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"The detectives who work in Malmo Police's Department of Sensitive Crimes take their job very seriously. The lead detective, Ulf Varg, prioritizes his cases above even his dog's mental health. Then there are detectives Anna Bengsdotter, who keeps her relationship with Varg professional even as she realizes she's developing feelings for him . . . or at least for his car, and Carl Holgersson, first to arrive in the morning and last to leave, who would never read his colleagues' personal correspondence--unless it could help solve a crime, of course. Finally, there's Erik Nykvist, who peppers conversations with anecdotes about fly fishing. Along with an opinionated local police officer named Blomquist, the Department of Sensitive Crimes takes on three extremely strange cases. First, the detectives investigate how and why a local business owner was stabbed . . . in the back of the knee. Next, a young woman's imaginary boyfriend goes missing. And, in the final investigation, Varg must determine whether nocturnal visitations at a local spa have a supernatural element. Using his renowned wit and warmth, Alexander McCall Smith brings a unique perspective on Scandinavian crime. Equal parts hilarious and heartening, The Department of Sensitive Crimes is a tour de farce from a literary master"--… (more)
User reviews
Highly recommended.
"Somewhere in the organisation, high in its upper reaches, were minds that churned out page after page of guidance notes, instructions and policy statements. Most of these were filed and forgotten; seldom did they make any difference to the way in which people carried out their duties. But the procedure for procedures had to be gone through, in accordance with further procedural guidelines."
This was an acual "laugh out loud" moment for me, so much so that I can even forgive the 'crime' (in my view) of starting a sentence with "but".
Dialog is stilted in the most civilized manner, and behaving Swedishly might have something to do with being civil to other people. Ulf Warg is most certainly civil, even when profiling cars and investigating barracks. He also enjoys flashes of brilliance, solves the occasional crime, has sympathy for the aggrieved, and loves his dog. Sometimes he uses words that might not be pc, but he’ll correct them; he’ll discuss what words should have been used; and all will be well in the end.
I like McCall Smith’s Ladies’ Detective Agency and Scotland books, and I enjoyed this one too. Whether I’ll get hooked on the series remains to be seen.
Disclosure: I was waiting for the paperback to come out.
These quirky cases are augmented by even quirkier conversations between Varg and a local loquacious police officer who has never met a topic that he doesn’t have an opinion. I found these conversations to be the best part of the book. The novel was okay, but I doubt I will read any further books in this series.
It’s true that some crimes are
“Sensitive Crimes” falls between a straightforward and a stream of consciousness narrative, but it closer to the latter. Characters, their thoughts, incidental details, and other esoterica are the primary focus. For example, when asked a question the respondent may provide a few words of the answer, followed by a couple of paragraphs to a couple of pages of digression before the rest of the response is provided.
An interesting but puzzling feature of the book is the manner in which the Swedish characters are depicted. They seem obsessively horrified that they might possibly say or do something that would make another person uncomfortable. This fear often occupies their thoughts and influences their actions. I’ve been to Sweden but my interactions with Swedes were not extensive nor intimate enough for me to determine whether this is a literary conceit or a genuine feature of the typical Swedish personality.
In any event, the “The Department of Sensitive Crimes” is a bit of a bore and I’m not inclined to read another by this author.
From the book jacket: In Malmo, Sweden, the dedicated detectives who investigate “special” cases are members of an elite squad known as the Sensitive Crimes Division. The first case: a man stabbed in the back of the knee. Next: a young woman’s
My reactions:
Gosh, but I enjoy visiting with Alexander McCall Smith’s characters! This is somewhat of a farce of police procedurals. Detective Ulf “the Wolf” Varg and his team certainly have “interesting” cases. He is the head of this unit but is ably assisted by Anna Bengtsdotter (who loves Varg’s car … and possibly Varg, himself), Carl Holgersson (who actually likes to complete paperwork … go figure), and Erik Nykvist (who seems more interested in fly fishing than detecting). There is no case too strange or confusing for this team. I particularly liked the case of the missing imaginary boyfriend!
David Rintoul does a find job of narrating the audiobook. He brings these characters to life and strikes just the right balance between seriousness and tongue-in-cheek commentary.
It never becomes clear exactly what constitutes a "sensitive crime," but Ulf Varg (a name that
Varg and Anna Bengtsdotter, one of his detectives, are in love with each other, a fact complicated by the fact that Anna is married. They are both honorable enough to keep their relationship strictly professional, yet their true feelings for each other have a way of leaking through. Although he much prefers the company of Anna, Varg must sometimes work with a talkative uniformed officer named Blomquist, whom by the end of the novel is made an official part of his team. Varg is simply too polite to raise an objection.
As in the author's other novels, the story meanders at an easy pace. No one ever seems to be in a rush. Sensitive crimes will apparently wait until someone gets around to them. Insight and intuition mean more than actual evidence.
All this is quite pleasurable, perhaps not as much fun as the Precious Ramotswe stories but good enough to entice many readers back for more.
This is the debut for a new series by the prolific Scottish author Alexander McCall Smith. The story is set in present day Sweden and features a branch of a local police force
The department is staffed by Ulf Varg and three colleagues: Anna, Carl and Erik. Blomquist, a cop from the regular police force is a recurring presence in the book. All are well drawn and have their individual quirks, as do most of the people encountered in the story. Varg does a good job of narrating the story and he is a likeable protagonist. It's a good ensemble for a continuing series.
This story uses McCall Smith's trademark structure of a series of related episodes, more than a simple flow of consciousness but not the usual "beginning, middle and end" story progression. That is an attractive strength of Smith's stories, including this one. A weakness in this story is the "ending", which is not really an ending. A couple of the resolutions of episodes in the story are frankly puzzling. Closing the book you might think;|"What was that all about?". In my case I initially thought there was a missing chapter or two at the end, but a double check did not turn up any. I found it an unsatisfactory and disappointing conclusion.
I can recommend the book on the basis that anything McCall Smith writes is worthwhile reading, although some of his work is better than this book.