Status
Available
Call number
Collections
Publication
Saint Martin's Press (1997), Mass Market Paperback, 448 pages
Description
In the second of the Mageworlds trilogy, Beka Rosselin-Metadi, the last Domina of Lost Entibor, possesses little more than a famous name and a famous ship. With them she must salvage what she can from the wreckage of the Republic.
User reviews
LibraryThing member justchris
This is the second book of the Magewar trilogy. They are just about my favorite space opera, hence the reread. They're essentially a different take on the Star Wars trilogy. Instead of a princess, a dashing starpilot and his alien sidekick, and a mystical young hero with android sidekicks, we get
Like the original Star Wars trilogy, these books represent the second generation. Their parents are the famous Domina Perada Rosselin and General Jos Metadi, who were instrumental in stopping the Mages from taking over the "civilized galaxy." Their story is told in the prequel, which I always find interesting for the "continuity errors" between its narrative and the legends/history as portrayed in the main trilogy.
Anyway, Beka is the main plot driver, and most (but certainly not all) of the action revolves around her, but the story jumps around among the three siblings and their important supporting characters. It's a fast-paced action story with some very amusing dialogue.
Beside the main character differences from Star Wars, these books also differ on the story angle. Rather than being a battle between good and evil (or the Dark Side of the Force), it's really about two different cultures and philosophies/religions: the Adepts believe in a kind of metaphysical noninterference policy and are essentially individualists, while the Mages (who fight with one-handed staffs) believe in manipulating space-time/reality for higher purposes and work in groups ("Circles"). The battles with staffs involve just as much light show as lightsabers, but it's generated by each individual's own power rather than a little gizmo. So the Mages aren't evil, per se, just different, and from a different part of the galaxy.
Those are the reasons why I like the stories.
Problems: well, once again, an entire galaxy of white people, even from two apparently completely distinct civilizations. Only one person in the entire series is described as being brown, and with all of the extras involved in such an epic tale, there's plenty of room for more. And of course, as far as we know, everyone is straight.
However, I must say that a definite strength is that there is about a 50:50 gender ratio in terms of characters. If anything, when two secondary characters are presented, the woman is more likely to be in the leadership position. So lots of strong women characters as both protagonists and window dressing. Definitely passes the Bechdel/Wallace test.
Nonhumans get pretty short shrift too; I mean, really, an entire galaxy full of two human civilizations? The Selvaurs are the only ones that get any playtime in the story, since one of them is Jos Metadi's engineer during his privateer days during the Magewar (pilot with alien sidekick, check) in the prequel. It was this relationship that allowed Jos and Perada to begin to form an allied space fleet to kick Mage ass, so the Selvaurs played a pretty pivotal role in the historical context.
And since Ari, the oldest sibling, was fostered on the Selvaur homeworld to cement that alliance, the Selvaurs do turn up as relatively minor characters throughout the trilogy. The only other aliens who make a very brief appearance are the Rotis, who show up in By Honor Betray'd during a key plot moment. That's it? C'mon. What's the use of space opera with some aliens if you don't have fun with it?
And what's with this "civilized" space thing? The Mages are barbarians? They clearly have better technology in a few different fields. They're a unified culture, as opposed to the hodgepodge of independent planets of the Adept territories. And if they were so hurting for goods in their home territory that they needed to start raiding "civilized" space (Vikings, anyone?), how the hell did they get the advanced technology in the first place? So some flaws to basic underlying premises and the way the story is framed.
But hey, if you ignore subtext (subtext, what's that?) and lack of representation and the general shallowness of the story, characters, etc., it is entertaining. And like I said, an interesting spin on Star Wars, defects aside.
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the Rosselin-Metadi siblings (from youngest to oldest): Beka (princess and swashbucklinging starpilot rolled into one), Owen (unassuming mystical apprentice Adept who fights with two-handed staff), and Ari (the giant but peaceful medic in the Space Force). They've got the political, religious, and military angles all covered amongst themselves.Like the original Star Wars trilogy, these books represent the second generation. Their parents are the famous Domina Perada Rosselin and General Jos Metadi, who were instrumental in stopping the Mages from taking over the "civilized galaxy." Their story is told in the prequel, which I always find interesting for the "continuity errors" between its narrative and the legends/history as portrayed in the main trilogy.
Anyway, Beka is the main plot driver, and most (but certainly not all) of the action revolves around her, but the story jumps around among the three siblings and their important supporting characters. It's a fast-paced action story with some very amusing dialogue.
Beside the main character differences from Star Wars, these books also differ on the story angle. Rather than being a battle between good and evil (or the Dark Side of the Force), it's really about two different cultures and philosophies/religions: the Adepts believe in a kind of metaphysical noninterference policy and are essentially individualists, while the Mages (who fight with one-handed staffs) believe in manipulating space-time/reality for higher purposes and work in groups ("Circles"). The battles with staffs involve just as much light show as lightsabers, but it's generated by each individual's own power rather than a little gizmo. So the Mages aren't evil, per se, just different, and from a different part of the galaxy.
Those are the reasons why I like the stories.
Problems: well, once again, an entire galaxy of white people, even from two apparently completely distinct civilizations. Only one person in the entire series is described as being brown, and with all of the extras involved in such an epic tale, there's plenty of room for more. And of course, as far as we know, everyone is straight.
However, I must say that a definite strength is that there is about a 50:50 gender ratio in terms of characters. If anything, when two secondary characters are presented, the woman is more likely to be in the leadership position. So lots of strong women characters as both protagonists and window dressing. Definitely passes the Bechdel/Wallace test.
Nonhumans get pretty short shrift too; I mean, really, an entire galaxy full of two human civilizations? The Selvaurs are the only ones that get any playtime in the story, since one of them is Jos Metadi's engineer during his privateer days during the Magewar (pilot with alien sidekick, check) in the prequel. It was this relationship that allowed Jos and Perada to begin to form an allied space fleet to kick Mage ass, so the Selvaurs played a pretty pivotal role in the historical context.
And since Ari, the oldest sibling, was fostered on the Selvaur homeworld to cement that alliance, the Selvaurs do turn up as relatively minor characters throughout the trilogy. The only other aliens who make a very brief appearance are the Rotis, who show up in By Honor Betray'd during a key plot moment. That's it? C'mon. What's the use of space opera with some aliens if you don't have fun with it?
And what's with this "civilized" space thing? The Mages are barbarians? They clearly have better technology in a few different fields. They're a unified culture, as opposed to the hodgepodge of independent planets of the Adept territories. And if they were so hurting for goods in their home territory that they needed to start raiding "civilized" space (Vikings, anyone?), how the hell did they get the advanced technology in the first place? So some flaws to basic underlying premises and the way the story is framed.
But hey, if you ignore subtext (subtext, what's that?) and lack of representation and the general shallowness of the story, characters, etc., it is entertaining. And like I said, an interesting spin on Star Wars, defects aside.
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LibraryThing member bluesalamanders
I don't, as a rule, care for the kind of epic series that bounces around among thirty-seven main characters and fifteen intertwining plot threads, but Mageworlds has proven to be the exception. The writing is good, I care about enough of the characters that I can remember (for the most part) who's
Also, there is a decent proportion and variety of female characters, which is especially noteworthy after complete lack of women beyond two main characters in the first book.
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who and doing what where, and the books are long enough to be satisfying but not so long that they are unwieldy to carry around or take forever and a day to read.Also, there is a decent proportion and variety of female characters, which is especially noteworthy after complete lack of women beyond two main characters in the first book.
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Language
Original publication date
1993
Physical description
448 p.; 6.7 inches
ISBN
0812517059 / 9780812517057
Local notes
Mageworlds, 3
DDC/MDS
| Fic SF Doyle |
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