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When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father's Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin. Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honesty will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of he murdered. Celehar's skills now lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness.… (more)
User reviews
I found the central murder mystery the most interesting, that being the strange death of an opera singer. The other sagas that developed were a missing sister (likely murdered by a serial killer), a forged will, and an eruption of ghouls in the distant town of Tanvero. For my tastes, other than the surprising twist in one of these other cases, this side-action of rather diverse situations detracted from moving the story forward.
I enjoy Addison's writing (except for her penchant in creating complex names and titles). This novel showed potential storylines that were strongly promising, perhaps could have been enlarged as the plot in other books, rather than used here. I do recommend the Witness book, but for myself, I would also like to read more about how Maia fares and see his evolution as the ultimate ruler, how this develops and then, perhaps might achieve a strong dynasty in this kingdom.
That being said, the book was good if murder mysteries are your type of story to enjoy. I did like the story and the world building was phenomenal. It just wasn't as exciting as I had hoped.
The Witness for the Dead is a stand-alone sequel to The Goblin Emperor. I read that book years ago but enjoyed it immensely for its cozy vibe and unique worldbuilding, but the naming conventions in the world left me endlessly addled about who
Witness is a profoundly different book. It largely avoids court politics, and is instead a fantasy book that is a fairly straightforward murder-mystery novel. Only in this situation, Celehar is a detective who can speak with the recently-dead to find out what they wanted to name as heir, or if the committed some crime as they died, or if they were in fact murdered. The concept is fantastically original.
The book eloquently weaves together several of Celehar's ongoing cases. Just as with Goblin Emperor, there is a cozy vibe, a cast that consists of (mostly) helpful goblins and elves, and the same frustrating downside: it was impossible for me to track who was who. I was helped in that Addison is a brilliant writer, and most always provided contextual clues so that within a page or so I would realize, 'oh yeah, that guy again.' Even so, with the way the plots were twined, characters constantly came and went, and I often felt adrift. If not for that problem, this would have been a five-star read for me.
We follow Othala Celehar in his work, and the novel becomes a series of mystery stories, large and small. At the same time we learn about court and religious rivalries and administrative processes. There isn't any daring do, these investigations are quietly intense.
Through the naming of the dead, Othala also have authority to lay ghouls, revenants that rise when graves are not properly cared for, and Celehar is sent to a rural community to deal with a ghoul who has been terrifying locals for a few months. It's getting stronger as it feeds and the situation is quite urgent. Again, it is an interesting thing that these kinds of services are less generously rewarded than seems normal. I would certainly be glad to pay someone to lay a ghoul in my neighborhood.
The quiet pace and Katherine Addison's relentless world-building pleased me, although I wish that her naming conventions were a bit less challenging and I think her use of Thee, Thou, and Thy is a bit wobbly, at least in this ARC. I get the feeling that there are a bunch more books in the works, books that will explore the sexual and political situations that have been hinted at so far. I look forward to reading them.
I received a review copy of "The Witness for the Dead" by Katherine Addison from TOR through NetGalley.com.
Celehar is no longer at court; he's now in the distant city of
The story revolves around several cases brought to him, which may or may not be related. An opera singer who wasn't liked by her colleagues is found murdered in what seems an unlikely part of town for her--and for all they dislike her, no one seems to have a motive strong enough to end in murder. The case of the forged will, mentioned above, seems simple at first, but has unexpected ramifications. The prince sends him off to deal with a ghoul that's tormenting one of the more remote towns. And the unexplained death of a young woman expecting her first child becomes the first hint that there's a serial killer at work.
Celehar sits in his tiny office every morning, awaiting petitioners asking him for help. Sometimes, he can help by pursuing his calling. Sometimes, he can help by telling the petitioners which office or prelate they should really be consulting. Sometimes, he can't help at all, but he always does his best.
Celehar is socially awkward, bad at picking up social cues, and not that great about abiding by social expectations of dress and adornment, in what is a rather rigid and regulated society. He doesn't make friends easily--except when he does, with people who are misfits in their own ways, or similarly unconcerned with the social judgments of others. Another review suggested that Celehar is a very good depiction of an autistic person in this rule-bound society, and I agree with that.
Like The Goblin Emperor, this is both an interesting blend of high fantasy and steampunk, and a deeply humane story in a genre where that's not necessarily what's expected.
I truly loved this. Highly recommended.
I bought this audiobook.
Unfortunately, 'dogged persistence' is not tremendously exciting and there is very little action in this book. It would have really helped it there was a glossary. There are too many ranks, deities, titles and places to make this easy to understand without one.
This story has been billed as a "standalone sequel", and it's true, it really could stand alone. We learn a little more about the world and its religions, and especially how the dead are treated. For all that it's a high fantasy, it also reads a bit like a police procedural as Celehar has a few different "cases" (my word) to witness for. And while it does all that, it's succinct, wrapping up a complete story in about 230 pages. Just a superb story all around.
I think anyone who enjoyed Goblin Emperor would enjoy The Witness for the Dead.
I received a free eARC from the publisher via Netgalley in exchange for an honest review.
More rambling than the Goblin Emperor, but having read Monette's short fiction I was perfectly happy with it!
Here, in the course of his duties, he finds himself tracking down the
I’m not sure why the author’s had a bit of a hard time (e.g., switching to Katherine Addison to give her a fresh start), as I’ve really enjoyed everything I’ve read from her. I first encountered her work in the (awesome) Shadow Unit stories, and _Witness_ is a nice blend of slice-of-life fantasy and mystery that goes down smooth and leaves a pleasant tingle in your mind.
The writing is tight, but full of words specific to this world, especially titles. Figuring out who is what can be difficult, however eventually it starts coming together.
I really like the story of Thalar Celehar - he is a character who cares, but isn't a pushover. I hope more stories are coming with him as a leading character.
I'm less likely to recommend this to anyone as 'you should read this, just to see what it is' but would be more certain certain people - those who like fantasy and/or detective novels, or those who liked The Goblin Emperor - would enjoy it.
Advanced readers copy provided by Edelweiss
Digital review copy provided by the publisher through Edelweiss
His new role is as a
The pace is leisurely and gentle, with many visits to tea-houses. In line with the court intrigue/fantasy of manners subgenre, perils tend to be social rather than physical, although there is a bit of the latter. Although Celehar arrives in his new role feeling isolated, we see him make friends along the way, which I suspect is the major point.
I loved falling into this world again, though it is only tangentially related to The Goblin Emperor. Celehar is a more withdrawn personality than Maia, and harder to get to know, but I found the slow unfolding of his character rewarding. I had a bit of trouble with the many characters and their long and difficult names, plus the various forms of address, and the equally confusing place names. I would have liked both a map and a character list, but this book contains no back-matter whatsoever. I had also forgotten certain key points about Celehar's backstory that were revealed in the previous book, so I think someone starting with this volume might be confused or find themselves lacking context. However, when I managed to immerse myself in the story, I found the rich details and lovely writing enough to carry me through. Recommended to fans of the first book. I'm looking forward to another book featuring Celehar coming out later this year.