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"In this spirited sequel to the acclaimed The Rook, Myfanwy Thomas returns to clinch an alliance between deadly rivals and avert epic -- and slimy -- supernatural war. When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers--and the bureaucratic finesse--to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries: The Checquy--the centuries-old covert British organization that protects society from supernatural threats, and ... The Grafters--a centuries-old supernatural threat. But as bizarre attacks sweep London, threatening to sabotage negotiations, old hatreds flare. Surrounded by spies, only the Rook and two women who absolutely hate each other, can seek out the culprits before they trigger a devastating otherworldly war. Stiletto is a novel of preternatural diplomacy, paranoia, and snide remarks, from an author who "adroitly straddles the thin line between fantasy, thriller, and spoof " (Booklist)"--… (more)
User reviews
Merger talks have begun between two top secret organizations: The Checquy, a centuries old British organization that protects the people from supernatural threats, and the Grafters, their mortal enemies. A delegation of Grafters has been sent to London for the talks and it's not long after they arrive that there's a strange increase in supernatural attacks. The negotiations are at works as tempers flare and old hatreds are renewed on both sides. A temporary peace exists but for how long?
Stiletto is the second book in The Checquy Files by Daniel O'Malley. This one picks up right where The Rook leaves off with an uneasy truce between the Checquy and the Grafters as they work to negotiate a merger. This time around the story focuses on two young girls who get swept up in the mysterious attacks through no fault of their own. Fans of Myfanwy Thomas do not fret! While Myfanwy is no longer the star of the story she does have a supporting and important part to play. I admit I was a bit sad when I realized this would not be a Myfanwy story, though I can see why. I'm not sure if a second book using Myfanwy's amnesia as a main plot device would've worked out very well given that by the end of The Rook
The story is slow going in the beginning. The first chapter had me giggling at the ridiculous situation the first new character is put in. This immediately segues into an introduction of the second character and several info dumps. The pacing drags. Unlike the flashbacks used in the first book, the info dumps in the first half of the story slow everything way down and are almost boring. Things pick up significantly in the second half of the book as the action and mystery take center stage and the info dumps phase out.
That said, the rest of O'Malley's writing is in top form. He smoothly works the humour in with the weird and the wonderful. His action scenes are fast paced and the mystery of just who or what is behind the attacks is engaging. While the negotiations between the Checquy and Grafters is the main bulk of the story, I love how he uses Felicity and Odette's budding friendship to represent the tensions and teamwork between the two groups as a whole. The breadth of supernatural powers displayed by members on both sides is just as creative and astounding as it was the first time around. O'Malley's creativity is amazing!
Overall I really enjoyed the book. No, it's not The Rook and that's ok. I hope there will be further books in the series.
Extended review:
As I recall Stiletto a perilous six weeks after finishing it, it's mostly not a story.
It's mostly a showcase of O'Malley's seemingly limitless capacity for seemingly offhand invention--bizarre and formidable special
It's also a catalogue of supernatural effects--such as a house whose second floor, if you go there, can ruin your credit rating; or the invasion of someone's dreams, or seeing the entire history of an object, or being able to remote-control someone else's actions. There's a dress that purrs.
One has the impression that the author must tote around a capacious notebook and be constantly scribbling additions to lists. I'll bet it's hard to carry on an ordinary conversation with him.
More: The author delves into medical details as vividly as Cutting for Stone. He lavishes attention on wardrobes and attire. He goes to some lengths to depict the level of discomfort that some people experience with social events.
These may be effective in themselves, but there does not appear to be much of a purpose to all this in terms of either character or plot. Instead it feels a lot like authorial self-indulgence.
Many character interactions are simply disappointing. Myfanwy, whom we followed here from The Rook, stays mostly in the background. The interesting Shantay makes only a cameo appearance. There's plenty about Felicity and Odette, but we don't really see a transforming moment and, such as it is, it is not experienced reciprocally--more as a fait accompli.
The author's habit of varying interchangeable names (for example, first and last names, or names and titles) is sometimes confusing. We may not realize at once that he's talking about the same character, especially when it's been a while since the character's last appearance; for instance, I kept forgetting who Marcel was--he was never really distinct to me.
The reader's knowledge of the story's background is taken for granted. We are not given many reminders to help us recall such characters and entities as Gestalt and Bishop Aldrich. I read The Rook in June of 2013, and three years later I don't remember anything about some people being traitors and moles, but that was important in this story.
In fact, I don't remember much plot at all.
What I mostly remember about The Rook is being taken someplace that was active, surprising, and fraught with danger. In contrast, what I mostly remember about Stiletto is special effects. And clumsy infodumps.
As for making peace with historical enemies, I guess that's in there somewhere.
I probably won't be in such a rush to get hold of a third installment, if there is one. Showmanship is great, but there has to be some substance too, or what is there to hold us? Nonetheless, this book ends with an obvious hook for a sequel while leaving no clue where a suitable adversary might come from. I hope it doesn't devolve into an action comic with superheroes saving the world from one megalomaniac villain after another while engaging in petty rivalries among themselves.
As before, there are some good lines, some arresting images, and some grammatical lapses and misuses of words that someone ought to have looked up. One glaring fault with The Rook that does not obtrude quite so much here is the amateurish use and overuse of dialogue tags. On one page of Stiletto (368), people say things thoughtfully, tartly, sniffily, hesitantly, and flatly. Oddly, there appeared to be some pretty clean editing up to page 496, and then suddenly the editing seemed to go light, as if a looming deadline had reduced attention to such constructions as "A call of 'Come!' came..." and "came the whispered reply."
In the end, I didn't dislike the book; I just felt let down by it. Perhaps that's just the price of anticipation.
After years of enmity, the the Checquy (an organization of people with supernatural abilities working for the British government) is merging with the Grafters (a Belgian based group who use science and surgery to give themselves remarkable abilities). But these two groups have hated each other for hundreds of years and such hatred and distrust doesn’t dispel overnight, and a series of mysterious attacks are threatening the merger. Stuck in the middle are two women from each side: Odette, a young grafter surgeon, and Felicity, the Checquy pawn assigned as her bodyguard. Can the two work together? Could they even become friends?
I was worried that the change in protagonists would make me like Stiletto less than The Rook, but thankfully that wasn’t the case. I can actually see why O’Malley made that decision. Myfawny has already had most of her character arc, and since she’s an amnesiac, she doesn’t have the memories of growing up hating the Grafters like Felicity does. Felicity and Odette are able to give a much more comprehensive view of the merger, plus the focus on Odette allows us to see things from the Grafters perspective. Plus, I came to really love both Felicity and Odette. They both have some awesome moments, and I cannot emphasize enough how happy I am to read a fantasy book focusing on the relationship between two women.
I also adore Stiletto‘s humor. There were many points in the novel where I’d chuckle out loud at some particular off hand line. I think it’s helped a lot by how new the premise feels for urban fantasy. The plot structure and world building are nothing like the norm, and the supernatural powers feel more like X-Men than your usual werewolves and vampires. Oh, and for some reason a five hundred year old man playing games on his smartphone cracks me up.
Stiletto does have a few flaws. It has several sections where it goes into history lessons, which dragged at the pacing some. The beginning was also rocky, and I felt like Felicity’s introduction was stereotypical and lazy. She’s doing surveillance in an alley. Two guys come along and start making rape threats. She and another female Checquy agent use their powers to beat them up. While I may have groaned some, I am glad I kept reading.
Stiletto has solidified The Checquy Files as one of my favorite urban fantasy series. If you’re looking for a story that’s fun, humorous, original, and has great female characters, these are some books that I would highly recommend.
Originally posted on The Illustrated Page.
Although Rook Myfanwy (rhymes with Tiffany) Thomas reappears in this novel to facilitate the alliance between the two organizations, much of the sequel is told from the perspective of Odette, a Grafter diplomat, and Felicity, a Checquy soldier, who has been assigned as her bodyguard, during the negotiations.
I have enjoyed reading this series and hope it continues. It is not necessary to read its predecessor, The Rook, to enjoy Stiletto since it includes the backstory.
I liked the characters; the plots are fast-paced and fun. What's not to like? About the only complaint I can make is that O’Malley writes too slowly—four years between these books—I hope we don’t end up with another G. R. R. Martin on our hands.
Where the book shines is the pacing. All parts are fast, well written, and fun to read. Its a strange mix of not serious enough and very serious - which leaves the reader a bit disoriented. I love the characters, all of them are well written, manages to stay away from stereotypes, any tropes used are twisted into something new. The author manages to capture human motivations extremely well. The enemy manages to be believable, as well as being extremely evil. The plot fits well with the over all story.
The side story of people being speared in their houses, could almost have been left out, except it adds a bit of morbid comic relief, as well as give us a glimpse of everybody's favorite American Spy.
I think I liked this one much better than the first - the world is more settled, and a bit more believable. One thing really bothered me - Odette, a Grafter of great skill, who is capable of splicing different organs into her body, altering her DNA to make it better, hasn't rid herself of needing tampons. I would think this is the first priority of any female Grafter. Even with all the wonderfully written female characters, this is something a man would never even consider :)
I really like this book - it has everything needed for a lazy Saturday read, and its also well written.
I
The first in the series introduced us to the secret government organization tasked with protecting the general population from things of which they are completely
This one was no different. Again led by strong women, this is a must-read for every fan of science fiction, fantasy, and feminism. It is a roller coaster of a story, well-written, and cleverly full of twists and turns.
Some highlights:
•I am absolutely appalled to have you here, but I am also extremely well mannered and so I shall conceal that fact from you.
•"But I hate her," protested Odette. "Oh, I'm sure you think you do," said Marcel cheerfully, "but you're still young. It takes decades to really hate someone."
•The color could perhaps have been descried as sky blue, but it was the blue of a sky that would drive even the cheeriest and most tuneful of novice nuns to slash her wrists. It was a blue that had given up.
See? Wicked good! Highly recommended.
O'Malley's prose is readable, his plotting good, and his characters rounded enough to support this extended visit with them. Well-done for what it is: a fun action novel with no real pretense at any great depths.
The world created in The Rook was built upon and expanded in very intricate ways. I loved the little info dumpy bits because they flowed well with the story and really
This book introduces two new POV characters and they were so well drawn out and developed. I really enjoyed both Odette and Felicity. Myfanwy was a major character in this book still and I enjoyed getting to see her as well and I enjoyed her funny quips and reactions.
I laughed out loud so many times while reading this. It was so funny and clever and the things that made me laugh were so circumstantial and just really had to do with knowing the characters well. Daniel O'Malley really did a great job.
The writing was really good. It flowed well, the sentences were well crafted and the story was really engaging. I really enjoyed the plot as well. I like the new antagonists and how they fit into the story and how some twists were thrown in. I really enjoyed the foresight and explanations given as to how things were happening and going down as well.
Overall, I really enjoyed this and how the world was explored. I cannot wait for more!
In the long-awaited sequel to The Rook, negotiations with the Broederschaap (commonly called "Grafters") and Checquey -
If you blend together Supernatural and Jasper Fforde's Thursday Next series, you might come up with something like this madcap adventure fantasy. The basis of the Checquey is that they are a government entity, but they are secret: the people themselves making up the "Court" (yes, very like chess) have some sort of extra-human, totally non-scientific abilities. They are also employed in getting rid of any supernatural threats to the realm. The Grafters, on the other end, have been the enemies of the Checquey but are actually quite scientific - albeit a few thousand years' worth of knowledge ahead of everyone else. Now that they are ostensibly on the same side, forces are definitely at work to make sure that the collaboration fails before it has a chance to begin. Odette's entourage and Rook Thomas race against the clock to better their foes, all the while dealing with the odd supernatural mishap like serial killer by crystal. If you enjoy fantasy and don't mind more than a touch of the absurd, I highly recommend the series.
Ernst, the head of the Grafters is hiding something. There is a group out there hunting down his people and it turns out that they have followed them to England. He doesn't want to tell Rook Thomas who is brokering the deal because he is afraid it will destroy the deal so he plans on dealing with it himself. He sends his best soldiers after them and they all get killed.
His descendant, Odette, is a bit of a mess. She can't seem to go a day without destroying an outfit. The first one gets blood on it when she tries to help someone in the medical area where she was touring when someone came in injured. As she is a surgeon she jumped in to help to hold onto a blood vessel. He was going to lose a foot but she said she could save it. That's when they found out she was a Grafter and the mood turned sour and she was taken from the room. The next day her dress got ruined by someone who emitted a smoke of some sort onto it while he told her off. The next day her and her new minder Felicity Clemmens who has the ability to touch an object and see inside it and know its history are sent to look at a giant whale-like creature that Felicity needs to see inside of. Of course, Odette grabs at the chance to go inside the creature through one of its blowholes. Then the animal wakes up and both Felicity and Odette and the group she's with are stuck inside the animal and they must be blasted out with fire. Her next outfit gets bloody from trying to help her Uncle Marcel try to save Rook Thomas's life at the Ascot.
Someone keeps trying to grab Odette, but Felicity stops them every time. Odette's friends and Uncle were all killed by the group called the Antagonists who are the ones that are after the Grafters and are also now going after the Checquy and are the ones trying to kidnap Odette. Who are these Antagonists? Can the Grafters be trusted? They're not being honest with the Checquy. The Antagonists will make a huge statement harming many people all over the United Kingdom. They don't care who they hurt. They want to disrupt the negotiations between the Checquy and the Grafters.
This book was a worthy successor to the first book. I love Felicity. She would rather fight off ten attackers than go to a fancy party. Odette, you feel sorry for because she just wants to help people with her surgeon's skills which are quite excellent and she isn't allowed to do so very often because of people's ignorance of science. It's also nice to see Rook Thomas again. I do hope that O'Malley writes another book in this series. This was a fabulous book and I give it five out of five stars.
Quotes
Fine. Go, then. Strive not to get killed. You’ve no idea how much it would inconvenience me.
-Daniel O’Malley (Stiletto p 56)
The difference between a security guard and a prison guard is one order from the boss.
-Daniel O’Malley (Stiletto p 90)
Oh, I’m sure you think you do, but you’re still young. It takes decades to really hate someone.
-Daniel O’Malley (Stiletto p 232)
“So you clone things?” “We can,” said Marcel. “We don’t, though, not usually. Of course, we grow bits of people, but we don’t make whole people.” “Why not?” asked Eckhart. “We prefer to have sex,” said Ernst. “Plus, anyone who wants to clone himself is usually an asshole. You don’t want any more of those running around than absolutely necessary.”
-Daniel O’Malley (Stiletto p 408)
“I hate to say it, but his dress is the worst crime against nature I have ever seen in my life.” Felicty cringed a little. The dress lay on the bed, malignant and resentful, like an angry jellyfish. It was technically an evening gown, in the same way that dirt is technically edible. The benighted designer was apparently committed to the principle of “accentuate the negative” and had made the assumption that whoever wore it would have cubical breasts. There were folds and pleats where God and decreed that no folds or pleats ought ever to be, and some sort of structure had been built into the back giving the impression of a prolapsed bustle. The Color could perhaps have been described as sky blue, but it was the blue of a sky that would drive even the cheeriest and most tuneful of novice nuns to slash her wrists. It was a blue that had given up.
-Daniel O’Malley (Stiletto p 461)
Good to see combat, anyways. Do me proud. Endeavor not to get killed or eaten. Oh, and don’t forget to wear your coat.
-Daniel O’Malley (Stiletto p 500)
We follow one monster - a Pawn called Felicity who can read the past history of objects close to her, and a scientist called Odette, who is a direct (6th) descendant of one of the original founding fathers, adn part of delegation invited to London to negotiate the terms of the merger. Felicity is soon tasked to be minder and bodyguard fro Odette. Symptomatic of both organisations both girls are not entirely pleased with the idea of cooperating with their ancestral enemies, but under strict orders from their bosses they are prepared to discover that the other is mostly human. Sadly not all of both operations are quite as open minded. And of course having eliminated the cause of the last great strife, O'Malley invents a new enemy to inveigle itself into the plot.
This is even less convincing than the Rook was, despite not suffering from the massive plot holes, it never really engages, and the choppy jumps between felicity and odette (and then randomly miss annoying name thomas now and again) doesn't help. It is clever with some neat explanations for the puzzles offered early in the book. But somehow there's a lack of cohesion, and post hoc explanations for events that seemed random at the time aren't the answer. The characterisation remains great, and there's a good sense of development as the two women work out their differences. The leaders remain aloof and naive which is another oddity. What made the Rook innovative - the memory loss - cannot be repeated, and this I suspect is the reason why the sequel is just not as good. It is innovative, but not to the same degree, with far more attempts to be gross and funny, neither of which really works.
It is clever, and if enjoyed Rook more than I did, you'll probably enjoy this too. Its certainly far from a bad book, but just not quite as funny or clever as it's trying to be.
The second concerns whether Alessio really did die or the prose just points to his death in an ambiguous way. I believe Alessio is a plot figure sometimes called "Fifth Business" (see Robertson Davies). This is where a non-important character is crucial to the turn of the story.
Advanced Reader's Copy Provided by Edelweiss.