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"Sunyi Dean's The Book Eaters is a contemporary fantasy debut. It's a story of motherhood, sacrifice, and hope; of queer identity and learning to accept who you are; of gilded lies and the danger of believing the narratives others create for you. Out on the Yorkshire Moors lives a secret line of people for whom books are food, and who retain all of a book's content after eating it. To them, spy novels are a peppery snack; romance novels are sweet and delicious. Eating a map can help them remember destinations, and children, when they misbehave, are forced to eat dry, musty pages from dictionaries. Devon is part of The Family, an old and reclusive clan of book eaters. Her brothers grow up feasting on stories of valor and adventure, and Devon-like all other book eater women-is raised on a carefully curated diet of fairytales and cautionary stories. But real life doesn't always come with happy endings, as Devon learns when her son is born with a rare and darker kind of hunger-not for books, but for human minds"--… (more)
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How far would you go for the people you love? That's what Devon has to decide when her son, Cai, is born not a book eater like she is, but a mind eater. Her people call them "dragons," and they feed leaving humans, if
The narrative stays with Devon's point of view, and we go back and forth between the present, with Devon and Cai on the run over the course of just a few days, and the backstory of exactly how we got here, starting with Devon's childhood of eating fairy tales and being raised to marry and produce more book eaters. I really enjoyed immersing myself in Devon's world and wrestling with her morals and choices. It's grim and Gothic and very good.
This book follows Devon, a book eater who wants to escape from the strict book eater life and raise her children in peace.
I found this book to be pretty disappointing, perhaps because I read so much hype about it. The premise is interesting enough, but I wish the execution had been more creative. In particular, I was disappointed at how much this is not a book about books. Devon is trying to find a way to escape from a bad situation, and she's not good at original ideas, so wouldn't it make sense for her to eat a lot of books about escapes and try to re-enact those escapes? This could have been a love-letter to books, or a delightful mash-up of book genres, but the book doesn't really seem to have any knowledge of literature. In fact, it hardly references any books at all. Maybe that makes the book more accessible to people who aren't avid readers, but I think it would have been so much more fun if it had been a book about books.
The only thing that I didn't really like was the protagonist. Anyone with the attitude of let the world burn so long as *my* child survives is far too selfish to earn much sympathy from me. It's one thing to go after those who are genuine risks, but willingness to sacrifice innocents is a bit too much. Even if crocodile tears are shed, too often they're for the price paid by the child, and not for the people with their lives now stolen away. This dilemma was, at points, acknowledged, but then quickly set aside.
While I'm somewhat curious about the purported Creator, I'd prefer there not be sequel. As it stands, this book is a satisfying adventure, and I'd hate to see it suffer from being drawn out unnecessarily.
Struggled through Chapter 2 which was written at a lower level, like a fairy tale or children's fiction. Appropriate
Then, in Chapter 3, at 6%, we talk about scooping out brains. That's it. I'm out. (Minds are not necessarily Brains, so I feel mislead.)
I wish I
Devon - I thought that the quirk of naming Family members after place names was cute - is the princess of Fairweather Manor and grows up on a diet of fairy tales about heroines being rescued and living happily ever after. A very different fate awaits her, however. The female book eaters exist only to intermarry with other Families and have children - but they cannot be mothers. They must move on and marry again. When Devon is taken away from her young daughter, she is heartbroken and a seed of rebellion is planted. She tries to hold onto the fantasy that she will be rewarded for following the rules, but then her son is born and must be protected from those who want to kill him. Her brother in law, the wonderful Jarrow, persuades Devon to break the cycle and save her son Cai.
The worldbuilding, though! Vampires are old hat and I have never understood the appeal of zombies but a hunger for knowledge? A taste for the written word? Makes sense to me! Book eaters, although superhumanly strong and able to see in the dark, cannot write for themselves Mind eaters, born with a proboscis like tongue, go straight to the source and drain intelligence, memories and personality from people by sucking parts of the brain out of their victims' ears. While the Families are in control, ruled by patriarchs, 'knights' are charged with controlling mind eaters, or 'dragons', with a drug called Redemption. The women are valued only for their reproductive role and are biologically 'retired' after having two children, to become 'aunts'. The patronising faux chivalry and old-fashioned attitudes of the Families drove me mad, which is entirely the point, I realise, but luckily Devon's narrative flips back and forth between the past and the present, so we can feed on her fire to save herself and her son. Cai, incidentally, is also an amazing character, a young boy with an old soul who takes on the lost lives of his victims.
I honestly haven't been so addicted to a book in ages! I was reading at home, late at night, on the bus, during my dinner hour, and couldn't get enough. The UK setting probably helped, even if a few Americanisms (and shootouts) from the author slipped in every now and again! Definitely recommended for book eaters everywhere, and I hope there's a sequel in the pipeline!
Cons:
Raised as a princess in one of the 6 remaining book eater houses in England, Devon Fairweather learns at her first marriage, that being pampered is not the same as being free. Now, she’s trying to escape the families along
The book alternates between scenes in the present with Devon on the run and scenes from the past that explain how she got to this point. The pacing is great and there is a mix of highly tense moments an downtime where you really get to know the main characters.
The world-building here is great. The book eaters are unique, and the mind eaters terrifying. The author does a great job of blending their curious and often antiquated style of living, with the modern day world. I also loved how she worked in knights and dragons.
Devon is a complicated woman. She loves her son, enough to get him humans to feed on, while also being scared of that need to feed. In some ways she’s suffered greatly, in others she’s still weirdly naive. I didn’t quite agree with some of her principles, but despite her crimes she still comes off as sympathetic and you still want to see her succeed.
It’s a strange book, telling about a strange people, and is wildly entertaining if you like darker urban fantasy.
Another praise-- you know how when you read a thing alternating between flashbacks and present day, you're generally more invested or interested in one over the other? This story was a GREAT example of striking the perfect balance and juxtaposed those dual timelines *just right* to create a seamless portrait of Devon's life. I'm in awe. I cannot wait to see what Sunyi Dean does next, whether she revisits Book Eaters or crafts something new entirely.
It read like a fairytale in their darkest, most macabre form, where the princess must become a true monster to keep herself and her son alive.
Fine book, but misleading title made me not be quite so thrilled about it in the end.