Status
Available
Call number
Genres
Collection
Publication
Open Road Media Teen & Tween
Description
Chosen to become one of a group of civil and religious leaders ruling the land of Green-Sky, thirteen-year-old Raamo's experiences make him question their teachings and lead him to uncover age-old deceptions.
User reviews
LibraryThing member MerryMary
Oh, my. I do so love this book. A pastoral society lives in the trees on lovely Green-Sky, a planet with low gravity. This is important, because the inhabitants can, with the help of their winged garments, glide from tree path to tree path.
Raamo, at the time of his coming of age, finds himself
Snyder weaves a wonderful world on Green-Sky, and we find our way through the machinations of the politicians (oh, yes, they are everywhere!) through the wise and naive eyes of a young boy.
Raamo, at the time of his coming of age, finds himself
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named to the Ol-zhaan, the company of wise ones that rule Green-Sky. He does not understand the appointment, because he feels he is nothing very special. But it seems Raamo still has a vestige of the psycho-kenetic powers of his ancestors. This power is badly needed because the enchanted Root that separates the Kindar from the monsters below is starting to wither away.Snyder weaves a wonderful world on Green-Sky, and we find our way through the machinations of the politicians (oh, yes, they are everywhere!) through the wise and naive eyes of a young boy.
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LibraryThing member sylvatica
(For the whole trilogy): A utopian future on a planet with lowered gravity, psychic abilities, and naturally abundant food – what could be better? I read these books repeatedly as a kid, and still love them today. Of course, the utopia cracks under the pressure of the secrets it is keeping, and
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courageous children must save the day. The trilogy is a surprisingly sophisticated analysis of utopian ideals, for books aimed at children. The cultures that evolved on this planet are well-reasoned extensions of their histories, and the overall story is believable, given the premise. Plus, people get to fly and sleep in nests. Show Less
LibraryThing member krisiti
The Zilpha Keatly Snyder went up the waterspout.... Just had to get that out of my systemBought Below the Root and And All Between for Madison from the used bookshop in Napanee over Christmas, and reread them both while I was there. Wish they'd had Until the Celebration; the trilogy needs an
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ending.I can't have been much older than Madison when I read them last. 20 years ago? I remembered them vividly. I was a little surprised to find out that they read very much like my memories of them. Often when I reread childhood favourites I find that my imagination filled in details that I remember as if I'd read them, but can't find within the printed pages. Like, well, I can't find an example, but I know it has happened, books that seem so _thin_ on reread.But these were very like. Only my perspectives had changed. An interesting comparison with Pamela Dean's Dubious Hills; both are about societies restructured by some long-ago cabal in an attempt to eliminate the potential for violence. There's an unusual theme.. Show Less
LibraryThing member Erinys
I read this book as a child and recently reread it. The beauty of the setting had really stayed with me. The people can fly! Well, glide anyway. There was even a little video game made after this book for the Commodore 64 which I played a bit.
If you love reading about alien societies and worlds
If you love reading about alien societies and worlds
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then this book will be a treat for you. Some reviews I've read complain about the use of exposition in this book but I the explanations. It takes an amazing author to write a gripping and beautiful story without the use of violence. Show Less
LibraryThing member EmScape
"Those suffering from “Hunger Games” withdrawal might find some relief in Green-sky. Snyder creates a futuristic world in which the Kindar live and glide among the trees, never touching the forest floor for fear of the dreaded Pash-shan. Except for th...moreThose suffering from “Hunger
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Games” withdrawal might find some relief in Green-sky. Snyder creates a futuristic world in which the Kindar live and glide among the trees, never touching the forest floor for fear of the dreaded Pash-shan. Except for this one thing, life is Peaceful and Joyous due to the fact that Earth’s violence has been systematically forgotten over the centuries. But, what are the Pash-shan, really? Is it a good thing to keep everyone in the dark about their origin? Is the vine that keeps the Kindar safe from Pash-shan withering? Our hero will have to find out what secrets are being kept from himself and the rest of his people. This is only the first book of the trilogy, but I am completely hooked. Show Less
LibraryThing member satyridae
I should have read this when I was 12. It was richly imagined but very predictable.
LibraryThing member Cheryl_in_CC_NV
I dunno. I do like other works by Snyder, but this seemed awkward - like she concentrated on the ideas instead of the writing. The ideas were wonderful, though - what would it be like to live in a society where the curriculum in school (ages 2-12) emphasized course in Peace, in Joy, and in Love?
This is first of a trilogy, and as usual the world-building and the introduction of the characters is the focus here. The true adventure starts about 1/2 way through. I can guess what the other two books will be about, and since I neither own them nor can I get them from my library system, I will not continue.
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What would it be like to have no books of your own, no lending libraries? To have songs and chants for every occasion, including at least three that are performed every day in every family? To be assigned a career at age 13? Not to mention, to live in the trees, and never touch the ground?This is first of a trilogy, and as usual the world-building and the introduction of the characters is the focus here. The true adventure starts about 1/2 way through. I can guess what the other two books will be about, and since I neither own them nor can I get them from my library system, I will not continue.
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LibraryThing member AbigailAdams26
Having passed an idyllic childhood in the treetop city or Orbora, the greatest of the seven cities of Green-sky, Raamo considered himself an ordinary Kindar. So it was with astonishment that he learned, at age thirteen, that he had been selected as one of the Chosen—one of only two Kindar
The first of author Zilpha Keatley Snyder's Green Sky Trilogy—subsequent titles are And All Between and Until the Celebration—Below the Root was first published in 1975, and originated in the imaginative play of two characters in her prior non-fantasy children's novel, The Changeling. The "Green Sky" game played by Martha and Ivy, in that earlier book (published in 1970), also concerned an arboreal civilization beset by evil monsters, and was clearly the seed from which the fully fantastic trilogy grew. While there are key differences between the made-up "Green Sky" of The Changeling and the "real" one in the trilogy, and while it is by no means necessary to have read that earlier book to appreciate the trilogy, I find the connections immensely meaningful, as the earlier book is one of my favorites of all time, and is one I read and reread as a girl. How unfortunate that I did not know of this series at that time, or it might also have been a childhood favorite! It's interesting to note that many other readers discovering this series for the first time as adults approach it through the lens of having played the Below the Root video game, which featured an adventure written by Zilpha Keatley Snyder herself, and which is considered part of Green Sky canon.
Leaving all of that aside, this is an immensely engaging and deeply moving work of fantasy/science fiction for young readers. I have read it once before, but recently reread it, for a group read of the series that I am conducting with friends, and it certainly stood the test of time, and the trial of a reread. I love pretty much everything about it, from the world building—the arboreal life of the Kindar is so magical, and the songs and rituals they use to promote peace and joy within themselves and their society, so beautiful—to the vocabulary and the way it is introduced—sometimes Snyder will explain what a word means, but sometimes she will let the reader figure it out—to the emotional depth of the characters—particularly Raamo's self-reflection and Genaa's deeply buried and unexpressed sorrow and rage at the death of her father at the hands of the Pash-shan—to the story itself. The idea of creating a human civilization free of violence is intriguing, as is the sorrow of discovering that utopias are so frequently built using far from utopian means. I have seen this compared to more contemporary works of dystopian fiction, such as The Hunger Games and Divergent, but of course this came far before those works, and was quite groundbreaking in its day. It differs from such stories in this key regard, which only raises my esteem for it: namely, that it understands the central role of religion to all human societies, and it explores the beauty and power of such belief systems for the believer, as well as the all-too-frequent corruption of those who are in charge of such systems.
Although written in the 1970s, and a product of its time in many ways—the peace and joy and love of the Kindar civilization feels like the fulfillment of the hippie dream, in some sense—in other ways it feels oddly current. I was struck, during this reread, by the parallels between the Kindar civilization and social and political progressives in the western world in this present day. The way in which they both structure their beliefs around ideas of care, benevolence, the avoidance of causing harm; and the way both are built on the suppression of those who have expressed disagreement with them, the ways in which those others are demonized and made into monsters. The parallel truly astonished me, as I read how the Pash-shan haunted the dreams of Raamo and his Kindar brethren, and then thought of the many people I have encountered in this day and age, who are so constantly fixated upon those with whom they disagree, those whom they revile and fear.
As if this strength of storytelling—the ideas expressed and explored, the beautiful language of the text itself, the engrossing character studies, the fascinating world-building—weren't enough, this book is also greatly improved by the gorgeous artwork of illustrator Alton Raible. I understand that many paperback and ebook editions of this title are lacking these beautifully intricate pencil drawings, and that is a great shame, for they add to and complement the sense of magic and mystery to be found throughout. Raible worked on eleven of Zilpha Keatley Snyder's books, and his artwork is always worth looking at, poring over, and enjoying. It's a shame that he doesn't seem to have done any other work within the book world, but the drawings he did for Snyder are certainly an impressive body of work! It's well worth seeking out the original edition of this book, for the sake of this artwork.
In any case, to offer such wonderful storytelling, and to have such powerful social and intellectual relevance, almost fifty years after its publication, speaks to this book's staying power, and to its brilliance. I highly recommend it to any young (or older) reader who enjoys fantasy, science fiction, dystopian fiction, or just thoughtful fiction in general. For my part, I cannot wait to reread the next installment of the series.
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children picked each year—destined to become a member of the priestly Ol-zhaan. This surprise was as nothing, however, when he learned from a young Ol-zhaan novitiate named Dol'Neric that all was not well within the order, and within Green-sky in general. For the Spirit skills, long the glory of the Kindar, were waning amongst the people; and the enchanted vine known as Wissenroot, which covered the forest floor far below their arboreal civilization, keeping the monstrous underground Pash-shan at bay, was fading. What could Raamo and Neric do about these great evils? Would they be able to discover what role the mysterious Ol-zhaan secret society known as the Geets-kel had to play in all this, and would Genaa, Raamo's fellow Chosen that year, be an ally or an enemy...?The first of author Zilpha Keatley Snyder's Green Sky Trilogy—subsequent titles are And All Between and Until the Celebration—Below the Root was first published in 1975, and originated in the imaginative play of two characters in her prior non-fantasy children's novel, The Changeling. The "Green Sky" game played by Martha and Ivy, in that earlier book (published in 1970), also concerned an arboreal civilization beset by evil monsters, and was clearly the seed from which the fully fantastic trilogy grew. While there are key differences between the made-up "Green Sky" of The Changeling and the "real" one in the trilogy, and while it is by no means necessary to have read that earlier book to appreciate the trilogy, I find the connections immensely meaningful, as the earlier book is one of my favorites of all time, and is one I read and reread as a girl. How unfortunate that I did not know of this series at that time, or it might also have been a childhood favorite! It's interesting to note that many other readers discovering this series for the first time as adults approach it through the lens of having played the Below the Root video game, which featured an adventure written by Zilpha Keatley Snyder herself, and which is considered part of Green Sky canon.
Leaving all of that aside, this is an immensely engaging and deeply moving work of fantasy/science fiction for young readers. I have read it once before, but recently reread it, for a group read of the series that I am conducting with friends, and it certainly stood the test of time, and the trial of a reread. I love pretty much everything about it, from the world building—the arboreal life of the Kindar is so magical, and the songs and rituals they use to promote peace and joy within themselves and their society, so beautiful—to the vocabulary and the way it is introduced—sometimes Snyder will explain what a word means, but sometimes she will let the reader figure it out—to the emotional depth of the characters—particularly Raamo's self-reflection and Genaa's deeply buried and unexpressed sorrow and rage at the death of her father at the hands of the Pash-shan—to the story itself. The idea of creating a human civilization free of violence is intriguing, as is the sorrow of discovering that utopias are so frequently built using far from utopian means. I have seen this compared to more contemporary works of dystopian fiction, such as The Hunger Games and Divergent, but of course this came far before those works, and was quite groundbreaking in its day. It differs from such stories in this key regard, which only raises my esteem for it: namely, that it understands the central role of religion to all human societies, and it explores the beauty and power of such belief systems for the believer, as well as the all-too-frequent corruption of those who are in charge of such systems.
Although written in the 1970s, and a product of its time in many ways—the peace and joy and love of the Kindar civilization feels like the fulfillment of the hippie dream, in some sense—in other ways it feels oddly current. I was struck, during this reread, by the parallels between the Kindar civilization and social and political progressives in the western world in this present day. The way in which they both structure their beliefs around ideas of care, benevolence, the avoidance of causing harm; and the way both are built on the suppression of those who have expressed disagreement with them, the ways in which those others are demonized and made into monsters. The parallel truly astonished me, as I read how the Pash-shan haunted the dreams of Raamo and his Kindar brethren, and then thought of the many people I have encountered in this day and age, who are so constantly fixated upon those with whom they disagree, those whom they revile and fear.
As if this strength of storytelling—the ideas expressed and explored, the beautiful language of the text itself, the engrossing character studies, the fascinating world-building—weren't enough, this book is also greatly improved by the gorgeous artwork of illustrator Alton Raible. I understand that many paperback and ebook editions of this title are lacking these beautifully intricate pencil drawings, and that is a great shame, for they add to and complement the sense of magic and mystery to be found throughout. Raible worked on eleven of Zilpha Keatley Snyder's books, and his artwork is always worth looking at, poring over, and enjoying. It's a shame that he doesn't seem to have done any other work within the book world, but the drawings he did for Snyder are certainly an impressive body of work! It's well worth seeking out the original edition of this book, for the sake of this artwork.
In any case, to offer such wonderful storytelling, and to have such powerful social and intellectual relevance, almost fifty years after its publication, speaks to this book's staying power, and to its brilliance. I highly recommend it to any young (or older) reader who enjoys fantasy, science fiction, dystopian fiction, or just thoughtful fiction in general. For my part, I cannot wait to reread the next installment of the series.
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Awards
Utah Beehive Book Award (Nominee — Children's Fiction — 1980)
Original publication date
1975
ISBN
9781453271926
Local notes
Green Sky, 1
DDC/MDS
| Fic SF Snyder |