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Political intrigue, culture clash, and romance make a stirring mix in this award-winning follow-up novel to the acclaimed Shards of Honor. In the wake of interplanetary war, former commander Cordelia Naismith has deserted her own planet to marry the leader of the defeated enemy, Aral Vorkosigan. On his home planet of Barrayar, two rival factions are eyeing the recently vacated throne, and Aral, recently appointed Regent of Barrayar by the Emperor on his deathbed, must stand between them. Lord and Lady Vorkosigan, Aral and Cordelia struggle to establish stability in a fragile government thrown into confusion by the transition of power and the threat of civil war. When a palace coup endangers the government, their lives, and her unborn son, Cordelia takes action to secure the safety of her new family and new home.… (more)
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Review: I’ve yet to read anything by Bujold that I didn’t thoroughly enjoy, and Barrayar is no exception. She seems equally at home writing fantasy and sci-fi, because what she’s really writing isn’t either: she’s just writing wonderful, character-driven stories, dressed up in the trappings of the genre. Barrayar is actually less science-fiction-y than most, in large part due to the setting. Barrayaran society is roughly modeled on feudal Russia, and there are just as many horses and swords as there are aircars and nerve disruptor pistols. So, while the genre label might say sci-fi, it’s actually really a family saga and political drama… it’s just set on another planet.
But the worldbuilding, as good as it is, is not why I love Bujold’s writing, and not why I loved this book. What I really love are Bujold’s characters, and most of all Cordelia. She is smart, practical, has a wicked sense of humor, and is made of stronger stuff than three of your typical literary heroines put together, but still shows enough emotion and has enough flaws to make her feel real. (I am not ashamed to admit that I now have a raging girl-crush on Cordelia; I want to be her when I grow up, or, failing that, I at least want her to come over so we can sit on the back porch and drink a beer and talk about science and boys.) Aral is equally wonderful, and most of the supporting cast are quite deftly drawn as well. I had less trouble keeping secondary characters straight in this book than I did in Shards of Honor, although there were still a lot of similar-sounding “Vor______” names to keep track of.
The audiobook itself was very well done, although I still find it strange that they selected Grover Gardner to narrate a book that is told almost exclusively from a woman’s point of view. All in all, though, I thoroughly enjoyed this book, and cannot wait for Blackstone to release the rest of the series. 5 out of 5 stars.
Recommendation: I’d certainly recommend Barrayar to just about anybody who appreciates a good character-driven story, whether or not they typically read science fiction. Actually, I’d recommend the whole series to just about anybody – Barrayar follows closely on the heels of Shards of Honor, and not a lot of summary or explanation is provided, so they really should be read in order. But they’re both such wonderful books that I don’t think anybody should miss out on either one.
The characters are much more three-dimensional; in particular, Cordelia and
The plot is nothing original...a fairly straightforward power struggle leading to escape, survival and recovering the throne...it's fairly easy to predict who will live/die, win/lose and end up hitched. However, this story type is none the worse for having been used before and it moves along at a good pace giving the reader exactly what is expected. Probably the easiest analogy is to think of Rudolf Rassendyll transplanted from Zenda to another planet, with lightflyers instead of horses, disrupters instead of blades (though a sword does figure prominently in the story).
As I said when reviewing Shards of Honor, I think this book is the best place for someone new to the series to start. It's got a better plot. It's got better characterizations—you can get a feel here for the characters you'll see in the succeeding books, and you see them just as they are stepping into their roles. You get a much better sense of the world.
Bujold created in Cordelia, a complex character, fierce but fair, mother and solider, intelligent
The story itself was face-paced – within a few pages, Bad Things happen and challenges arise that threaten the stability of her new home and her family – and endanger the life of her child. The plot was plausible, action-packed, with just the right amount of suspense, and a healthy dose of humor.
And the ending (which I won’t spoil) – Gah! I cheered out loud! Cordelia was so freaking bad-ass!
Read this – particular if you enjoy stories with well-rounded female characters.
I loved how this couple work together to solve their problems and in Barrayar they have some major decisions to make and, mostly, Aral stands firmly with Cordelia. Of course there came the one time when Aral wavered and Cordelia felt impelled to go off on her own adventure leaving him behind to worry over her safety. To my delight when he tells her not to do something like that again, she tells him to make sure that she doesn’t have to.
I have to also make mention of the wonderful supporting characters, some old friends from the first book and some new ones that help to flesh out the story. My personal favorite is the damaged Bothari and I am glad to note that he has been given a position that should keep him in the forefront of the next book. My only complaint is that this is the last book with Cordelia being front and center as the main character. As the series continues, the focus will now be on her son, Miles. I will miss the brave, competent but, oh so human Cordelia.
As much as I liked the first book, this second book is even better and has set a very high standard for the remainder of the series.
I had actually read Shards and Barrayar before; over a decade ago my friend loaned me an omnibus edition of the two. Rereading the review I wrote at the time, it's almost hilariously lukewarm:It has some adventure narrative tropes I find uncomfortable (the "other" being simultaneously more dangerous and more interesting than the home society), some slightly strange gender politics (the woman must give up her society utterly for the man she loves, who never seriously considers it), and some stuff that's just plain weird (everyone reveres one character who is a rapist), but overall I enjoyed it. It gets off to a rough start, to be honest-- there's a lot of journeying through a dangerous landscape, which I find tedious, and our protagonist Cordelia has a tendency to be rescued by other people a lot. But at the one-third mark, she finally starts making her own decisions, fleeing her home planet in a fantastic sequence, and then traveling to Barrayar, where she marries Aral Vorkosigan and is forced to navigate her way in a strange society. At this point, I was completely absorbed, and I loved all the political maneuvering and civil war stuff, and Cordelia herself shone quite well.On this read, it was pretty obvious to me that the books are interrogating the things I found uncomfortable, and I'm not sure why I didn't know that the first time; these books are all about that contact between cultures and danger of being fascinated by the "other"; the gender politics of Barrayar are continuously scrutinized. And when on Earth was Cordelia ever a victim who needed to be rescued!? What I do think is fair is that I clearly liked Barrayar more than Shards. While Shards is good, I definitely think Bujold got better as a novelist in the interim; Shards is like three linked novellas while Barrayar has a unity of plot and, especially, theme.
The other really interesting tidbit the afterword brought into focus for me was that this was a book about parenting. I just don't think I saw that at age 24, and even if I had, it would not have resonated the way it does as a 38-year-old father of two. Most of Cordelia's emotions and decisions are driven by the fact that she's a parent. This is obviously the case when it comes to Miles, but it's true almost everywhere in the book: the way she thinks about the boy emperor, Gregor, for example, or her ability to figure out what the emperor's mother Kareena is thinking. I definitely liked the book before, but this time through I felt it, there was a real intensity to it. The book is filled with great moments, some of them funny, some of them grim, all of them thoughtful and considered. I won't list them here, but if you've read it, you'll easily bring a number of them to mind.
Science fiction can sometime feel like a young person's game: youthful people doing epic stuff like fighting empires. But Barrayar is science fiction for the middle aged. Yes, there are evil empires, but it's about the struggle to be a good parent in all its myriad forms, the right you keep up every day, not always because you want to, but because you won't be yourself if you give up.
I know there are more Cordelia-focused novels in the saga's "main" sequence, but it's a shame there aren't more of these books about her younger days on Barrayar, because in some ways she's an even more interesting protagonist than Miles.
Life is not so simple. With the Emperor's death her husband is named Regent and his honor, and sense of duty, is the only thing standing between peace and the horrors of a civil war among first-rate soliders, ruthless Vor lords and advanced technology.
She's still trying to figure things out when her yet unborn son is kidnapped.
And the Vor lords thought THEY were ruthless!
I’m probably in the minority here, but I preferred Shards of Honor to Barrayar. Granted, Bujold’s writing is much improved, but too much of the book is spent in Cordelia’s head and for me the plot was lacking. The politics of Barrayar were discussed extensively, but I felt much of this was covered in this books predecessor. However, I like the characters well enough that I plan to continue on with the series. I am looking forward to seeing where the world will take the energetic young Miles in future books.
Oh, and there's a political coup and a bunch of murders and Cordelia goes
Note : my cover is *horrible* I really with I had the other paperback cover, the one with the two hands clasped around the cane. Which is not only at least vaguely accurate, it's the most compelling image in the whole book.
This continues the story of Cordelia, now married to Vorkosigan and living on Barrayar, how the couple are unwillingly caught up in the politics of Barrayar and the tumultous events surrounding the birth of their son Miles, who is the protagonist of the continuing books in the Vorkosigan
Shards of Honour ended with Cordelia on Barryar and Aral retired (not really 'spoiler'; with a whole series ahead, you must have seen that coming).
That retirement is about to end as he takes up the Regency on behalf of 5 year old Emperor Gregor, and Cordelia finds herself not just having to get used to the life of a Vor lady on Barrayar (a far cry from proletarian Beta Colony), but to that of the wife of the Regent. And not just as the wife of a Regent, but the wife of an honourable Regent besieged on all sides by threats both physical and political, by causes both frivolous and lethally serious.
As a battle-seasoned Vor lord, Aral handles the empire while Cordelia deals with her pregnancy the old-fashioned Barrayaran way, which involves natural gestation and natural childbirth; barbaric, to her Betan mind, when it can all be done s-fely in vitro.
The two situations collide terrifyingly when the backlash from an attack on Aral affects Cordelia and Miles too and results in many of Miles's future physical liabilities - which form the starting point to other stories in the series.
And while the couple are still dealing with the aftermath and the effects on their baby, the Barrayaran political infighting erupts, with the planets of the Imperium as the prize ...
I love the way this book is written; partly the interaction of the characters, partly the action - when Cordelia gets to utilise her training and skills again - partly the trademark humour woven through the narrative. I like the way so many secondary characters (Droushnakovi for instance) are allowed to develop. Not to mention Bothari's assignation as Miles's bodyguard from the moment of his 'birth', which is significant to Miles's future - but that's another story.
And, oh! Sergeant Bothari. I'm pretty sure that if I came across such a character in real life I would be, at the very least, cautious around them. But Bujold, through Cordelia and even Aral, lets us see that even such a spiritually and mentally scarred creature has his own honour. He seems to be a favourite character of readers of the series; he's certainly one of mine.
Well, if she wanted to look dainty, all she had to do was stand next to Sergeant Bothari. He loomed mournfully beside her, all two metres of him. Cordelia considered herself a tall woman, but the top of her head was only level with his shoulder. He had a gargoyle's face, closed, wary, beak-nosed, its lumpiness exaggerated to criminality by his military-burr haircut. Even Count Vorkosigan's elegant livery, dark brown with the symbols of the house embroidered in silver, failed to save Bothari from his astonishing ugliness.
The book is full of action, adventure and planetary politics. It also highlights the way families, children and unborn babies can be hostages to fate as they get caught up in a political coup. Although there are tragedies, McMaster Bujold's writing also displays the humour that makes the Miles books more lighthearted.
Beautifully crafted and well paced. A lot of action. A lot of tension. A lot of fun. This is my favourite book of one of my favourite series.
A very well written book - recommended. Read it!
But Barrayan politics are anything but peaceful and Cordelia is left very little time to enjoy her pregnancy in peace. Not everyone was happy with Admiral Vorkosigan's elevation to become regent, considering him dangerously progressive in some of his attitudes, and an assassination attempt soon brings home that his position is not secure. And as events develop it becomes apparent that the life of action that Cordelia had known as a captain in the Betan Astronomical Survey is by no means over.
A really fun read this one. I don't think I absolutely love the series so far as much as some people but I do like it a lot. In particular, the contrast of the Barrayaran and Betan societies works very well with oddities for the reader on both sides.
I have elaborated enough on Cordelia's character in my previous review, in this (short) one, I will talk more about the book.
Cordelia takes
I was however disappointed that in her effort to flaunt Cordelia, Bujold made Aral too much of a side character - we don't see the non-Cordelia portions of the war at all! And I do mean, at all! The title of the book could well have been Cordelia in Barrayar.
There was enough space for the two to co-exist, Cordelia's adventures set in the background of Aral's manoeuvring of the war effort, with the contrast in their (supplementary) abilities would probably have made for much better reading in my opinion.
Again out
There are only a few minor problems to be found if you look for them - the various Vors become confusing, as does the random switiching between Aral and Vorksigian. The focus is solely on Cordelia so we have to wait for much that happens elsewhere until someone can tell her about it. This also means of course many of the other characters don't gain much depth, although Bujold does a much better job here than in the previous work, or other authors in the genre. And given that I don't like multicharactered viewpoints this could be a plus. Finally the ending - this seems to be a Bujold issue with a few of her books - The dramatic finale happens some 60+pages before the end of the story. Rather than finishing on a high, we get a gradual letdown as various minor points are tidied up - which I feel would better be left to a Prologue in the next book.
There is much to be lauded: the dramatic tension is cranked right up. Cordelia's concerns for Aral and her infant son run rampant through every line. And we getting the interweaving romance and psychiatric concerns of her staff. The social commentry on the evolving political dynamics between custom and technology, traditiona dn innovation is also remarkably well done. Played out in various conversation between Cordelia and some of the Counts it never comes across as heavy handed, but is still very clear in which direction Bujold leans. The pacing is captivating - apart from the very final pages - as events build up we're caught in Cordelia's world desperate tofind out how she resolves her troubles.
Well worth reading even for anyone who doens't like SF, a superb example in how to tell a story.
I like that this book is in the library of the International Space Station!
This is a fantastic book, and I liked it even better than Shards. The characters, the action, the humor . . . I could go on and on. Bujold engages in some thinly veiled social commentary (Cordelia's appalled reaction to certain barbaric elements of Barrayaran society), but always with a light hand and in a way that enhances the story rather than detracting from it. And, though Miles is only an embryonic presence for most of the book, I'm certainly looking forward to getting to know him better in the rest of the series.
There is no confusion as to
For example: I have a really strong, totally irrational phobia about pregnancy. I'd explain but nobody wants to hear about all the ways that fetuses remind me of parasites. Cordelia spends most of this book pregnant, defending her baby's right to live, and just generally being a mama bear. It's well done but...not my thing.
And also: I get really grumpy when a character like Cordelia, who's introduced as this pants-wearing, career-first badass, shows up in a second book married, playing second fiddle the husband, and wearing skirts all the time. Admittedly, Cordelia's not a warrior. And in Shards of Honor she spent a fair amount of time as a prisoner of war - not exactly a position of strength, though Cordelia seems to do best when she's got her back up against the wall. But she and Aral were united by their professionalism, their dedication to the highest ideals of their careers.
In Barrayar, she's a sort of sci-fi First Lady and she's restricted, mostly, to the activities of a Barrayaran female. She buys presents, socializes with other powerful women, and gestates. And, yes, that's called assimilation and exactly what she ought to be doing, and yes, she does have a few opportunities to break out the badass, but...I'm just not as riveted by the life of a political wife as I was by the adventures of a scientist spaceship captain.
That being said - the book is deeper and more complex than Shards of Honor. In Barrayar Aral and Cordelia no longer have to worry about obeying orders - Aral is the highest authority. Instead, he and Cordelia falter under the weight of responsibility, and let guilt weaken them. They aren't separated by loyalty to country; they're married, and settled on Barrayar. This time around, Aral's responsibilities take up almost all his time and the hard choices he makes reduce him to a shadow of his former self, while Cordelia's fierce protectiveness of her baby puts her at odds with Aral's family and, in fact, the entire nobility of Barrayar.
If Shards of Honor ultimately led to one horrible decision that nearly broke Aral, Barrayar is the Chinese water torture version, the slow erosion of character version, as messy as Shards was clear.
It's still highly quotable - "You should have fallen in love with a happy man, if you wanted happiness. But no, you had to fall for the breathtaking beauty of pain", for example, or "Cordelia's own soul felt like an exhausted snail, shelled in a glassy numbness." And it's still about good people struggling to do the right thing in a world that smashes everything right and good about a person to a million tiny pieces. In a way, it's the Aaron Sorkin version of sci-fi, with these heroic characters who lead you through the most gruesome situations.
Really, if you read Shards of Honor you'll know whether or not you want to continue with the series. I did, and I think I'll be moving on to read at least a little about Miles Vorkosigan, Aral and Cordelia's son.
6/2012 I suspect that this book is going to become a 4 star book as I re-read & inhabit this series. I think I'm reading for plot now, and
I like Bujold's voice, and I'm deeply interested in the society she lays out. There are a LOT of characters here, and a lot of backstory to absorb. Every time I think I've got it figured out, there's suddenly a new character with a huge and fascinating history. Onward to the Miles books!
While I had remembered the basic plot, I found that many of the details had escaped me. In particular, I had forgotten how big a role Koudelka played.