Status
Available
Call number
Publication
London : Penguin Bks., 1984
Description
Billy Casper is a boy with nowhere to go and nothing to say; part of the limbo generation of school leavers too old for lessons and too young to know anything about the outside world. He hates and is hated. His family and friends are mean and tough and they're sure he's going to end up in big trouble. But Billy knows two things about his own world. He'll never work down the mines and he does know about animals. His only companion is his kestrel hawk, trained from the nest, and, like himself, trained but not tamed, with the will to destroy or to be destroyed. This in not just another book about growing up in the north - it's as real as a slap in the face to those who think that orange juice and comprehensive schools have taken the meanness out of life in the raw working towns.… (more)
User reviews
LibraryThing member edwinbcn
A kestrel for a knave is a very harsh story, that offers a glimmer of hope, which is then ruthlessly dashed. The drama of the story brings out the hopelessness of growing up in poverty and the lower working class.
The setting of the novel is bleak, a grey, colourless indefinite miner's town northern
In an act of thoughtlessness, more as a prank, he pulls a young kestrel hawk out of a nest, and decides to tame it.
Training a hawk is no mean feat. The first step is for Billy to take his responsibility, having taken down the young kestrel. Unable to find the books he needs in the library, he steals a book about falconry from the bookstore. Training the kestrel involves knowledge, skill, courage, self-confidence and perseverance. Unknown to himself, the young Billy experiences incredible personal growth, noticed by one of his teachers who comes out to observe Billy's mastery in falconry.
The novels ends with a drama, as his envious and mean brother, finds a way to hurt Billy deeply over a trivial matter, weighing a small amount of money more than immaterial culture and achievement.
A kestrel for a knave will inspire educators. It is nowadays classified as a YA novel, which epithet however should not withhold adult readers from picking it up and reading it, as it is a very moving story.
Penguin Books has included A kestrel for a knave, originally published in 1968, in its series of Modern Classics, with a new afterword by the author, Barry Hines, written in 1999. The afterword discusses the background to the novel, its reception and success, and the very successful film adaptation.
The setting of the novel is bleak, a grey, colourless indefinite miner's town northern
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England's Yorkshire. Billy Casper is on the verge of becoming a school drop-out, grown up in an anti-social broken-up family, neglected by his mother and bullied by his older brother, with whom he shares a bed. Billy drifts from petty theft, to a future of hopelessness.In an act of thoughtlessness, more as a prank, he pulls a young kestrel hawk out of a nest, and decides to tame it.
Training a hawk is no mean feat. The first step is for Billy to take his responsibility, having taken down the young kestrel. Unable to find the books he needs in the library, he steals a book about falconry from the bookstore. Training the kestrel involves knowledge, skill, courage, self-confidence and perseverance. Unknown to himself, the young Billy experiences incredible personal growth, noticed by one of his teachers who comes out to observe Billy's mastery in falconry.
The novels ends with a drama, as his envious and mean brother, finds a way to hurt Billy deeply over a trivial matter, weighing a small amount of money more than immaterial culture and achievement.
A kestrel for a knave will inspire educators. It is nowadays classified as a YA novel, which epithet however should not withhold adult readers from picking it up and reading it, as it is a very moving story.
Penguin Books has included A kestrel for a knave, originally published in 1968, in its series of Modern Classics, with a new afterword by the author, Barry Hines, written in 1999. The afterword discusses the background to the novel, its reception and success, and the very successful film adaptation.
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LibraryThing member MeditationesMartini
This is quite a charming story, but it seems a bit like Hines misunderstands his real strengths and misses the real charm as well as the real story - a kid and his kestrel - in favour of some social realism that, hell, I dunno, we KNOW it's shitty in Northern mine towns (or was - I dunno how many
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mines are still even running after Thatcher). There is all the pain begetting pain and the cruelty of the industrial economy (not that every economy doesn't have its sort of cruelty) and the whole tension about how they're kind-hearted everyday folk and the salt of the earth but also AWFUL - and that's an interesting book. But it's not this book, even though Hines tries to make it so, and it seems like this story could have been rendered a little sweeter and a little less sad without compromising its essence - indeed, drawing it out. Show Less
LibraryThing member otterley
This is a simple story - a boy, his kestrel and his environment in a northern mining town surrounded by countryside. Hines tells it with an almost obsessive eye for detail - the tics of a hyperactive young boy, scuffing his feet along a path; the 'how to' guide to falconry, the scruffy, hard worn
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mining town teetering on the edge of respectability. The story is about the love of a boy for his kestrel, but it's also about chances and possibilities , glimpsed by Mr Farthing, the school teacher who spots something wonderful in Billy's story about falconry, or even the chance Billy's brother Jud has of £10 to take him away from the mine for a whole week. Chances are hard won, easy to miss and all too often gone forever. Show Less
LibraryThing member PilgrimJess
“It's fierce, an' it's wild, an' it's not bothered about anybody, not even about me right. And that's why it's great.”
Firstly a quick summary for those of you, who unlike me, are not old old enough to remember the 1969 film adaptation of this book. Set in an unnamed 1960s northern England
Many, many years ago I served in the Royal Navy and when some years later, as part of my resettlement package before returning to 'civvy' street, I visited HMP Dartmoor with an idea of becoming a prison warder. Now whilst I recall little about the actual visit itself, what I certainly do remember was my sense of dread when the prison gate closed behind me. And I was only visiting.
If like me, when you read Mary Shelley's Frankenstein you wonder just who is the real monster, Victor or the creature, in this book you wonder who is the real prisoner? Kes or Billy? Yes, Kes was taken from its family and is kept in a garden shed only allowed out to exercise yet Billy is also a prisoner. Only instead of one keeper Billy has many. Society.
Billy has no tangible aspirations in life. He will leave school virtually illiterate and a future marked by low expectations and little chance of real freedom. Those who have an opportunity to guide him, (family, teachers and the careers officer), instead treat him with indifference and violence. In fact most of the teachers at Billy's school have given up trying to teach preferring instead to try to flog knowledge into the boys. Whereas Kes, when off the leash, has the opportunity to fly away, non-lifer prisoners have the chance of reforming and staying out of prison Billy has little chance of escaping his pitiful lot. A point underlined right at the end, when despite knowing that he is likely to be given a good thrashing by his brother he meekly returns home to an empty house and goes to bed, he has virtually given up before his adult life has even begun. He believes that the highpoint of his life is already behind him.
I found this a heart-rending read but amid the hardship and broken dreams there is humour and a healthy dose of Northern banter, I particularly enjoyed the ridiculously competitive PE teacher. Hines depiction of the countryside and the kestrels themselves is beautifully written. I wish I could say that this book was a product of its time I fear that there are still pockets of hopelessness today. Kids whose only future seems to be one spent in low value, low pay work or on social security. This means that this book is still relevant today and as such is a real gem.
Firstly a quick summary for those of you, who unlike me, are not old old enough to remember the 1969 film adaptation of this book. Set in an unnamed 1960s northern England
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mining town, Billy Casper lives with his inept mother and bullying older brother and is often left to fend for himself. At school Billy is viewed by most as a troublemaker, bullied by teachers and students alike. One night Billy steals a kestrel chick from its nest, rears and pores all his love and passion into it. Pretty simple tale then? Or maybe not.Many, many years ago I served in the Royal Navy and when some years later, as part of my resettlement package before returning to 'civvy' street, I visited HMP Dartmoor with an idea of becoming a prison warder. Now whilst I recall little about the actual visit itself, what I certainly do remember was my sense of dread when the prison gate closed behind me. And I was only visiting.
If like me, when you read Mary Shelley's Frankenstein you wonder just who is the real monster, Victor or the creature, in this book you wonder who is the real prisoner? Kes or Billy? Yes, Kes was taken from its family and is kept in a garden shed only allowed out to exercise yet Billy is also a prisoner. Only instead of one keeper Billy has many. Society.
Billy has no tangible aspirations in life. He will leave school virtually illiterate and a future marked by low expectations and little chance of real freedom. Those who have an opportunity to guide him, (family, teachers and the careers officer), instead treat him with indifference and violence. In fact most of the teachers at Billy's school have given up trying to teach preferring instead to try to flog knowledge into the boys. Whereas Kes, when off the leash, has the opportunity to fly away, non-lifer prisoners have the chance of reforming and staying out of prison Billy has little chance of escaping his pitiful lot. A point underlined right at the end, when despite knowing that he is likely to be given a good thrashing by his brother he meekly returns home to an empty house and goes to bed, he has virtually given up before his adult life has even begun. He believes that the highpoint of his life is already behind him.
I found this a heart-rending read but amid the hardship and broken dreams there is humour and a healthy dose of Northern banter, I particularly enjoyed the ridiculously competitive PE teacher. Hines depiction of the countryside and the kestrels themselves is beautifully written. I wish I could say that this book was a product of its time I fear that there are still pockets of hopelessness today. Kids whose only future seems to be one spent in low value, low pay work or on social security. This means that this book is still relevant today and as such is a real gem.
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LibraryThing member soylentgreen23
It's hard to imagine how Barry Hines's evocative character study could have been much better than it is. The afterword certainly suggests a couple of alterations, but frankly I really enjoyed his story as it was - and I got a lot more out of it than I had hoped.
I've never been a big fan of books
I've never been a big fan of books
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set in a school; perhaps my own experiences are still too recent in my memory; perhaps it is because I have accidentally become a teacher myself, although no more than a lowly English language teacher in foreign private schools. But that changed with 'A Kestrel For A Knave.' The writing is full of life and colour, enough to balance the dim greyness of the landscape and city life described. There is comedy here, too, though it is run through with a great sadness, like a clown being stabbed. Show Less
LibraryThing member overthemoon
I have been holding on to my ancient Penguin paperback for many years as this is a book I like to re-read now and again. The FS edition is wonderful in every way except that it lacks a slipcase, which I find very regrettable. Whoever at FS made the decision to include this in a Nature series with
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Dorothy Wordsworth's Grasmere Journal (well, that's what I was told on facebook) has obviously not read AKFAK. They could just have well have included it in a Birds series along with To Kill a Mockingbird, Birdsong and One Flew over the Cuckoo's Nest, in which case there would have been a slipcase. Show Less
LibraryThing member DeltaQueen50
A Kestrel for a Knave by Barry Hines was originally published in 1968. This classic coming-of-age story is about Billy Casper, a young working class boy who lives with his mother and brother on a huge housing estate in South Yorkshire. The story unfolds over the course of one day with flashbacks to
Billy lives a bleak life, his mother appears indifferent to her boys and is in the habit of bringing men home with her some nights. Billy’s brother, Jud, is older and is working full time at the local pit mine. Billy and Jud have an adversarial relationship with the bigger Jud usually getting the upper hand. In flashback, we learn that Billy caught a young kestrel and has trained it. This is a boy who is never going to get an opportunity to escape what fate has in store for him. There is no higher education waiting for him, he will most likely end up working in the same pit mine as his brother. His escape from his daily life is his kestrel, he can release the bird and watch it soar into the air and fly high above the dreary world. On this particular day, Jud’s bullying and rough ways cause Billy to make a decision that ends up costing him dearly. In the course of this one day, the bleakness and hopelessness that is Billy’s life is vividly illustrated.
A Kestrel For A Knave is not a charming or sentimental story. Instead the author highlights the harshness of Billy’s life that is filled with bullying and neglect. The reader is left with a sense of inevitability about what a narrow future awaits this boy. Although sad, this story evokes strong emotions and is a powerful tale.
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give the reader some backstory. Billy is a troubled youth who gets in trouble at home, in the neighbourhood and at school. Billy lives a bleak life, his mother appears indifferent to her boys and is in the habit of bringing men home with her some nights. Billy’s brother, Jud, is older and is working full time at the local pit mine. Billy and Jud have an adversarial relationship with the bigger Jud usually getting the upper hand. In flashback, we learn that Billy caught a young kestrel and has trained it. This is a boy who is never going to get an opportunity to escape what fate has in store for him. There is no higher education waiting for him, he will most likely end up working in the same pit mine as his brother. His escape from his daily life is his kestrel, he can release the bird and watch it soar into the air and fly high above the dreary world. On this particular day, Jud’s bullying and rough ways cause Billy to make a decision that ends up costing him dearly. In the course of this one day, the bleakness and hopelessness that is Billy’s life is vividly illustrated.
A Kestrel For A Knave is not a charming or sentimental story. Instead the author highlights the harshness of Billy’s life that is filled with bullying and neglect. The reader is left with a sense of inevitability about what a narrow future awaits this boy. Although sad, this story evokes strong emotions and is a powerful tale.
Show Less
LibraryThing member john257hopper
This was the book that put Barnsley on the map in literary terms in 1968, made more famous by Ken Loach's film Kes the following year. The author paints a sharp picture of life at the time and there is some evocative description of the countryside where Billy Casper found his kestrel. But I'm
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afraid I found the narrative dull and have given up just over a quarter of the way through. Show Less
LibraryThing member atreic
I have owned this book for years, and have very hazy memories of having read it when I was much younger.
It is the story of Billy, who lives with his single mum and his abusive older brother in a northern mining community in the 1960s (?).
It is a gritty slice-of-real-life book, grim at the start and
The thing that makes Billy the subject of this book is that he has stolen a kestrel chick and a book on falconry, and managed to train his beautiful, fierce bird Kes. From Billy's skill and Billy's patience and the way Billy so clearly sees the beauty in Kes we see so much of value in Billy, hidden from most of the world.
It is all a bit laid on with a trowel in places - Billy is told to write the tallest tale he can think of in English, and we get such simple wholesome things, like a good breakfast, and chips and beans for his tea, and his Dad coming home and a trip to the pictures.
The ending is bleak and sad and strange. What happens to Billy? Have we as a country failed so many poor angry young men? Do we still?
It is the story of Billy, who lives with his single mum and his abusive older brother in a northern mining community in the 1960s (?).
It is a gritty slice-of-real-life book, grim at the start and
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grim at the end, and grim for quite a lot of the middle. Billy is no angel, lightfingered and close mouthed and always looking for small ways to get back at his brother. But it really shows the world that shapes him, the lack of love, lack of respect, and the unfair (and sometimes sadistic) ways the system treats him.The thing that makes Billy the subject of this book is that he has stolen a kestrel chick and a book on falconry, and managed to train his beautiful, fierce bird Kes. From Billy's skill and Billy's patience and the way Billy so clearly sees the beauty in Kes we see so much of value in Billy, hidden from most of the world.
It is all a bit laid on with a trowel in places - Billy is told to write the tallest tale he can think of in English, and we get such simple wholesome things, like a good breakfast, and chips and beans for his tea, and his Dad coming home and a trip to the pictures.
The ending is bleak and sad and strange. What happens to Billy? Have we as a country failed so many poor angry young men? Do we still?
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Subjects
Language
Original language
English
Original publication date
1968
Physical description
159 p.; 17.8 cm
ISBN
0140029524 / 9780140029529
Local notes
Omslag: Woodfall Films Limited
Omslagsfoto viser Dal Bradley i filmen Kes, instruktør Ken Loach, producer Tony Garnett
Omslaget viser en dreng med en falkonerhandske og en falk
Indskannet omslag - N650U - 150 dpi
Dette eksemplar har en dedikation: For Janne. With best wishes. Barry Hines.
Janne er formentlig Janne Arbon, Hadsten.
Omslagsfoto viser Dal Bradley i filmen Kes, instruktør Ken Loach, producer Tony Garnett
Omslaget viser en dreng med en falkonerhandske og en falk
Indskannet omslag - N650U - 150 dpi
Dette eksemplar har en dedikation: For Janne. With best wishes. Barry Hines.
Janne er formentlig Janne Arbon, Hadsten.
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Pages
159
DDC/MDS
| 823.914 |