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Fantasy. Fiction. Mystery. Thriller. HTML:Taylor is the name, John Taylor. My card says I�m a detective, but what I really am is an expert on finding lost things. It�s part of the gift I was born with as a child of the Nightside. I left there a long time ago, with my skin and sanity barely intact. Now I make my living in the sunlit streets of London. But business has been slow lately, so when Joanna Barrett showed up at my door, reeking of wealth, asking me to find her runaway teenage daughter, I didn�t say no. Then I found out exactly where the girl had gone. The Nightside. That square mile of Hell in the middle of the city, where it�s always three A.M. Where you can walk beside myths and drink with monsters. Where nothing is what it seems and everything is possible. I swore I�d never return. But there�s a kid in danger and a woman depending on me. So I have no choice�I�m going home.… (more)
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The book is fast-paced and well written enough to keep me reading. But the plot seems to be full of holes. There's the super-scary Nightside which also happens to be home to a really cool 60's cafe where "you'll be safe here". I thought it was super-scaryville where you'd never be safe? The author needs to pick one. Is it just weird or is it super dangerous? There's also this cold rich bitch who, mid-story, turns out to just be "successful business woman" and then becomes a therapist for the main character. Characters are allowed to be multi-dimensional but there should be some sort of transition and the characters here seem to just change masks as needed.
It just feels like there are a lot of odd direction changes in the book. Changes that could have been smoothed out with a few more pages in between. Much like this review could be improved if I spent more time on it, the book could have used more time too. Or maybe the editor was a little over zealous. I kept reading so it can't have been all bad.
Meet John Taylor, he's a private eye who can find anything or
Green has a strong writing style that will hold the reader to the end. This has a lot of interesting plot twists that kept me reading. I loved one of the twists, but I don't want to spoil it for you. You'll have to read it to find out.
This has some fantastic characters. Taylor is a wise cracking PI who isn't afraid to come up with a smart answer, it did add a lot of humor to the book. I loved the cast of characters. How can you not love characters with names like, Shotgun Suzie, Razor Eddie, The Collector and Walker. I really liked the character of Walker. I had to laugh out loud at some of the characters. I hope we see more of the horses in his other books. If you read it, then you'll know what I mean.
Green has a pretty simplistic writing style, but it's not a bad one. I like how a "film noir" feeling to the book. It reminded me of the old detective movies. That part really worked well.
This is a fast read, I read it in a few hours.
Something From the Nightside is a pretty darn good read. It's good enough that I want to read the other books in the series. I took a chance on the book, and was pleased. The Nightside is a great place to visit and I can't wait to go back again!
The best I can describe this book is that Mr. Green had about a bazillion different ideas he thought would be cool and just decided to throw them together without rhyme or reason, give it a good shake, and spill it out on the table: a hidden world beneath London; strange and terrifying magic spells; soul-eaters; alien abductions; immortal super-warriors; time-traveling treasure hunters; demons; faceless unstoppable assassins; alternate future worlds; extraordinary powers granted our hero by his mysterious heritage (which is hinted at being royal, by the way); the Chandler-esque dame he falls for; all-seeing Big Brother government; extra-dimensional monsters...you get the picture. Oh yeah, and Mike Resnick-style names are cool, so let’s give everyone a name like 'Punk King of the Straight Razor' or 'Shotgun Suzie.' All this in less than 230 paperback pages of text.
It’s like the machina that exes all the deuses got stuck and just kept spitting out improbable event after improbable coincidence after improbable cliché.
Unfortunately, he doesn’t have the talent to carry off this approach—I’m not sure even someone like Pratchett, master of the wacky, has the talent to pull this off. The reader just sits there reeling as every page brings some new larger-than-life thing that, in the hands of a better author, would probably be enough for a book on its own.
It opens fairly predictably, in a nice homage to noir detective genre that eventually spawned UF: John Taylor is a overworked underpaid PI with a conscience. Down on his luck and owing a lot of money to various
It's obviously a heavily edited first book. Short and to the point, with enough description to be fun, but lacking in complex characterization. It seems that the author does have a greater design and won't just feature more stories of John fighting monsters. There were only little glances into John's backstory but they were all intriguing. I'm likely to read more of this series.
So here are the strengths:
Interesting world descriptions
Interesting take on the supernatural and the creepy
Plot driven (if you like this sort of think)
Would make a decent movie
The writing is descriptive in such a way that the reader can imagine the scenery. The writing is almost akin to describing a painting.
The book is short, I listened to the narration and it lasted just under 6 hours at regular speed. But I was bored, the narration was okay however, the story did not hold my attention. I ended up listening to it on 2X speed. There are some twists and turns throughout the storyline. There are a few number of funny one liners and observations. Ultimatley, though, I felt like the story was strung together by witty observations and comments, detailed descriptions and some fight/flight scenes. I likely will not be reading the next book in the series.
Another in the standing subgenre of paranormal private eyes, this time set in an "alternate" London. Good first in the series, but nothing especially stands out about the book for me. Plenty of mysteries about the protagonist
My one complaint with the book is the excessive dialog, which moves away from "obvious method for knowledgeable protagonist to explain things to ignorant secondary" to "infodump because readers are dumb and won't get it." It also comes up during action sequences, when it seems that the characters move with great speed and urgency, pause, exchange smart assy remarks, and then start moving again. At times it was actually irritating, but eventually it just became funny.
However, the whole thing failed because it was not actually a novel. Novels have plots; they move forward. This was a tour of the author's urban fantasy universe, clumsily overlayed with a plot that was more like a Chutes and Ladders game than a logical narrative. Tours of universes can work if the universes are deep and vivid enough to warrant them; this universe was not. It was in many ways, flat and repetitive. Nor was the main character's constant monologues to the woman he's with about everything they see a good way to make me like him.
The novel is also supposed to be funny, I think. If this was so, then almost everything would be forgiven, because it definitely has a film noir pastiche thing going on. However, it is not really that funny.
I think I can also safely say that this novel has the worst love scene I have ever read. Alas, even this was not funny.
There really was some interesting raw material in here; it was just so badly executed, and insubstantial on its own, that it didn't redeem the whole.
According to the cover of the book, this guy was on the New York Times bestseller's list. LAME.
There is London, but then there is the Nightside, a sort of alternate London in
Taylor, a private eye working out of London, yet familiar with the Nightside, gets a case from a woman looking to find her lost daughter. All the clues point to Nightside, to which Taylor is hesitant to return for several reasons.
Though, paying the rent trumps his personal feeling, and his well-paying client convinces him to return. Once in Nightside, Taylor is able to use his power: the ability to find things. However, every time he uses his powers, he attracts unwanted attention to creatures a bit more frightening than anything he'd ever face back in London.
This, the first book of the Nightside series, introduces us to many of the characters Taylor knows, as well as introducing an overarching plot for the series.
Written like Sam Space meets Lewis Carroll adapted by Terry Gilliam, Nightside is definitely a book to read if you want to get hooked on a wonderful urban fantasy series. Easy to breeze through, but highly addictive.
Recommended to fans of Green's other work, the work of China Meiville, or any other New Weird or Urban Fantasy author.
London represents all of the little understood passions, desires and mysteries of human exisitence.
Overall, the writing is good, pace is good, there isn't any slow spots. Characters are more
I would recommend this to people who like a mix of fantasy, steampunk and horror fiction and who are looking for a fun way to pass a couple of hours. A very quick read, you'll be hooked through to the end.
Perhaps
The story is told from the point of view of John Taylor, a former regular in the Nightside. We join him at a time when he has been away from the Nightside for five years. He has been working as a private investigator and is barely making a living. Joanna Barrett hires him to find her missing daughter. To do so John has to take Joanna into the Nightside.
Once in the Nightside, John has to show Joanna the ropes and try to keep her from getting killed. We learn that John is somewhat famous there, but the details are vague. They follow the trail of her daughter and go on a crazy trip to find her. I won't spoil it, but the ending is one Jeffery Deaver would be proud of.
This was a pleasant, quick read for me. Mr. Green's style is easy to read and equally as easy to entice your imagination. After reading this first book in the Nightside series, I feel that I have only barely touched the Nightside. I look forward to following John Taylor on numerous more adventures there.