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The now-classic tale of a sixteenth-century miller facing the Roman Inquisition. The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death. Carlo Ginzburg uses the trial records to illustrate the religious and social conflicts of the society Menocchio lived in. For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed--just as cheese is made out of milk--and worms appeared in it, and these were the angels." Ginzburg's influential book has been widely regarded as an early example of the analytic, case-oriented approach known as microhistory. In a thoughtful new preface, Ginzburg offers his own corollary to Menocchio's story as he considers the discrepancy between the intentions of the writer and what gets written. The Italian miller's story and Ginzburg's work continue to resonate with modern readers because they focus on how oral and written culture are inextricably linked. Menocchio's 500-year-old challenge to authority remains evocative and vital today.… (more)
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"Although the lower classes are no longer ignored by historians, they seem condemned, nevertheless, to remain 'silent.'" - p. xx
Some are stand-up opinions- a disbelief in the value of confession; some strangely misguided- if Christ had actually been
One feels Menocchio would have been a fascinating person to converse with, his 'singular cosmogeny' all his own. Yet as someone who left no great legacy of useful thought, the reader soon wonders why he has a book devoted to him - we deplore his untimely end at the hands of the Inquisition, but still...
It seemed to me, as I read, that rather than being a study of one man, the author's interest was in teasing out the influences that put those ideas there. A number of different sources are investigated: obviously, the religious thoughts of the time, as the Reformation got going, but also politics (the peasant uprisings finding an echo in Menocchio's refusal to accept others - nobles or priests- having power over him). And books...he seemed to have read quite widely for the time, his thoughts a hotchpotch of elements from different works. And folk belief ...
This is a fairly dense albeit readable work. I made it halfway through. I took on board the many threads that go together to inform our belief system. But I just couldn't sustain enough interest in the man to pursue it any further.