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In a ruined and toxic landscape, a community exists in a giant silo underground, hundreds of stories deep. There, men and women live in a society full of regulations they believe are meant to protect them. Sheriff Holston, who has unwaveringly upheld the silo's rules for years, unexpectedly breaks the greatest taboo of all: He asks to go outside.His fateful decision unleashes a drastic series of events. An unlikely candidate is appointed to replace him: Juliette, a mechanic with no training in law, whose special knack is fixing machines. Now Juliette is about to be entrusted with fixing her silo, and she will soon learn just how badly her world is broken. The silo is about to confront what its history has only hinted about and its inhabitants have never dared to whisper. Uprising.… (more)
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In some areas, this book exceeded my expectations. The latter ran along the lines of, "Here we go. Another post-apocalyptic U.S.A. caused by man's stupidity about the environment or about war, people struggle to
Also on the plus side of the ledger is the pacing. It's a quick story that — except for a tiny bit of "okay, get on with it" about two thirds of the way through — kept the plot driving forward. Howey's writing style is engaging and his dialog generally sounds like people talking instead of a stilted 1930s movie script.
In the neutral corner are the characters. They're not flat. However, they're not quite three dimensional either. Let's call it 2½D. Only one, arguably two, of the main characters really came out of the pages as a real person. The others had that feel you sometimes get in a long series where the author assumes you've read all the previous volumes and already know the characters: you know there's a full personality there somewhere, but you can't quite discern it in the words in front of you.
On the negative side, Howey needed a technical advisor, someone to review some of the science and correct it. As a fix-it homeowner, I deduced that Howey is not a fix-it homeowner. As a computer guy, I wondered why their advanced technological skills didn't include stuff that's commonplace even today. As a scuba diver, I winced at some of the diving gaffs (it being a critical element at one point in the plot).
There's one more area where I'd like to comment. Science fiction can be just an adventure, something to divert you during a summer afternoon. That's okay. However, the really great science fiction makes you think. It leaves you pondering the idea or the message or the theme after you've finished it. In other words, it gets to you. Beyond its rather interesting take on Armageddon, Wool is sort of "what you see is what you get." It plays in the shallow end of the social science fiction pool.
So, in the end, is it readable? Sure.
Is it worth reading? If you enjoy post-apocalyptic stories, probably.
Is it going to enter the canon of great science fiction? No.
Do I understand the plethora of 5 star ratings on this book, here and on Amazon? Nope.
The author has a tendency, at least early on, to kill off point-of-view characters--in itself not a fatal flaw, but nevertheless annoying. Secondly, a large percentage of the surprise occurs in the first book. And while there's a lot of world building to come, it's spread over many more pages and lacks the impact of the first book. Sure, there's lots of action throughout. The book was fast paced and hard to put down. But there were too many scenes of people running up and down stairs --a limitation of life in a silo. And some places had pace but little tension.
Hemingway said never confuse movement with action. Some scenes consisted mostly of people we hardly knew shooting at each other. Contrast those with the part where Juliette goes underwater to fix the pumps--much less violent, but with far more tension.
The writing overall was good, but the editing became sloppier as the story progressed. Book five, which is 35% of the total, seemed to ramble a bit.
One final peeve. After reading The Hunger Games, Divergent and now Wool, I'm sensing a trend toward ever increasing gratuitous violence. I'm reminds of the scene in the spoof movie Hot Shots, where a Rambo-like Charlie Sheen is mowing down enemies while a video-arcade counter shows the growing body count. The display finally declares a new record when the count exceeds that of Total Recall. I'm starting to feel that way about the latest crop of dystopian novels.
I finally got around to reading it.
Wool is set in a post-apocalyptic future where humanity scrabbles
The story follows Hoslton, the city's sheriff, as he struggles with the mysteries surrounding the city. Nobody knows why the populace lives underground, or what happened to the surface -- the city's records were wiped out in an uprising over a century ago. Holston's wife had discovered a means to recover deleted records, and in doing so had uncovered evidence that the records had been deleted intentionally by the victors of the last uprising, a tactic that served to forestall any further conflicts.
Her discoveries lead her to such a strong belief in conspiracy that she committed the ultimate crime: expressing a desire to go outside. The punishment: You get your wish. It's exile and a death sentence, one that Hoslton was duty-bound to administer to his beloved wife three years ago.
Most curious to the Sheriff is the fact that, as part of the sentence, the condemned are asked to clean the ground-level windows before the toxic atomsphere eats through their protective suits, and none of them have ever refused to perform this task out of spite or despondence. Now it's time to find out why.
Howey does an excellent job in revealing the setting and backstory to the reader in the space he's allotted himself. Short stories are all about economy of word, and the author doesn't waste any while still managing to paint the dystopic hopelessness that his characters accept as the status quo. Wool works as a short story, answering story questions with more questions that kept me guessing until the end, leading me to reasonable false assumptions that were shattered by a logical reality.
I cannot discuss Wool as an indie title without commentary on the publishing path that Mr. Howey took with it. Initially published as a short story through Amazon KDP, it has since been optioned as a movie by 20th Century Fox. The author has signed a supposedly 7-figure distribution deal with Simon and Schuster while retaining electronic publishing rights.
This, my friends and aspiring authors, is How You Do It in the modern world of publishing.
Overall I give Wool 5 stars. It definitely deserves the success it has brought to Mr. Howey.
My thoughts: I first read this one in 2013. I loved it so, so, so much. I never went back to reread it, however, until now. I saw that it was being adapted into a show/series. I may never see the adaptation, but I am so glad that I took this chance to reread it. It's been long enough that it was like reading it for the first time--which was glorious for the horror-mystery bits. I love the tension of this one.
Premise/plot: Set in the future. What remains of humanity is living underground in a silo--or silos, as the case may be. Generations have come and gone, hundreds of years have passed, those that live in the silo have only ever known the silo. It functions or malfunctions, as the case may be, by following or "following" rules and guidelines put into place. But what happens when little things trigger chain reactions?
So this one is titled, "Wool." Those trouble-makers, those "law-breakers," if you will, are "punished" by being sent OUT. And one of their last responsibilities is cleaning. Cleaning cameras, viewers, windows? But one woman sentenced to this fate refuses to clean....and subsequently....well life in Silo 18 will never be the same.
Further thoughts: I definitely recommend this book. It's a little bit of everything--dystopia, mystery, suspense, horror, science fiction. It alternates points of view. But this is an instance where that is a great thing--used for building suspense.
I loved every little thing about this dystopic story, especially the straightforward and matter-of-fact writing style. It is fitting to life in the silo, and to Juliette herself, much more than flowery prose would be. Definitely recommended to anyone who likes dystopias.
I picked this up on a Kindle sale based on word of mouth recommendation and I'm really enjoying it. The author does two things (at least) really well. First, he doesn't go crazy w/ world building exposition. He lets
These observations cloud my impression of very good post-apocalyptic fiction w/ rich characters and observations about the human condition.
I'm sold and looking forward to the rest of the stories.
The five stories in the omnibus were very well crafted. I was enthralled. Tempted to give it a 5 star rating. I may yet.
But secrets aren't always meant to be kept and after Jules, a young woman from maintenance becomes sheriff, secrets start being revealed. When Jules is sent out to clean for asking the wrong questions, what should be a "normal" death and a return to order becomes something very different.
Not normally one for bleak dystopian science fiction, Wool came highly recommended by a respected fellow reader. I thoroughly enjoyed this, loving the way the mystery slowly revealed itself. liking the characters and becoming very curious about how Silo 18 became Silo 18. That it had an upbeat, more hopeful ending that other dystopian novels, made it even more likeable.
Shift and Dust are already on the physical TBR stack, waiting for me to find a spot for them. Maybe I'll wait a bit so I can savor them that much more when I get to them.
Sometimes I forget how good books can be. I plod through books sometimes, feeling like I've read 100 pages when I've read only 10. I put the book down and six weeks later remember I am supposed to
Not this one. Not Wool.
Hugh Howey is an exceptional storyteller. Wool is ridiculously well-written and engaging, all the while desperate, bleak, and suffocating. Trust me - these adjectives all belong together in a single sentence. My husband even says to me, "I can already tell you how this story will go. Everybody THINKS the outside is toxic and uninhabitable, but they'll come to find out it's livable.." Not only is my husband WRONG like a wrong person on Wrong Day, but Howey shames him by demonstrating his talents by weaving hope into this dystopian wonderland.
Quick synopsis - in a post-apocalyptic setting, remaining generations of humans and some animals (dogs, bunnies, and rats are mentioned) are existing below-ground in a cylindrical structure buried very very deep into the Earth's surface. Population control is strict and brutal. For every birth there must be a death. Birth control is implanted in the very-young. Howey has masterfully created a culture and its norms within the walls of the silo, and things are status quo for the reader for only a very short period of time. Things quickly start to unravel, and the wool begins to retreat from their and our eyes...
Read this book, seriously. Begin the journey that is Wool, and you won't regret it.
Set in the future, in which survivors of some apocalypse have been living for multiple generations in vast underground silos, it's a chilling vision of the future. These silos are so big you have to make an overnight stop when travelling from the top floor to the bottom, and that took a bit of getting my head round. I liked the way the author imagined this world in all its detail, such that it became as plausible as possible, and that he created a really impressive female protagonist. But what impressed me most was the fact that not one single information dump was to be found within the pages of this book. Everything we learn about this future world - and there is plenty to learn - we see through the eyes of the characters, learning as they learn, seeing as they see. Showing not telling at its very finest. Can't wait to read the others in the series.
My one criticism of the book (and what keeps me from having the 5 star tingles) is that very early on we know most of the secrets of the silo and have to be patient while the characters find them out. I understand that this is because the first "book" of Wool was a standalone short story (that definitely gave me the 5 star tingles) and everything else followed serially, but it was certainly frustrating as a reader to only be waiting for what happened next instead of feeling the drive of finding out the next secret.
With that said, finding out what happened next was enough to keep me reading all the way through. The plot as a whole was compelling and interesting. I was emotionally connected to not only the individual characters, but to the silo as a whole. I worried about them as if I had a stake in how they turned out. The ending was satisfying yet rather open-ended. I can feel story ideas bubbling in my head, which is what I consider the mark of good world-building.
P.S. This would make an excellent television show or miniseries.
This about life in silo. An underground silo. If you are sent to 'clean', you are being put to death. You can't even talk about the outside. Those in charge are ruthless.
I'm trying to word this review without including any spoilers but I can't. I don't even want to talk about 1 specific person without giving away too much so you'll have to read this -like no other- book for yourself and draw your own conclusion!
Hugh Howey weaves a fascinating tale of politics, treachery, loyalty, bravery and love. There is no heavy-handedness to the storytelling. Revelations are woven in masterfully, gems for the reader to find and interpret. If you ever wondered who would replace Bradbury and Heinlein, the answer is Hugh Howey. Much like Stephen King, though he may not write in a genre you usually read, his masterful storytelling demands your attention. I can’t remember who recommended this book to me, but I would like to thanks them. The story ends with a few open ends leaving room for a sequel, which I hear is in the works. That is a good thing as I was not ready to leave the world of Silo 18. There is also a movie in the works. I hope they do the novel justice. Read the book first.
So the first book of five is
Part One starts off simply enough with a man called Holston climbing to his death passing giggling children and adults going about their daily lives. But this is set in the undetermined future when a catastrophe has befallen the planet earth and human beings are living in a many floored giant silo. Holston has decided to "go outside" and this means his certain death...he is to carry out the "cleaning" where many before him have also died and are decomposing in full view of the occupants of the "inside." Some have volunteered, most have been sent as a punishment or the bad luck of the draw. It is very intriguing and Holston's story makes you want to hear more and that is why the author was asked to write more and duly obliged!
What I loved about life in the Silo is the parallels with life today. Everyone has knows their place. The animals bred for milk and meat are right down on the bottom floors with the folk who tend to them. Climbing up a bit is "mechanical" where the engineers run the machinery that runs the Silo and provide it's light and heat. Up in the middle are the IT geeks.....and right at the top are the Mayor and his flunkeys. Nothing has changed much, despite the catastrophe, and we have to wait a bit before we find out why that has happened. All the way through the first three books I was wondering if this was the only Silo in existence and the final sentence gave me my answer! Then it gets really exciting!
It's all there...life, death, grief, struggle, doubt, love and hate. Howey has created a whole new world and tells us that Ridley Scott has "picked up" the story...which is great news.
I thoroughly recommend this set as a great read and a refreshing change from most dystopian stories. Howey has a wonderful imagination and writes superbly. Oh and you have to make your own mind up why it is called "Wool".....I have my own take on it and would love to hear everyone else's.