The Paths of the Dead

by Steven Brust

Hardcover, 2002

Call number

813/.54 21

Genres

Publication

New York: Tor, 2002.

Pages

399

Description

The long-awaited sequel to The Phoenix Guards and Five Hundred Years After.Two hundred years after Adron's Disaster, in which Dragaera City was accidentally reduced to an ocean of chaos by an experiment in wizardry gone wrong, the Empire isn't what it used to be. Deprived at a single blow of their Emperor, of the Orb that is the focus of the Empire's power, of their capital city with its Imperial bureaucracy, and of a great many of their late fellow citizens, the surviving Dragaerans have been limping through a long Interregnum, bereft even of the simple magic and sorcery they were accustomed to use in everyday life.Now the descendants and successors of the great ad-venturers Khaavren, Pel, Aerich, and Tazendra are growing up in this seemingly diminished world, convinced, like their elders, that the age of adventures is over and nothing interesting will ever happen to them. They are, of course, wrong.For even deprived of magic, Dragaerans fight, plot, and conspire as they breathe, and so do their still-powerful gods. The enemies of the Empire prowl at its edges, in-scrutable doings are up at Dzur Mountain...and, unexpectedly, a surviving Phoenix Heir, young Zerika, is discovered--setting off a chain of swashbuckling events that will remake the world yet again.… (more)

Language

Original language

English

Original publication date

2002

Physical description

399 p.; 9.8 inches

ISBN

0312864787 / 9780312864781

User reviews

LibraryThing member Karlstar
The children of the heroes of Phoenix Guards set out to have adventures, and along the way discover new kinds of sorcery, all sorts of plots, and end up helping put the new Empress on the throne. Typical Brust, with a lot of sarcasm (did I say a lot?) and long running jokes and what passes for wit
Show More
when you're on the road adventuring. Good stuff, if you like that sort of thing. Not excessively violent or face paced.
Show Less
LibraryThing member libraryofus
(Amy) Beginning some two centuries after the end of the Phoenix Guards books, this trilogy-opener tells of the beginning of the end of the Interregnum, details the adventures of our beloved heroes from earlier books as well as their children, and introduces us to new characters (some of whom are
Show More
only new in internal chronology, having been integral in works set considerably later in the timeline). Aside from a tendency to require one to fight valiantly against the temptation to write like Paarfi while one is reading it, there really are no drawbacks whatsoever to this book or the others surrounding it.
Show Less
LibraryThing member Darla
It's all about the writing style. I mean, how can I resist a book that contains such exchanges as: "Well, there is a question I would wish to ask you, if it is no trouble. Do you know a place where a traveler such as myself might secure lodgings in this charming village?"
"How, lodgings?"
"Yes,. That
Show More
is, a place where I might spend the night, enjoying more or less of comfort."
"Ah, yes, I see. Well, I must consider this question."
"Yes, I understand that. You, then, consider the question, and I will wait while you do so."
"And you are right to wait," said Erik promptly, "for I have even now begun considering."
"And I," said the young warlock, "have begun waiting."
!! The whole book is like this. Just wonderful.
I've got to add Steven Brust's First Theory here: "All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool." And I agree very much with what Steven Brust thinks is cool in this book.
Show Less
LibraryThing member wyvernfriend
Written as pseudo-history, this is an interesting story of the next generation in Brust's complicated and involved world. With people trying to find their place in this world and several people vying for power and the position of emperor the next generation are poised to be heroes.

I liked this
Show More
story, I'm only sorry that I haven't kept up reading in this series but this re-established my interest.
Show Less
LibraryThing member TadAD
The story is enjoyable. The narrator, Khaavren, is almost unbearable. That makes for very mixed reading.
LibraryThing member iayork
Terrible Writing Style: The supposed narrator, "Paarfi" is verbose and inane. In the Vlad Taltos books, the sarcastic humor was hilarious. Here,the author takes five sentances in the dialogue that should take one. "Why do you say that?"/" Do not despair, I will tell you post haste"/"That would be
Show More
most appreciated"/"This manner of speech gets old REAL QUICK!!!!!" It's worse than Robert Jordan's constant prattle about what people are wearing down to the last stitch!!
It's a shame, because I consider the Vlad series as one of my top three book series.
Show Less
LibraryThing member mmyoung
While I enjoyed the previous Paarfi books it is withe the three volumes of The Viscount of Adrilankha that I really began to appreciate what Brust was doing with this alternate voice. Each time I reread these books they seem even richer and deeper in character.
LibraryThing member haloedrain
Maybe I'm just getting tired of the writing style, but I had a lot more trouble paying attention to this one and caring enough to keep the characters straight (there are a lot in this one and not really enough time to get to know any of them). Maybe it will get better with the next two, I gather
Show More
these three are really just one book broken into 3 for publication.
Show Less
LibraryThing member TheDivineOomba
This is one of those where the style can throw you - Written as a pastiche to Alexander Dumas, this book follows Young Piro, on his way to help Zivra regain her birthright and regain the orb, bringing back sorcery to Dragaera. There is a emperor remaking the empire by force, old foes upset about
Show More
past doings, and Sethra, who is scheming in her mountain. As for books in this series, I found the book to be more generic, outside of the language. Its pushes along the narrative, but for the most part, its unremarkable.
Show Less
Page: 0.4685 seconds