Status
Call number
Series
Publication
Description
Fiction. Science Fiction. Harrow the Ninth, the sequel to the sensational, USA Today bestselling novel Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side by side with a detested rival, Harrow must perfect her skills and become an angel of undeath�?? but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: Is somebody trying to kill her? And if they succeeded, would the universe be better o… (more)
User reviews
I can't rate this book. I don't know what its rating should be. So I have left it with no stars, at
It is either an incomplete piece of brilliance that needs book #3 to finish it off, or it is a hot structural mess with bags of potential but a collapsed narrative arc. I genuinely, honest to Cthulhu, cannot tell which possibility is most likely at this point.
There were parts of it I loved, and parts that stay with me still. Is that enough for a 4 or 5 star rating? At the same time, I genuinely don't understand the ending. Between the shifting timelines and alternate such-and-such, I'm not actually sure what HAPPENED at the end.
I'm not the only person who was confused, so I don't think it's just me being thick. If it is, my apologies to the author. I adore Gideon as a character, and came to like Harrow. But the reveals were oddly staggered, and long stretches of interesting yet confusing events seemed to occur between equally confusing (yet beautifully written and somehow riveting) set pieces.
I could envision the storyline really pulling together in a grand operatic way with a third book, but it might yet dive into further proliferation and confusion. I will continue to recommend the series and will be reading book 3 when it comes out, but I am reserving judgment on book 2 for now.
Nevertheless, I read the book almost straight through because of the worldbuilding. Readers get a bit about the Great Resurrection through which the Emperor saved humanity, much more information about the planet revenants that are hunting the Emperor and a whole lot on necromancy. I enjoyed how Muir’s necromancy is treated more like a science, with expertise in various disciplines (bone magic, flesh magic, spirit, etc.) I like the new Lyctors. And frankly, I absolutely loved the Emperor Undying/God. He is fascinating and his interactions with Harrow and the rest of the characters are the highlight of the book.
The book jumped from three stars to five solely because of the last third (and that scene with the soup, OMG!). When Muir begins to tie all the threads together, when the plot against the Emperor is revealed, when we see what Harrow set in motion, who is in the Locked Tomb – I could not put the book down. The conclusion, while something of a cliffhanger, was excellent. I still feel too much time was spent on Harrow’s “madness”, but the story toward the end fulfilled the potential of book one so that I cannot wait for the finale, and more of John.
You start to see the cracks early, but for the most part are just curious. You know whence Harrow's blade comes...but there is nothing else to indicate
There are subtle clues peppered throughout, of course.
I HIGHLY recommend reading this only after Gideon. I am especially excited for the finale.
Also repare yourself for the meme to top all memes.
As for the story itself, I liked Gideon the Ninth better. I had to put a lot of work into Harrow just to kind of understand what was going on. I also had hard time combining the two Harrow's - the one from the first book, who is confident, egotistical, or the one from the second book, who is just existing, broken, demeaned by everyone around her. The witty back and forth is there, just not said by Harrow.
As for the other characters, "God", Ioanth, The Saint of Mercy, the Saint of Patience, etc, with such limited characters, Author Muir throws a spotlight on what it means to be immortal and being in direct contact with a real life God.
In Harrow the Ninth, we have more of everything. There is more space, more ghosts, more necromancy, more bones, more danger, more characters, and infinitely more questions. In addition, we also have immortals, ghosts of dead planets, a mysterious enemy other than the dead planet ghosts, and a missing significant character. Nothing really makes sense, and you begin to wonder if reading the story is making you mad alongside Harrow.
The ending throws so much new information at you that you can only sit back and hope you absorb half of it. Honestly, after talking to others who already read Harrow the Ninth, I don't think any reader truly understands what happens or the new information we receive. What's more, because there is a universal lack of understanding, everyone's interpretation of the information greatly differs. It does make for some pretty interesting discussions, so that's a plus.
What makes Harrow the Ninth and its predecessor work is the writing. Simply, Ms. Muir is a genius. Her sentences are poetic but simple. Even better, she hides little joke nuggets in the simplest of dialogue, which enhances a scene to perfection. Added to that, her characters are so real as to be mundane. For example, the entire trilogy orbits around God, who just happens to be named John and acts as human as Harrow. No lofty naming convention for the immortal characters here and certainly no behavioral changes for immortals.
Harrow the Ninth starts out as the first novel's complete opposite in pretty much everything. Tonally, the story is darker. Harrow flits between second-person and first-person narrative, both of which show she does not have Gideon's flair for the dramatic or sarcasm. Plus, Harrow's memories of what occurred at Canaan House in the first book differ greatly from the book you actually read. Much like within that first book, all you can do is go with it. Doing so means you get to enjoy Ms. Muir's fabulous writing, which in itself is a reason to read this bizarrely fun story.
Up was down and down was left and right was up, of course there were skeletons, and slime and tea and soup.
Can I really
my only beef I have is that the editing was really shoddy. I lost count of the spelling and grammar errors after a while. Really hope that thise will get fixed for future editions.
Oh look at me reading a WHOLE BOOK vry quickly. I am trying. This one helped my aversion to reading by being a book that I really wanted to read. It also challenged me because its structure is so deeply weird and I have an eensy amount of
The gross body gunk stuff is EXTRA a lot in this installment, so maybe know that going in. That has nothing to do with the rest of this review, but feels like a good FYI. There's gross killer space bugs (this is not a spoiler. You find out about them on maybe the second page) as well as the various necromantic exploding body shenanigans and it gets gory in new and visceral ways.
Unrelated to that, there are three things that I don't do a great job with while I read:
1) Numbers. Dates, ages, temperatures, counting, whatever; I almost never retain any of them while reading something the first time. I just re-read Gideon the Ninth and discovered that the two main characters are 17 and 18. I did not pick that up the first time I read it, even though it SAYS it right there on the page because that is just... a thing I always manage to overlook or forget immediately. I did at least manage to remember the Fourth were teenagers, though I did not remember their actual ages either.
2) Names. This goes extra for a name that I'm not sure how to pronounce, but still applies to names I can pronounce perfectly well where my brain will fill in a word shaped blob instead of the actual name. Like. I see the shape and texture of the word and that's what my brain pops in while reading instead of the actual name. Sometimes, if I am trying to consciously work on this, I can slowly reread a name over and over and make it stick. Lots of times I don't and then discover after reading a book that I remember no one's names at all. I was 3/4 of the way through this when I figured out her name is HarrowhaRk not HarrowhaWk. Like, I read a book and most of another book and thought her name wrong all that time because ???
3) Maps and/or any sort of spatial description. I hate them and cannot understand them in any way that makes useful sense. I avoid book maps at all costs. As a person who enjoys epic fantasy, I recognize this is probably a failing but also I cannot make maps make sense so I've stopped trying. This wasn't really important to this book, but it is A Problem I Have.
This is why I like to reread things I enjoy: I'm terrible at details the first time through. I feel like this is a series where reading the books more than once would be useful for anyone though. There's a lot going on, a bunch of it is cryptic, and there's mysteries wrapped around mysteries. It's very satisfying to watch the way Muir threads everything back together, though I am still not totally sure I know what's going on. I was very entertained. I am extremely excited for the next story
As an aside, in the afterword, Muir gives a shout out to all the medical caseworkers who feed her anti-psychotic drugs, whether she wanted them or not. Muir apparently has hard experience with mental illness that she has filtered into this novel.
In this second instalment of The Locked Tomb trilogy, Muir has made some divisive and ambitious creative choices: every other
The story kicks off where Gideon ended, with the Necrolord Prime asking Harrow to help him in his war against a mysterious enemy. Instead of preparing her for battle, Harrow's teachers dismiss her as a lossed cause as she questions her sanity and is convinced someone is trying to kill her.
Muir is a fantastic writer with a unique style, completely unafraid to go into new territory. I fully understand why many people will love this book, but for me it felt like a test of endurance before getting to the juicy bits.
I can reassure you that the final chapters are epic, with some mind-blowing ideas and impressive storytelling, and all loose ends tied up fairly neatly. There are also many fun things to discover throughout Harrow, notably the most messed up take on FTL travel since Event Horizon. I will still be reading the final instalment of the series, but perhaps with a more open mind.
If you’re happy to wade into the insanity and trust Muir to pull you out just as you’re about to drown, then absolutely give this book a go. Harrow has a lot of parallels with The Stars are Legion, so Hurley fans in particular should check out this series.
But on top of that, the reader is
Parts of the book are third-person flashbacks to events that happened before or during the first book, except they're completely different from what happened in the first book, which is a big hint to the reader that something really weird is happening. Other parts of the book are written in the second person - "You woke up" - where "you" is clearly Harrow, and that is also confusing. At the very end of the book, this does, more or less, make sense.
The humor in this is very different from the first book, because Harrow is a very different person from Gideon, but is no less delightfully clever. The world-building continues to be excellent. I particularly enjoyed how mundane Emperor/God is, and how annoying that is for Harrow. Muir also has an amazing grasp of human anatomy, and all the ways it can be subverted.
Despite the fact that I had no idea what was going on for most of this book, I still enjoyed it. I will probably read it again before the third book comes out.
Then at the end, there's like fifty pages where characters explain the plot to each other, which was sheer tedium. I really hope no more installments of this series get nominated for the Hugo Award, so that I don't feel obligated to read them.
Harrow is not the Harrow
Perhaps it's just mid-series slump, setting up a bigger plot, the epilogue and 'additional story' at the end seem to imply so, but I think I've lost interest at this point, and it will take some particularly enthusiastic reviews to pick the series up again. Which is a shame because the first was so good, a wonderfully irrelevant blend of humour, gore, romance and mystery. This just has the gore, and it's not enough. Characters feeling pity for themselves is the least enjoyable mode of writing, ,and while Harrow has justification (we think, but agin, lost plan so who knows) it's just not interesting enough. The motivations of 'God' and the other lyctors don't make much sense, even as mis-direction, the whole final explanation appears incredibly petty. I didn't like the world-building much either, especially the metaphysical River appearing as a real object.
Just nowhere near as fun.
I loved the first book and was a bit confused by this one in the beginning. The book screams unreliable narrator to the reader if they have read the first book. It can be a bit of a slog, but the end does payoff. I did bounce off it the first time I read it but other people loved it
Took a while to warm up; Harrowhark is possibly the most unreliable narrator I have ever had the pleasure to read, but that eventually becomes clear as to why. If you read the first
multiple tumblr in-jokes; they were a good bit of levity in some quite tense situations.
I hardly know how to review this, because it is by far the most compelling mindfuck I've ever fallen into, and I'm not sure if I like that? And I'm not entirely sure that I even understood all of the plotlines, but I sure as hell didn't want to put it down. Be
Advanced Reader's Copy Provided by Edelweiss.
This was such an odd read. The first 2/3rds are very confusing and
While there are many reveals that were rewarding, it ends in a frustrating cliff hanger. I'm glad I read this just before Nona published so I didn't have a long wait to find out what happens.