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"How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers" that help them use time, summon up willpower, exercise self-discipline and keep themselves afloat with optimism. Artists considering how they work--in letters, diaries, interviews, beguilingly compiled and edited by Mason Currey. Portraits that inspire, amuse, and delight and that reveal the profound fusion of discipline and dissipation through which the artistic temperament is allowed to evolve, recharge, emerge. From Beethoven and Kafka to George Sand, Picasso, Woody Allen and Agatha Christie; from Leo Tolstoy and Henry James to Charles Dickens and John Updike, here are writers, composers, painters, choreographers, playwrights, philosophers, caricaturists, comedians, poets, sculptors, and scientists on how they create (and avoid creating) their creations. A Sampling of Daily Rituals Charles Dickens Dickens's eldest son recalled that, "no city clerk was ever more methodical or orderly than he; no humdrum, monotonous, conventional task could ever have been discharged with more punctuality or with more business-like regularity than he gave to the work of his imagination and fancy." Dickens rose at 7:00, had breakfast at 8:00, and was in his study by 9:00. He stayed there until 2:00, taking a brief break for lunch with his family, during which he often seemed to be in a trance, eating mechanically and barely speaking a word before hurrying back to his desk. On an ordinary day he could complete about two thousand words, but during a flight of imagination he sometimes managed twice that amount. Maya Angelou: "I keep a hotel room in which I do my work--a tiny, mean room with just a bed and, sometimes, if I can find it, a face basin. I keep a dictionary, a Bible, a deck of cards, and a bottle of sherry in the room ..."-- "How artists work, how they ritualize their days with the comforting (mundane) details of their lives: their daily routines, fears, dreams, naps, eating habits, and other prescribed, finely calibrated "subtle maneuvers""--… (more)
User reviews
A million different ways. But somehow, to all, the
You must read this book if you want to create. Maybe here you will find a great way to create. Or figure out your own way to call out to the muse.
This book could have been better than what it was. For example, Currey doesn't provide much background on the artists he selected. Moreover, the chapters are arranged in no discernible order. I read this book straight through from page one to the end, but it is probably more suited to dipping into and skipping around in. The in-depth descriptions of daily routines, including wake-up times, preferred foods and beverages, favored work spaces and bed times, get monotonous after a while. Fortunately, some of the artists have interesting quirks that enliven the text.
Nonetheless, if you're curious about how successful artists of the past and present manage to to tame the distractions and get down to the business at hand, this book offers that information, in great detail and all in one place.
My advice is to figure out who are the ones closest in thought structure, which takes a bit of wikipeding, and then pay close attention to their habits. Favourites were Jung, Kierkegaard, Erdos and Asimov. Others of note: Auden, Feldman, Franklin, Flaubert, Mahler, Matisse, Miró, Miller, Fitzgerald, Faulkner, Murakami, Skinner, Proust, Christie, Greene, Armstrong, Balzac, Hugo, Tolstoy, Bell, Cather, Sacks, Wallace and Simenon.
The book itself
An interesting
Lessons learned? Many wake and work in the pre-dawn hours, walk many a mile, imbibe impressive quantities of coffee, tea, booze and amphetamines, and have loyal friendships, servants and understanding partners.