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The Roman Empire never fell. Driven by political ambition and internal dissent, thrown into turmoil by rebellion and civil war, it changed and adapted, but it never fell. The balance of power between Byzantium in the east and Rome in the west ebbed and flowed, but the Empire never fell. And it continued to expand, taking in the New World, while still dominating the old. This ambitious and accomplished novel explores fifteen hundred years of alternate Roman history through the very human stories of some of those who lived through it: the soldier encountering the exoticism of the New World for the first time; the minor official exiled to Arabia for some misdemeanour whose meeting with a religious fanatic may have changed the course of history; the military hero seizing his destiny; the innocent British aristocrat witnessing the destruction of the royal family; the children who find the last emperor in a decaying wood are all vividly and memorably portrayed. Roma Eterna takes it's place among the great alternate histories.… (more)
User reviews
Owing to its scope -- Roma Eterna spans from 450 A.D. to 1970 A.D. -- there are no continuing characters that the reader can fix upon and follow through the course of the book; as a result, Roma Eterna never entirely escapes its disjointed, detached feel: the stories here remain intellectual exercises in the parlor game of "What If..?," and some stories are inevitably more interesting than others.
The story or novelette with perhaps the greatest poignancy is "A Hero of the Empire," whose premise boils down to the Roman Empire vs. Muhammad. Though written pre-"9/11" -- it was originally published in the October/November 1999 issue of The Magazine of Fantasy and Science Fiction -- this story is likely to carry an added weight with many American readers in the wake of "9/11." It is also very likely to irritate, if not outrage, many Muslims, much as Silverberg's mythographic treatment of the Judeo-Christian tradition is apt to vex, if not outrage, many Christians.
The cover of the U.S. edition -- showing a man in Egyptian dress leaning against a column watching a rocket blast off in the distant desert -- is grossly misleading. There are no typical sci-fi trappings to be found here, and no steampunk noodlings either: just mostly sound speculations on what a world dominated by the Roman Empire for two thousand years might look like. The most fantastical element in Roma Eterna comes in the first story/chapter -- "With Caesar in the Underworld" -- which is set for a goodly portion of its length in what must be a fictional city-under-The-City: a series of tunnels, grottoes, catacombs and caves under the streets of Rome itself where most of the lowlifes, thieves, degenerates, murderers, smugglers, spies, weirdo cultists and terrorists of Rome congregate. This story is set in 529 A.D.; the Underworld doesn't get a return engagement.
On the whole, I much preferred Silverberg's novel Gilgamesh the King, which was a largely rational retelling of the famous epic that remained open-minded enough to allow some seemingly fantastical elements to breathe.