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It isn't much of an island that rises up one moonless night from the depths of the Circle Sea just a few square miles of silt and some old ruins. Unfortunately, the historically disputed lump of land called Leshp is once again floating directly between Ankh-Morpork and the city of Al-Khali on the coast of Klatch which is spark enough to ignite that glorious international pastime called "war." Pressed into patriotic service, Commander Sam Vimes thinks he should be leading his loyal watchmen, female watchdwarf, and lady werewolf into battle against local malefactors rather than against uncomfortably well-armed strangers in the Klatchian desert. But war is, after all, simply the greatest of all crimes and it's Sir Samuel's sworn duty to seek out criminal masterminds wherever they may be hiding ... and lock them away before they can do any real damage. Even the ones on his own side.… (more)
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The volcanic island of Leship has risen in the waters between Ankh and Klatch and naturally created tension over the
As usual with Terry's better works, the simple (and unlikely) plot covers a range of wider and deeper issues. International politics of course, but also immigration, racism and many other minor topics - Corperal Nobby as an 'exotic dancer' is possibly Terry's funniest thoughts on sexism. Perhaps less clearly defined though still very important is Vimes's thoughts on the differences between soldiers and police. Although the may often cover the same ground, they have fundamentally different responsabilities - which Vimes realises, though can't adequetly express.
Some very bad puns, a broad range of topics, deep thoughts and laugh out loid moments - should be ideal Pratchett at his best. Somehow it just doesn't quite hang together as well as his best really does. Maybe it's too pointed, the paralells with current international politics are very obvious; or too broad taking on too many themes. However it is another very worthy read from the master.
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Was Pratchett the first to articulate Flying Spaghetti Monster theories? I don't know the entomology of the Flying Spaghetti Monster but it seems a colourful derivative of Russell's Flying Teapot....the first undisprovable assertion (that I know of) to assail the believers in Gods. I think that one of the consequences of evolving an intelligence capable of complex predictions of consequences from actions and knowing the certainty of our own demise is the necessity for developing a parallel capacity not to see the whole thing as fairly pointless and head, "en masse", like a bunch of lemmings over the nearest cliff. Maybe it's an evolved survival mechanism that makes us capable of believing in flying teapots, spaghetti monsters and six impossible things before breakfast without any real proof whatsoever. Well, heading “en masse” like a bunch of lemmings over the not so very far away cliff of catastrophic consequences of climate change, general poisoning of environment and depletion of resources on top of an approaching (momentarily via mare nostrum) Malthusian crisis is actually what we do. I'd argue it's a strong sign of us as a species not being even halfway through the troublesome business of evolving any intelligence of note, making the individual exceptions at best a promise of sorts or sadly more likely a freak mutation that seems to have a hard time with becoming dominant in the gene pool.
First book to read: “Guards Guards.” Has the balance between jokes and seriousness that makes it a great place to start.
Best book: “Small Gods.” One for every theologian to read
Funniest book: “Maskerade.” The scene where Nanny Ogg is cooking her specials made me laugh and laugh and laugh...
It's a book about war and jingoism; starring the City Watch and Sam
"But...history was full of the bones of good men who'd followed bad orders in the hope that they could soften the blow. Oh yes, there were worse things they could do, but most of them began right when they started following bad orders."
When Sam Vimes takes these themes to their natural conclusion, this leads to a very improbable but rather wonderful ending. There are also some brilliant comic scenes from Colon and Nobbs and you get to see more of Lord Vetinari and Leonard da Quirm which is always a good thing.
So still a very good read but perhaps Pratchett was just trying a little too hard to make his point with this book
And when I realized that Vetinari was so concerned that he actually let Leonard of Quirm out to play, I got a chill.
What will Vetinari do when he runs out of things to reward Vimes with?
I liked this one a lot. It was a fun mix of action adventure and camp, with some good asides of war criticism. It was also lovely to see Vetinari out and about in the world instead of cooped up in the palace.
But structurally it's a big improvement over the last few I've read, and I'm a sucker for a fun action-adventure plot.
With Pratchett, it's never a dull moment.
Entertaining as ever, but perhaps treading a little too clumsily on the really sensitive issues of race and ethnicity (the message really boils down to "war is bad, and prejudice is bad". Why yes, yes they are!). Nevertheless, it's full of Pratchett's trademark delightful character
Nevertheless, Jingo tells its own story. In this book, Pratchett has set his satirical sights on war, with the assistance of Ankh-Morpork's City Watch. As usual with a City Watch book, there's a crime to be dealt with (two crimes, if you count the war itself), specifically an assassination attempt. Chasing these crimes leads Vimes and his men out of Ankh-Morpork, past the newly-risen island of Leshp (gotta have something to fight over, after all), and into the wilds of Klatch, which is certainly not based on the Middle East. :)
There are some sentences in authorial voice and occassionally a longer connecting passage, but
one of the darker novels, Vimes confronts jingoism, war, politics, Dregs, the uppercrust of Ankh-Morpork and the nature
Pratchett takes a look at the issue of war, politics, boundaries, racism, and sexism,