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Fantasy. Young Adult Fiction. HTML:A confrontation with the Queen of Darkness is finally within Raistlin's reach�??and Caramon will do anything to stop it�??in this conclusion to the beloved Legends trilogy Defying the fate that claimed his evil predecessor, Raistlin opens the Portal to the Abyss and passes through. With Crysania at his side, he engages the Queen of Darkness in a battle for the ultimate prize�??a seat among the gods. At the same time, Caramon and Tasslehoff are transported to the future. They come to understand the consequences of Raistlin's quest�??and Caramon at last realizes the painful sacrifice he must make to prevent his brother's success. Old friends and strange allies come together to aid him, but Caramon must take the last, greatest step alone: the first step int… (more)
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User reviews
Aside from Tanis (and everyone incessantly referring to him as half-elf, Half Elven, Lord Bastard, etc), I enjoyed the book. The conclusion between Raistlin and Caramon was acceptable. It seems like the whole book was about stark revelations: Crysania that Raistlin betrayed her; Caramon that Raistlin was beyond his help; Kit that she was betrayed by Soth; Dalamar that he was betrayed by Kit; Tanis that he was TRULY a whiny bitch; Tas that he can make a difference; Elistan that death sucks...
Read 11/1987, 9/2007
It doesn't suffer from character glut like the first series, thus allowing for greater character development. And the fact it focuses on my favorite characters doesn't hurt.
(The authors play it vague between all of these and none of them really pay off, at least in ways that make sense. They have plot signposts that signify the dramatic moment, but they don't actually earn it.)
Even though all of that is still present, I found this book and this series to be very readable. Moreso than some other D&D or other game-universe novelizations out there. The plot moves along briskly and in that respect a lot of the problems feel less so, because you're not dwelling in them long enough to be truly bothered. There is an epic scope here, and even if the book doesn't really make the best use of it, it does gesture at it enough that you can fill it out in your head... which is probably exactly what made these books so magical for teenagers. (Who also didn't yet have the emotional literacy to sense how bland the emotional arcs of these characters truly are.)
This might be why Robert Jordan's Wheel of Time is so difficult for me... it has a rolling plot, but instead of moving briskly through its repetitive writing tics and one-note characters, it dwells on them... you're stuck in these moments for much longer. (One Wheel of Time book is as long as this entire trilogy.)