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"A contemporary gothic from an author in the company of Kelly Link and Aimee Bender, Mr. Splitfoot tracks two women in two times as they march toward a mysterious reckoning. Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth's niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who -- or what -- has she hidden in the woods at the end of the road? In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa. Making good on the extraordinary acclaim for her previous books, Samantha Hunt continues to be "dazzling" (Vanity Fair) and to deliver fiction that is "daring and delicious" (Chicago Tribune)"--… (more)
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Intercut with Ruth & Nat's story is one that unfolds some 20 years later. Cora is a seemingly ordinary young woman with a normal job and life. She knows that her mother didn't have a good childhood, but those foster homes and abuse seem very far in the past. But when her boyfriend reacts very, very badly to the news that Cora is pregnant, an emotional crisis point is reached. Just at that moment, Cora's enigmatic but long-idolized Aunt Ruth appears. Refusing or unable to speak, Ruth leads Cora on a long walk through New York State, with no known destination.
I picked up this book because of the comparison to Kelly Link, but I didn't quite feel the similarity there. Rather, I felt that this book was very much written in the style of a great deal of contemporary post-apocalyptic lit-fic. It's not apocalyptic (although there is that apocalyptic cult), but the way it is written makes modern life feel apocalyptic. The fact that all the characters are alienated from modern society (either emotionally or through forced isolation) contributes significantly to this, as does the narrative's occasional tips into the realm of the bizarre. The themes of the book are also ones that are present in much of the post-apoc genre.
I liked the book, and moreover, appreciated that it was very well-crafted. I didn't emotionally love it, however... perhaps just because of the high unpleasantness quotient.
Many thanks to HMH and NetGalley for the opportunity to read. As always, my opinion is solely my own.
There were a few moments when I almost lost faith in what Hunt was doing—there's a lot of stuff that seems totally random at first, and this is NOT a book for readers who need instant gratification as they go. But in the end it all makes perfect sense, in a very weird, weird, wonderful way. I kind of want to skim through it again now and check out all the parts that seemed loose-end-like to see where they fit, because they all do.
I think this may not be for everyone, but I just loved it—I read the last quarter in a white hot sinful heat when I was supposed to be doing something else. Now I really have to read The Invention of Everything Else, which I've had on the shelf for ages.
I loved this crooked tale of orphans, mothers, speaking with the dead, the influence of the dead on the living, cons, religion, and upstate New York. I loved that dear, dirty Worcester,
Beautiful book, so glad I stumbled across it.
They are both 17 and want to escape the realm that they live in. They
In the meantime, we are journeying with Cora, who is being lead around New York, near the Erie Canal, by a woman named Ruth. This is taking place about 14 years later than the story of Nat & Ruth.
The two different stories take place every other chapter. They meld somewhat and you can feel the stories coming together.
This was really well written and really makes you think. I will definitely pick up more of Samantha Hunt's works from here.
So all in all, an enjoyable experience which has prompted me to add Hunt's other novels to my list.
3.5 stars
The second story is about a directionless young woman named Cora who becomes pregnant by her cruel boyfriend, who is married to another woman. Her aunt Ruth, now unable to speak, arrives and takes Cora on a long journey across the state of New York. There's a lot of mystery and creepiness in this book, although the real horror is the cruelty of humankind. {SPOILER} The biggest surprise of this book is that it manages a happy ending. {/SPOILER}
Favorite Passages:
“Forget God. Or don’t call it that. I’m talking about mystery, unsolvable mystery. Maybe it’s as simple as love. I say it is."
When you are a ward of the state, there
Even though it has been a couple of days since I have read this book, I'm still confused on my feelings about it. That isn't to say that this book isn't good. It's very very good. It's well-written and has an interesting slew of characters. The story jumps back and forth between the time that Ruth and Nat were at the group home to the present time when Cora and Ruth are on their mysterious adventure. Throughout the novel, I kept wondering what it was that was bringing these two events closer and closer together. All the while, I was fascinated by both of these two storylines as separate entities. I will confess, I preferred the story line concerned with Ruth and Nat more than the one with Cora and Ruth, but both very so intriguing. One thing is for sure: at the end of the novel, you yourself will be questioning whether there was any truth to it at all. Overall, this was a bizarre and interesting read, and if you are looking for something that will be completely unexpected, then check this novel out!
Perhaps I shouldn't have read this one while under quarantine."Mr. Splitfoot" is an emotionally intense book, populated as it is by drifters and misfits who have little to rely upon but themselves and each other. Their feelings for each other -- love, yearning, sadness, betrayal -- are intense and Hunt communicates them expertly. But her characters are also appealing, and may find their way into her reader's sympathies. While most of the book's main characters are, to some extent or another, con artists, the author makes it clear that that they know how to play upon the emotional needs of others because their own emotional needs are so overwhelming. The moments when they connect are intense: two of the characters here share an emotional bond so tight that their barely seem to recognize that they inhabit separate bodies. In this book, even mutual understanding can be a rare and powerful experience: the subplot I liked best had to do with the records sent into space on the Voyager probes, which tried to fit all of life on earth onto one long-playing record. Whether they've made anyone out there understand us any better isn't really known, but that's precisely the sort of mission that every character in "Mr. Splitfoot" seems to be on, and the moments in which they do connect are beautiful are immensely affecting. I'll probably have to read this one again to figure out what I really think of it, but this I've got no doubt that "Mr. Splitfoot" is an accomplishment of some sort.