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Winner of the 1980 Nebula Award, Timescape has since become a classic of the science fiction genre, combining hard science, bold speculation, and human drama--a challenging and triumphant tale told by a master storyteller. 1998. Earth is falling apart, on the brink of ecological disaster. But in England a tachyon scientist is attempting to contact the past, to somehow warn them of the misery and death their actions and experiments have visited upon a ravaged planet. 1962. JFK is still president, rock 'n' roll is king, and the Vietnam War hardly merits front-page news. A young assistant researcher at a California university, Gordon Bernstein, notices strange patterns of interference in a lab experiment. Against all odds, facing ridicule and opposition, Bernstein begins to uncover the incredible truth . . . a truth that will change his life and alter history . . . the truth behind time itself.… (more)
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The story is
It's interesting to compare and contrast between the two worlds: Gordon is an assistant professor at La Jolla, hungry for promotion and his chance to procure tenure. As with many of the greatest discoveries, his scientific breakthrough comes quite by accident: Bernstein and Cooper, his assistant, are running a series of experiments whose results are plagued by seemingly random noise. It is only when Bernstein analyzes the noise more completely that he realizes what he has found, and then he faces an uphill struggle to persuade his peers that he has found something worthy of further study.
Renfrew and Markham, by contrast, come across as much older and more worn. They're not at the start of their scientific careers, searching for glory and acclaim or to gain a quick promotion. Rather, their experiments offer hope, a last chance measure to stop the environmental disaster unfolding in their time before it has a chance to overshoot.
One of the things that I like most about this novel is the detailing of everyday academic life. The idea that a brilliant scientific discovery might be put on hold or pooh-poohed by the academic community at large because of departmental politics, or that one should refrain from publishing anything the slightest bit controversial because it might impact your standing amongst your fellow peers felt horribly familiar.
My other complaint is - with a couple of exceptions - the lack of character development. Also, the rather provincial depiction of the female personalities. For a book published in 1980, Timescape feels like a book at least 10-20 years older. The tone makes Benford appear to be an author out of touch with his times.
On the plus side, the central concept of the story is actually very interesting and I really enjoyed the way Benford dealt with how the 'time-travel' aspect affected his characters and their worlds. Too bad it all gets bogged down by paragraph upon paragraph of exposition about the coolness of physics. Not really my cuppa...
For example, in an early chapter, the wife of one of the physicists is approached by a squatter asking for some milk for her child. She refuses, saying she only has enough for her family. Okay, I can understand that reaction; food supplies are obviously running short. But then, a few days later, she hosts a lavish dinner party for her friends, where she serves three desserts! This brought to mind what I most dislike about humans and what is really at the root of a lot of our problems, including climate change: that we can rationalize that avoiding our own minor discomforts and deprivations is more important than helping to meet the basic needs of a fellow human being. I really couldn’t like any of the characters after that scene, no matter how hard they tried to save the world.
Abandoned before finishing.
Excellent scientific info and worthwhile story. Interesting characters, very individual.
Style: The shifts
NOTES:
p. 87: important; p. 89: chlorinated flurocarbons in fertilizer are the culprit (one of the US scientists in 1963 discovers why);
p. 90-103: time and tachyons;
p. 112: AGW side effects & ethanol;
p. 119: mercury is a poison, what is it doing loose in the sewers and gathered by unshielded children?
p. 131-132: clues, but not enough info;
p. 136: rapping on the elderly and Social Security;
p. 144: independent somethings;
p. 159: 1950s nostalgia;
p. 199: ah yes!
p. 203: signal overlays - slow on the uptake here!
p. 207-212: paradoxes;
p. 283: PC science;
p. 349: forecasting and why it doesn't work;
p. 356: test of new development;
p. 363: paradox as a probability wave;
p. 473ff: splitting universes;
p. 480: ho ho ho.
This is a pretty intriguing plotline, but there just isn't enough story there to fill such a long novel. I felt like most of the novel was filler - there is a lot of focus on the wives, girlfriends, and personal lives of the main characters that really has nothing to do with the story. There is also a lot of discussion of physics and science, which is quite interesting, but seemed to drag on longer than necessary to tell the story.
[spoiler alert]
The most disappointing part of the book is that the characters in the 1960s realize they are getting a message from the future, but they never seem to understand that the message is a warning. History changes, but it's not clear if global warming is actually averted. At times, I thought that the message from the future was actually going to bring about global warming, because as soon as they read what causes the disaster, they start recreating the disastrous technology 20 years too early - that would have been an interesting plot twist.
[/spoiler]
Perhaps one of the most interesting aspects of the book was the examination of the culture of academia, especially the comparison of how easy it is to get scientific funding in the 1960s and how hard it is to get funding in the 1990s.
The story is written from two viewpoints, equidistant from the novel's publication in 1980. One narrative is set in a 1998 ravaged by ecological disasters and is on the brink of large scale extinctions. It follows a group of scientists in the United Kingdom connected with the University of Cambridge and their attempts to warn the past of the impending disaster by sending tachyon-induced messages to the astronomical position the Earth occupied in 1962–1963. Given the faster-than-light nature of the tachyon, these messages will effectively reach the past. These efforts are led by John Renfrew, an Englishman, and Gregory Markham, an American most likely modeled on Benford himself.
Another narrative is set in La Jolla, California at the University of California-San Diego in 1962, where a young scientist, Gordon Bernstein, discovers anomalous noise in a physics experiment relating to spontaneous resonance and indium antimonide. He and his student assistant, Albert Cooper (also likely based on the author and his experiences at UCSD), discover that the noise is coming in bursts timed to form Morse code.
The resulting message is made of staccato sentence fragments and jumbled letters, due to the 1998 team's efforts to avoid a grandfather paradox. Their aim is to give the past researchers enough information to start efforts on solving the pending ecological crisis, but not enough that the crisis will be entirely solved (thus making a signal to the past unnecessary and creating a paradox). Due to the biological nature of the message, Professor Bernstein shares the message with a professor of biology, Michael Ramsey. Since the message also gives astronomical coordinates, he also shares it with Saul Shriffer, a fictional scientist who is said to have worked with Frank Drake on Project Ozma. Initially, these characters fail to understand the true meaning of the message. Ramsey believes it to be an intercepted military dispatch hinting at Soviet bioterrorism, while Shriffer thinks the message is of extraterrestrial origin. Shriffer goes public with this theory, mentioning Bernstein in his findings. However, Bernstein's overseer, Isaac Lakin, is skeptical of the messages and wants Bernstein to keep working on his original project and ignore the signal. As a result of this interruption in their experimentation, Bernstein is denied a promotion and Cooper fails a candidacy examination. The signal also exacerbates difficulties in Bernstein's relationship with his girlfriend, Penny.
In 1998, Peterson recovers a safe deposit box in La Jolla containing a piece of paper indicating that the messages were received. Meanwhile, it is clear that the viral nature of the algal bloom is spreading it faster and through more mediums than originally expected. Strange yellow clouds that have been appearing are said to be a result of the viral material being absorbed through the water cycle, and it soon affects the planet's agriculture as well, resulting in widespread cases of food poisoning. Flying to the United States, Markham is killed in a plane crash when the pilots fly too close to one of the clouds and experience seizures.
In the past narrative, now advanced into 1963, Bernstein refuses to give up on the signals. He is rewarded when the signal noise is also observed in a laboratory at Columbia University (a nod "Tachyons were the sort of audacious idea that comes to young minds used to roving over the horizon of conventional thought. Because of Feinberg I later set part of my tachyon novel at Columbia towards the inventor of the tachyon concept, Gerald Feinberg of Columbia). Using hints in the message, Ramsey replicates the conditions of the bloom in a controlled experiment and realizes the danger it represents. Bernstein finds out that the astronomical coordinates given in the message represent where the Earth will be in 1998 due to the solar apex. He also receives a more coherent, despairing message from the future. Having built a solid case, Bernstein goes public and publishes his results.
The remainder of the story involves the possibility of an alternate reality and some surprising consequences. The combination of science, the impact of the scientists' work on their interpersonal relations, and the impact of the science itself on the future made this an excellent work of science fiction. It is no surprise that it won several awards including the Nebula Award in 1980.
One timeline within the story occurs in 1963. The other timeline is in 1998, which, at the time of it's writing, was a good 18 years in the future. Consequently, when reading it today, one finds that the 1998 "future" misses the mark on several occasions. I found myself able to ignore those issues and think of the future timeline as simply an alternate universe not incompatible with a near future of my own timeline.
Each time I've read through the book, I've understood a little more given it's many cultural references. For example, one character in the 1963 timeline mentions a new Phil Dick book titled: "The Man in the High Castle". While I haven't read this book, I did recognize it as a recent TV series produced by Amazon.
Time to abandon and find something more fulfilling.