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Fantasy. Fiction. Mythology. Humor (Fiction.) HTML:Being immortal is not all it once was. Yes, the twelve Greek gods of Olympus are alive and well in the twenty-first century, but they are crammed together in a London town house�??and are none too happy about it. Even more disturbing, their powers are waning. For Artemis (goddess of hunting, professional dog walker), Aphrodite (goddess of beauty, telephone sex operator), and Apollo (god of the sun, TV psychic), there�??s no way out�??until a meek cleaner, Alice, and her would-be boyfriend, Neil, turn their world literally upside down. When what begins as a minor squabble between Aphrodite and Apollo escalates into an epic battle of wills, Alice and Neil are caught in the cross fire, and they must fear not only for their own lives, but for the survival of humankind. Nothing less than a true act of heroism is needed�??but can these two decidedly ordinary people replicate the feats of the mythical heroes and save the world? GODS BEHAVING BADLY is that rare thing: a charming, funny, utterly original first novel that satisfies the head an… (more)
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Enter a mortal. Eros shoots his arrow, causing Apollo to fall in love with a mortal woman. She does not return the favor, however, being in love with another mortal. All the gods get in on the act, with what might be disastrous results for the world.
Phillips has a keen sense of the absurd, but she also knows her ancient Greek religion. Every god behaves consistently with his character, modernized and updated, it's true, but Homer would have recognized chaste Artemis, bellicose Ares, jealous Hera. Her humans are like the people you know, everyday folks, but humans who, like many of us, can be clever and brave and selfless in an hour of need.
I ripped through this in an evening, laughing all the way. You will, too.
There were a couple of interesting and unexpected twists throughout the story, but the ending was a foregone conclusion (to me at least). Though the big revelation for the gods was no surprise to me at all, I suspect it wasn't supposed to be- just further proof of how out of touch they were. A quick and funny read, this book doesn't attempt to break any ground (in theology or literature) but was an enjoyable way to spend a rainy afternoon.
However 'Gods Behaving Badly' is not just about the pouting and insouciant downward plunge of faded deities. It is a love story. A love story of the grandiosely small scale. The main characters are pathetically human, not so very gifted with looks or wealth or power, even if the female is an absurdly astute Scrabble player. Such verbose acumen does not prevent her from being a pawn of the gods, cast into schemings and vengeance different from times past only in that the scale of power is significantly less (all the gods are a bit paranoid about wasting what little power they have left, not withstanding Apollo's retribution when his vanity is snubbed).
How is it then that the fate of the world comes to reside in one rather innocuous mortal's ken? The gods screwed up...again, that's how. One would think that immortal beings on the verge of becoming not-so-immortal would harken to a greater sense of...well, something other than petty jealousy and revenge. One would think. And be wrong.
Full of wit and snark and joyous mythological winks and groans, Phillips has crafted a tale in the very spirit of the Greek myths, layering the blatant narcissism and self-interest of the gods over the poor humans who populate their shrinking playground. Anybody have the number for Aphrodite's direct line?
The gods have weakened since their days on high at Mt. Olympus, and they are all crammed into a dilapidated home in London, getting on one another's nerves. The conflict truly begins one night during a taping of Apollo's psychic show where Eros shoots a love arrow into Apollo's heart, leaving him powerless against his love for the next person entering his view. Unfortunately, that person happens to be a mortal named, Alice, who cleans the theater where the show is taped. Alice and her friend Neil, who both love one another but are too afraid to make a move, become the center of conflict in the gods' world.
Watching these gods cope with the 21st Century is a hilarious delight, but even more delightful is Phillips' use of language on the page. From Aphrodite's bottom "bouncing like two hard-boiled eggs dancing a tango" (page 89) to her description of Neil as a teenager, "an ugly, spotty, skinny-arsed spoddy minger" (page 88). The dialogue is witty as well: "'. . .you'd better come quick. I've got a god passed out on my kitchen floor and I think the world's about to end.' (page 213)."
One of the best scenes in this book comes when Apollo finds Zeus in the upper floors of the house staring at the television much like a zombie would. He's lifeless, but still a god able to stand on his own and still strike down mortals with lightning. Reading this section brought to life the dilemma that often faces many of us, do we unwind too often in front of the television rather than through more challenging activities, like games, competition, reading, and exercise? Is this section a commentary on the lives we continue to lead now, watching television, zoning out, and withdrawing into ourselves away from society. But, I digress.
With an interesting cast of characters from a Christian Eros to a drunk, DJ in Dionysus, Phillips uses her cast of characters to dramatically set the stage for a modern day Greek comedy of errors and missed chances. Even readers who do not have a firm background in mythology will enjoy this book.
That's right, the gods of ancient Greece
The good news is that they've evolved with the times. Aphrodite, the goddess of love, is putting her skills to good use as a phone-sex operator.
Remember Apollo, god of the sun? He still does the sun trick everyday (for the most part), but his stunning good looks and vanity have led him to a modern day career as an actor. Well, a failed actor, but still....
Eros, the god of love, has converted to Christianity, while Dionysus, the god of wine, runs a hip nightclub and contributes to all sorts of societal degeneration. Artemis, Hera, Hermes and even Zeus all make appearances and manage to contribute to the mayhem.
The bad news, though, is that their power is fading fast and they need to find a way to avoid dying off all together. Through two perfectly ordinary, endearing mortals into the mix and you have the makings of a riotous tale!
Raunchy behavior and language abound, so don't say you weren't warned, but aside from that Marie Phillips has written a thoroughly delightful tale that evokes both laughter and fond memories of your humanities professor. Enjoy!
When an out of work house cleaner (who is out of work due to backstabbing Aphrodite) stops at the Gods old, run-down house looking for job, in a fit of spite, Artemis hirers her. This starts the cascade that sends Alice to Hell, her boyfriend trying to save her, and Apollo seems to have given up, making the sun go away. Its up to Artemis to save the world, and she does, even with the "help" of her fellow Gods.
I liked the book. Yeah, there’s a bit of a Jaded world is boring feeling - but the Gods are not set up for Modern Living, and being aspects of power, they can only do what they are designed to do. The counterpoint of Alice and Neil, the innocent human couple in love (but they don't know it) makes for a an interesting contrast to the worldly Gods. I especially like that Eros trying to be a good Christian, even though he doesn't believe in the God.
I recommend this for a story that is a bit sarcastic, a bit irreverent, but manages to have heart.
Unlike the depiction of the gods in a lot of current books and movies as heroes and role models, the gods in this book are more like the gods in the Greek mythological tales: selfish, jealous, promiscuous and vindictive. Thus, when a young woman on the street refuses to comply with Apollo's request for oral sex, he turns her into a tree. Aphrodite, sick of Apollo's antics, convinces her son Eros to cause Apollo to fall into unrequited love with a nondescript mortal. One thing leads to another, and before you know it the whole world is at risk. A real hero must step forward to save the world.
All the major Greek gods play a role in this book. I loved it and read it in one day. I think you would enjoy it most it you are familiar with the Greek gods and their attributes, but it's probably pretty funny even if you're not. Highly recommended.
This book is quirky and fun with a wonderful ending. I think anyone interested in classical mythology would get a real kick out of Gods Behaving Badly. I think anyone would find this book enjoyable for that matter. I wouldn't miss this one!
This is a fabulous debut from Ms. Phillips. Her world with the gods living with the mortals and living in a crappy old house in London - even the walls seem to ba falling apart, but a nice spin on our visions of the gods and goddesses. They don't get along, much like some humans don't. They may have powers but even those seem to be crapping out on them. So they really need to limit what they use their powers for. Plus, they all hold jobs to make money, like the rest of us.
Right from the get-go, Apollo has been up to no good. The poor mortal that was turned into that tree I mentioned above. Apollo has a TV show and in the spirit of things, Aphrodite wants to get back at him. So during the show she has her son Eros shoot an arrow through his heart to make him fall in love with the first woman he sees, which happens to be poor Alice. Who had yet to even profess her love for Neil. But as the story progresses, Alice and Neil are the focalpoint, it is their love that gets them through to the very end. Although, the gods and goddesses were still there causing havoc, the romance that ensued between Alice and Neil helped them to finally reached their goal.
Now Gods Behaving Badly wasn't something that I would normally read, but yet I enjoyed the way Ms. Phillips intertwined the Greek myths with those of the real world. It was a fun journey.
Plus, Artemis comes to a conclusion by the end of the book that I thought was rather obvious and logical (or as logical as Greek mythology and gods can be) that when she has this big eye-opening moment, I'm just confused as to why she didn't figure that out before. That, and the fact that everything that happens in this book is Aphrodite's fault is never really revealed to anyone else in the book and she thus goes unpunished. This seems a little strange considering the fact that if Artemis's plan didn't work out, the world would have descended into total darkness and would end. I actually felt like the author just kind of forgot about that part because she was so immersed in making this epic ending that didn't fit.
Despite all of the ranting, I didn't hate the book. In fact, my total lack of strong opinion about this book makes it really difficult for me to write a review about it. What is there to say other than "Eh." *shoulder shrug* I just don't really feel anything about it. I will most likely forget that I read it in a few months time. Therefore, my overall view of this book is: kind of entertaining, but utterly forgettable.
Quite
Alice and Neil make for two unlikely heroes. As the complete opposite of the gods, they are quite literally everything they are not. Prudish and chaste, nervous and shy, their simplicity belies their strength of character and determination. They are the epitome of the underdogs, and readers definitely root for their success. Readers want them to succeed not because they want the gods to succeed but because Neil and Alice represent the power of the every man. Their struggle becomes the reader's struggle against impossible odds.
One cannot discuss a novel about gods without discussing the idea of faith. Some of the most amusing points in the novel occur when Eros discusses Christianity with his siblings. This amusing what-if scenario is a twist on our modern belief system and well worth considering the power of faith.
Ultimately, Gods Behaving Badly is not meant to stand up to scrutiny. It is meant to be what it is - an enjoyable, lighthearted screwball comedy with a hidden message about taking oneself too seriously and the hero that lies inside each of us. One couldn't ask for better when searching for escapist literature.
The Gods & Goddesses of Olympus have become despondent and are leading their lives out of a shabby rundown house in London... I a gesture of revenge Aphrodite urges Eros to
Alice is a "cleaner" for a Television station, she is in love w/ Neil, Neil is in love with Alice, but both are too shy & awkward to do anything about moving past their friendship.....
Alice gets fired from her job and goes to work cleaning house for Artemis... where she encounters Apollo, who has fallen in love w/ Alice......
Then things happen and become more interesting.......... However, I found the ending to be anti-climatic.
It's being adapted into a film, but in doing this the makers have relocated the action from London to New York. Why?!?!?
The Gods act like Gods, being just as petty, jealous, and vengeful as they were thousands of years ago. They still have their individual roles to play in running the world, with Apollo making sure that the sun comes up each day and Ares keeping an eye on wars all around the world, but they are hampered by the waning of their powers, with Artemis being especially worried as both chastity and hunting seem to have gone out of fashion. But when Aphrodite gets her revenge on Apollo for a slight by making him fall in love with a mortal woman called Alice, and then manoeuvres Artemis into hiring Alice as the family's cleaner, it acts as a catalyst for change.
The story starts with Artemis having a chat with a tree in the local park which wasn't there yesterday, and discovering that it is a woman called Kate who has been turned into a tree by Apollo for rejecting his advances, and I was hooked from the first chapter.
These gods are
Things get interesting when they hire a mortal cleaner, Alice. As in tales of old, the mortals play with human emotions and lives. However, this time their games take a deadly turn of events.
This is a funny tale, which gives nice nods to the greek legends and myths of yore. The characters are endearing, and at times downright funny. (Think about Aphrodite working as a telephone sex line operator). The book is short, snappy and lively.