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Classic Literature. Fiction. Mystery. Historical Fiction. HTML: What begins as an adventure soon becomes a nightmare... Locals claim it is haunted and refuse to put a single toe past the front door, but to siblings Peter, Celia, and Margaret, the Priory is nothing more than a rundown estate inherited from their late uncle�??and the perfect setting for a much-needed holiday. But when a murder victim is discovered in the drafty Priory halls, the once unconcerned trio begins to fear that the ghostly rumors are true and they are not alone after all! With a killer on the loose, will they find themselves the next victims of a supernatural predator, or will they uncover a far more corporeal culprit? "Bright and effervescent." �??The Times Literary Supplemen… (more)
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Set between the war, a well to do family has inherited a house in the country, and so move in. Then some rather odd things start happening... They start off being entirely rational, but as the sightings and incidents increase, so the belief that this has a supernatural explanation starts to grow. There is a touch of romance, which had me clapping my hands in delight (really shouldn't do that while driving) and it all ends in a most satisfactory manner. The characters are appealing, and there are enough possible villains and solutions to keep me guessing until fairly close to the conclusion. Thoroughly enjoyable.
SPOILERS BELOW
Although there is a murder over the course of the book it is refreshing that that murder is not central to the story. As farfetched as many of the details of the book are the basic situation of people beginning to wonder if their new home is really such a good deal would strike a cord with much of the readership. Anyone who has awoken in the night in a new home and wondered just want those sounds are and if all the doors and windows are latched or locked will empathize with the protagonists.
It would be surprising for Heyer to write any book without a love story and one knows that Strange/Draycott will turn out to be a good guy simply because Margaret is attracted to him. At the same time the story doesn’t revolve around their developing relationship and indeed could work quite well without it. Heyer does not rely on coincidences as much as many of her contemporary authors do and it does feel as if her England more accurately reflects reality than does the England one finds, for example, in Ngaio Marsh’s work. It is also refreshing the Heyer does not rely on the dread charts, maps, graphs and lists that clutter up the work of so many authors at this time.
One of the other things one notices when reading Christie, Marsh, Queen, S. S. Van Dine and Heyer is the striking difference in the nature of marriage and love among those writers. The male writers tend to show women who are interesting for the way they look or their “charm” while the female writers tend to show more companionate relationships. It might be hard for the average woman reader to imagine herself a sultry, mysterious beauty and it was probably easier for that same reader to identify with the female protagonists in this book and in many of Christie’s mysteries.
Celia, her brother Peter, and sister Margaret have inherited an old priory. It's 1932, so the fact that the priory has no electricity doesn't daunt them. The
Relax? Ha! The priory is said to be haunted by the ghost of one of the old monks. Yes, a cowled and robed figure does turn up on the grounds some nights. So do obviously human men, who may or may not be about on honest business. Could one of them be the mysterious monk?
The priory does have some nice secret spaces and passages, but can Charles and Peter find them all? Of the female characters, Mrs. Bowers is the one most likely to give the robed figure a good thump on the head with something heavy. It's a pity she never encounters him. Celia is the most annoying, timid creature. The only reason why she stays is that Charles refuses to leave. Margaret is much more stout-hearted. Her weakness is local inn guest Michael Strange. She refuses to believe that he could be the monk. The aunt (Lydia?) is the sort of aunt often found in Ms. Heyer's Regency Romances. She refuses to believe in the monk to begin with, but later decides to try to summon his spirit in one of my favorite scenes.
Given the period in which this was written, I'll have to forgive her for fainting when she encounters the monk during a late night visit to the priory's library, instead of using her candle to see if she set the monk on fire.
This is the third time I've checked this book out and listened to it, but it had been seven years. I hadn't remembered anything consciously, but did my subconscious remember who the villain was or did I genuinely fix on the right suspect before I was halfway through?
The action ramps up in the last two CDs. It's not a bad mystery. The humor makes it even more enjoyable.
This book was so much fun! Add in some chilly, rainy weather that's perfect for
Unlike several of Heyer's other mysteries, this one has a cast of likeable characters. She writes so deftly, you instantly get a sense for each person and how they will relate to one another. Even the aunt, Mrs. Bosanquet, could have been annoying but instead comes across as serenely (and unintentionally) funny. The warm family tone of the story does clue you in a bit early that a suspicious person whom Margaret likes must be a good guy after all, since it's predictable that they'll fall in love. But it's still fun to see it happen.
Footsteps in the Dark isn't set in the season of fall, but it's a perfect ghost story/mystery to curl up with when the nights get chilly. I enjoyed it so much I immediately picked up another Heyer mystery. You can't read just one...
The four star rating I have given this novel has been determined somewhat idiosyncratically. Two stars are for the mystery itself. An extra one is due to the writing and the fourth because it is Heyer's first mystery and is therefore of some historical and literary significance to her fans. The net result is a novel I liked very much. A must for anyone who is interested in Heyer in particular and 1930s mystery novels in general. Possibly a miss for most other readers.
I definitely enjoyed it!
While there's a genuine and good murder mystery as the scaffolding of the story, a lot of the fun of this one is that it is indeed fun, with some sparkling dialogue between nicely drawn characters. I think the characterisation isn't as strong in this one as in some of Heyer's other mysteries, but it does the job.
There's also a romance sub-plot, which cuts some of the tension because it's obvious from the way the attraction between Margaret and one of the suspects is written that he's going to be a Good Guy. But it doesn't detract too much from the story, which is strong enough to offer pleasure in re-reading even once you know the solution.
Boring and predictable.
Originally written in 1932, I did enjoy this well-written mystery with only a hint of romance (thankfully) with a group of interesting characters.
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