er deres sidste flugtmulighed. Barnes og Tina går ud for at hente Levy ind men støder på en kæmpeblæksprutte og Barnes bliver dræbt af den. En matros dukker op, men forsvinder sporløst igen selv om man kan se ham på videooptagelserne. Kuglen ser altså ud til at kunne manifestere ting.
Kæmpeblæksprutten angriber deres habitat. De åbner en sluse, men en arm kommer hurtigt igennem og dræber Ted. Et koøje brister og Tina dør.
Tilbage er Harry, Norman og Beth. Norman overbeviser Beth om at Harry er kontrolleret af Kuglen, men efterfølgende kommer Beth i tvivl og overbeviser Norman om at det er ham selv, der er styret og at han har været inde i kuglen.
De trigger nogle sprængladninger og flygter alle tre i ubåden.
De har alle tre fået evnen til at få noget til at ske bare ved at tænke på det og den evne bruger de til at glemme kuglen.
Åndsvag påklistret slutning. Åndsvag bog og åndsvagt plot.
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Fiction. Science Fiction. Thriller. HTML: From the author of Jurassic Park, Timeline, and Congo comes a psychological thriller about a group of scientists who investigate a spaceship discovered on the ocean floor. In the middle of the South Pacific, a thousand feet below the surface, a huge vessel is unearthed. Rushed to the scene is a team of American scientists who descend together into the depths to investigate the astonishing discovery. What they find defies their imaginations and mocks their attempts at logical explanation. It is a spaceship, but apparently it is undamaged by its fall from the sky. And, most startling, it appears to be at least three hundred years old, containing a terrifying and destructive force that must be controlled at all costs. .… (more)
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Now, I must admit that when I was younger, I was they type to go see movies that interested me, and afterward, investigate their original source material, so I saw Sphere first. And I loved it.
I loved it so much that I went out and bought
I read the book. And I loved it. But in my love for the book, I started to dislike the film. I though, "Gee, Mr. Levinson, couldn't you have been a little more faithful to the book? It would have made an even better film!" I'm not saying that the film itself was bad, as after all, I said earlier that I loved it. I'm just saying that if your movie is nowhere near as good (even if it is good) as the book, then you're doing it wrong.
The book is about an alien craft found deep in the ocean (it's discovered because its tail fin severed a trans-oceanic data cable). A team of scientists is assembled to study the alien vessel. Upon investigation, however, they discover the alien vessel in not alien at all, but some sort of time traveling space ship from the future, crashing into the ocean in the past. There are no survivors, as the ship has been under water for at least 350 years. There is, however, a strange spherical artifact, called "the sphere."
One of the scientists ventures into the sphere, but has no recollection of what went on. Afterward, however, the crew is contacted by a curious entity via the computers who is capable of manifesting any manner of horrors just for his amusement.
The crew must then survive the childlike wrath of the entity, and try to figure out just what's happening.
The thing I enjoyed most about this novel was not that it was a techno thriller, as are most if not all of Crichton's books. I enjoyed, rather, the psychological nature of this book, which does come apparent as you read it.
If you are a fan of either techno or psychological thrillers, or quite possibly any thriller, maybe even Michael Jackson's Thriller, then you may find yourself enjoying Sphere. If you want to maximize your enjoyment, you might want to do as I have done, and watch the movie first. Be ready to hate it, though, once you've read the book. And be ready to be disappointed if you read the book and THEN watch the movie.
The ending seemed a bit contrived. I couldn't see these people going to this conclusion. And some of the conclusions they jumped to seemed a bit far-fetched. But otherwise the book was enjoyable. The action and suspense is typical for Crichton.
This isn't a truly bad book, it is just a very derivative one. I suppose if I hadn't read or seen stories that cover much the same territory before, and in most cases done it better, I might give this book a more favorable review. But the "alien device from the future" story has been done better. The "secrets man was not meant to know" story has been done better. And the "wouldn't it be scary if we could change things with our subconscious" story has been done better. I suppose this book gets some credit for weaving them all together, but I downgrade it for the weak ending.
If you really like Crichton, and won't be bothered by a story that rehashes territory covered by other science fiction authors, this one is okay. Not great, but okay.
The ending was mostly stupid, too - only Beth saved it.
"Sphere" is a terrific sci-fi thriller. Instead of space though, the story takes place deep within the Pacific Ocean, where a team of scientists, in support of a US Navy exercise, explore and try to understand what appears to be a spaceship.
Like most of Crichton’s novels, “Sphere’s” characters are created to give voice to varying personality types and perspectives. Crichton populates his undersea thriller with representatives from multiple scientific disciplines. Norman Goodman is a psychologist and explores the deepest parts of the human (and alien) mind. Beth Halperin is a biologist and brings her perspectives of earth and space-bound biological beings. Ted Fielding is the obnoxious astrophysicist, and Harold Barnes is the Navy commander who provides a militaristic, and conspiratorial, perspective.
Harry Adams is a savant mathematician with prodigious reasoning skills. The character seems to be an early sketch of the well-known Dr. Ian Malcolm from Crichton’s “Jurassic Park”. Adams serves as the big brain and foil to the narrow-sighted exuberance of the martial Barnes in “Sphere”, whereas Malcolm served the same role as counterpoint to John Hammond’s financially-fueled dinosaur fervor on "Jurassic Park".
Goodman works through the causalities of events and actions and gives Crichton a mechanism and mouthpiece for the exploration of human nature and motivation. Crichton utilizes Norman's field of expertise to provide the psychological context to the story. And instead of delivering the themes through a disembodied narrator, Norman’s internal monologue and dialogue with the other characters provides the mental framework driving the psychological horror and intensity.
Crichton uses his plot, as usual, to delve into numerous scientific theories and perspectives. The alien presence provides the platform for the discussion of extraterrestrial contact, space travel and time travel. The underwater setting provides Crichton with the physical background to delve into ocean biology, and the capabilities and possibilities of living for extended periods under water. Within all of the scientific disciplines, Crichton enables his characters to explore the most modern and extreme theories of science.
Norman uses the isolation and extreme existence of underwater habitats to provide readers with a view of a full-scale, real-time Rorschach test. Everyone and everything is viewed, absorbed and translated uniquely. Everything impacts the personalities in a different way, which drives the story's human elements in unison with the well-paced action surrounding and impacting the characters.
The book has moments of horror, but is fueled by suspense. The conclusion - literally the last 2 pages - is a little weak, but the ride to get there is fantastic and fast.
I like reading Crichton's books when I go on vacation, because they are easy to pick up, get sucked into and are fast-paced. They are easy reads, but are definitely enjoyable. This one was no exception.
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Omslaget viser en kugle. En meget klinisk kugle, som i et 3d program, måske
Indskannet omslag - N650U - 150 dpi
Oversat fra amerikansk "Sphere" af Peter Parkov
Side 40: Drakes ligning
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813.54 |