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Rebecca Beauvelley is a ruined woman. In a moment of girlish folly, she allowed a high-flying young man to take her up in his phaeton, not realizing that he was drunk. When he dropped the ribbons, she recovered them, but not in time to avoid disaster. The young man was killed in the accident. Rebecca survived, with a withered arm to remind her of the wages of folly, and a reputation in tatters. Against all expectation, her father has found someone, an elderly rogue, who will marry her. Rebecca's life seems set, and she resigned to it, when Altimere, a Fey, appears and uses his magic to show her two futures: In the first, she is abused and neglected as the dutiful wife; in the second, she is dressed and bejeweled like a princess. Rebecca chooses the second future and elopes with Altimere. Unfortunately, Altimere has an agenda of his own.--From publisher description.… (more)
User reviews
Dark and disturbing, but compulsively readable. It ends in the middle of things; the sequel (Longeye) is already written.
From the beginning, it starts out like any other Jane Austen-inspired novel, with a strong-will, independent young woman, in this case an disabled woman named Rebecca Beauvelley, who isn't afraid to follow her aspirations. For example, given the choices of being a house wife or being a poor, traveling herbalist, Becca chooses her passion of plants over a stable and luxurious life. This, of course, is when the first of many problems begin, as she is forced to pick between marrying a man who looks towards the marriage as a social gain or running off with a stranger, a Fey to be exact, who promises freedom. She, of course, chooses the latter with disheartening results, which is only the beginning of a deluge of problems Becca must face as she enters the land of Fey and the control of her literal master Altimere, who leads her into a life as a sex object to be controlled for his own agenda.
One of the main strengths of the book is that the authors skillfully weave between history and fantasy, creating a fairy tale story, known not for happy endings, but for its unhappy, bloody, highly sex-laden, not-so innocent happenings. Indeed, some sex scenes are highly explicit and not entirely pleasant with so much brute force and even blood. Indeed, the book is a story of contradiction. Genre-wise it is both history and fantasy; theme-wise it invokes the theme of pleasure and pain, arguing that indeed one must come with the other as well as the theme of freedom and imprisonment, which is perhaps on the same coin.
These strengths of theme, however, is marred by the authors' lack of grace. For the most part, the point of view of the narrator is very limited and assumes that we are already knowledgeable of the fantasy world created, leading us to question if there was a book before this. Furthermore, the book splits between two story tracts: one of Becca Beauvelley as mentioned above, and that of Meripen Longeye, a Wood-Wise who is awaken after his lover is raped and poisoned to death. (Again, a sex scene). While Becca's story is the main attraction, Meripen's story seem to be just snippets interrupting the actual story. Of course, this is only book one of a two book story (Longeye to be published in 2009), but the fact that the story does not parallel Becca's story nor intersects it is a highly questionable strategy in story-telling. Readers are left to question: what is the link?
In addition to this, the author's lack of grace is also shown in the numerous sex scenes, which while not used for solely pleasure, are awkwardly written for the most part and censored in flowery. In an effort to sound poetic, for example, "hardness" replaces a body part and "seed" is used to describe the outcome of fornication. Instead of poetry, the scenes are interrupted and feel out of place, hindering the novel itself from becoming a truly unique and successful blend of erotica and literature, or simply sex as a theme, which it is of course.
Given this, the books is nothing truly unique nor anything you need to run out a get. But it does ask some very ponderous questions and indeed in opens up the realm of fantasy as a man's genre and sex as forbidden from any fantasy. It is then good reading for anyone who likes to study the links between sex and literature. However, it is not recommended for the average fantasy reader who grew up on Tolkein and C.S. Lewis, whose works tamed compared to this book involving orgies and rapes. Thus, the book is innovative in idea; it is flawed, however, in execution.
An uneasy book. I had to put it down and read
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Fic SF Lee & Miller |