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"The award-winning speculative debut novel, now in English for the first time! In the far north of the Scandinavian Union, now occupied by the power state of New Qian, seventeen-year-old Noria Kaitio studies to become a tea master like her father. It is a position that holds great responsibility and a dangerous secret. Tea masters alone know the location of hidden water sources, including the natural spring that once provided water for her whole village. When Noria's father dies, the secret of the spring reaches the new military commander. and the power of the army is vast indeed. But the precious water reserve is not the only forbidden knowledge Noria possesses, and resistance is a fine line. Threatened with imprisonment, and with her life at stake, Noria must make an excruciating, dangerous choice between knowledge and freedom"-- "An amazing, award-winning dystopian debut novel by a major new talent"--… (more)
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One of the joys of discovering a new author is that you don’t always know where – or for that matter when – you’ll end up; this is exactly the case here. Memory of Water is a thought-provoking coming-of-age tale written in the most beautiful, almost lyrical, prose, but there’s no getting away from the fact that the portrayed events are very bleak and that from the opening lines of the prologue the novel is moving towards its inevitable conclusion. One of the things that struck me was that Noria’s society appears to be dominated by women; there are men around, but they are usually of Noria’s father’s age and traders or merchants, and there is a distinct lack of young men, and I could only assume they were away fighting in the war; the men that do appear in the village are often not local and in the military, and as such to be feared. There is a tangential thread to the story about a past-world expedition that took up too much room in the novel and left too many questions unanswered, and one of these highly unlikely coincidences that are difficult to get away with, even when they’re written with the best intentions; yet for all that, there is some memorable imagery to be found within its pages: for example, the so-called plastic grave, where Noria and her friend Sanja like to dig for artefacts from the past-world; secrets acting like water; the painting of a blue circle on the door of someone’s house where the military decides a water crime has been committed; a poignant version of a cremation, where the dead person’s water is used to nourish the earth; and the ancient Greek notion that one has to cross the river to the underworld after death takes on an added significance.
There were also powerful scenes that spoke to me as a mother, especially when they cannot provide water for their thirsty and sick children; coincidentally, my son had a high temperature this week and it felt like a complete luxury to simply open the tap and give him all the cold, clean water he needed straight away after reading about how the rations given out to the villagers are never enough. No second guesses where the author’s sympathies lie in the current environmental debates, and I believe we can all do with acting more responsibly, but for all that her novel does not come across as preachy. I can only guess that the epilogue contains a glimmer of hope, but I personally can’t see it and the novel is simply too bleak to be picked up again.
I will end this review with the most powerful sentiment the novel has to offer in my opinion, spoken by Noria’s friend Sanja: when talking about the people in the past-world, she tells Noria that it is not them but their relics she’s thinking of, because they didn’t think about them, i.e. future generations, either.
(This review was originally written as part of Amazon's Vine programme.)
Earth no longer has glacial or polar ice. Worldwide sea levels have risen, reclaiming much of the land and drowning most major coastal cities. Oil and oil-based technology has disappeared. What energy there is appears to be entirely solar.
In this new world, fresh water is scarce, highly valued, and in the complete control of the military. The government also controls what people can know about the present and the past. Everywhere it’s hot and dry. What was once Norway and Sweden are now Forbidden Lands unfit for human life because of some Past-World catastrophe. The present world is unstable and wracked by wars. Freedom to travel is severely curtailed. New Qian has taken over what was once Europe and many Asian customs have been absorbed into a new blended culture.
This novel is the story of seventeen-year-old Noria Kiatio, the daughter of a Japanese-style ritual tea master, a position that holds great respect, and responsibility. Noria is studying to follow her father’s career path. As the book opens, Noria is ready to learn the family secret. It is a secret that dates back through an unbroken line of tea masters over many generations. Exceptional tea needs exceptional water and the Kiatio family controls a secret underground spring. In this world of severe water shortage and water rationing, owning a private hidden spring is a crime punishable by death.
I found this novel slow to start. It wasn’t until I was at least halfway before the pace picked up and I was compelled to finish. But the early problem with pacing was more than balanced by an abundance of elegant, original, and thoughtful prose. Many of the passages were as exquisite as delicate haiku. For example: “Secrets carve us like water carves stone. If we let another person into the silent space a secret has made within us, we are no longer alone.”
This is a very subtle and elegiac book. It must be read carefully and closely. The reader needs to stop at times to contemplate the inner meaning suggested by the prose. This is necessary for enjoyment as well as comprehension.
If you read some of the reviews available online, you will find that some people were disappointed that the book did not reveal the details of the world-changing truth that Noria and her friend Sanja discover in an ancient past-world garbage dump. They are mistaken. The book does reveal all that is necessary about this discovery; however, it does this very indirectly, mostly through emotion, and only with the faintest hint at basic facts. What is given, is entirely enough…and exquisite in its brevity, clarity, and emotional shock. To have given more would be to spoil the overall Zen-like quality of the revelation. I was shocked and the more I thought about it, the more my eyes started to brim with tears. In my estimation, the ending was perfect…full of the horror of comprehension and fierce persistence of hope.
The author wrote this book simultaneously in Finnish and English. It has won three Scandinavian literary awards.
In retrospect, I am surprised by what a strong affect this book had on me. I was moved far more than I thought I could be by this theme of oil wars, global collapse, abrupt climate change, and accumulated knowledge lost.
I did not realize what a strong reservoir of responsibility I maintain for what is happening to our world. This book tapped directly into that deep hidden vein of guilt. I am glad it provided some release.
I look forward eagerly to future novels by this deft, sensitive, and skilled storyteller.
Noria is an intriguing character. Unlike other dystopian heroines, she lives a life of privilege. She has ready access to water. Her position as the daughter of a Tea Master gives her more influence and also grants her access to more and better food. She is, in many ways, very spoiled. True, she shares her water when the secret is out, but she does not do so willingly. There is a sense of reluctance in the beginning and a feeling of coercion that she has to do so in order to avoid getting in trouble with the police state. For all her altruistic impulses, she remains more concerned about her family’s secrets and traditions than she does about fighting against the system.
Given the slow-moving nature of the story and the massive amounts of world-building to clearly establish this future version of Scandinavia, one cannot help but think that this focus on the damage done to the ecosystem and the resultant scramble for water/power is the point of the novel. The major dystopian elements of Noria’s world are avoidable, and Itäranta is trying to show readers just that. Yes, Noria’s story is interesting for its foreignness and her willingness to stand firm to her beliefs, but it is what is happening outside her sphere of influence that is truly intriguing. The scientific exploration Noria discovers on the CDs, the unique uses for the junk plastic, the structure of society, the huge Chinese influence half a world away – the sheer magnitude of the changes that are a direct result of global warming and the melting of the polar ice caps are more fascinating and chilling because of their implication of past society’s inability to properly conserve and protect the environment. Memory of Water is impressive in the warning it presents rather than the story it tells of a world gone dry.
Cons: slow
In a world where water is tightly controlled by the military, Noria Kaitio is training as her father’s apprentice to become a tea master. Tea masters historically had a duty to preserve sacred springs, and her family
This is a novel about the importance of water and how people survive under challenging circumstances. It’a a novel that questions motives and wonders who’s trustworthy in a world where helping others will get you killed.
There’s very little action and the story is unravelled slowly. There’s foreshadowing of the ills to come and some gorgeous, lyrical prose. There’s also a lot of contemplative passages, mostly about water, but also about being in the moment, noticing the little things that always escape notice. It’s a novel about thinking deeply about life and appreciating the life you have, because life is always changing and you can never regain what you’ve lost.
Despite the slowness with which the plot unfolds, the novel is a quick read. The characters and the situations they find themselves in are intensely interesting.
It’s a beautiful novel, and sad. And while it contains hope, it acknowledges that sacrifices are required and that not everyone lives to see better days.
I will not forget Noria Kaitio anytime soon. She was such a real person, a strong female, yet a teenager nonetheless; I liked her immediately. The world in which
4.5 stars
"Of all silences I had encountered this was the gravest and most inevitable: not the silence of secrets, but of knowing (195)."
This short dystopian novel was well written, slow and elegiac, musing on water and the loss of snow in
Read in 2015 for the SFFCat.
This book checks all my boxes: central female characters, psychologically complex, science fiction
(I read the English version of this novel.)
Yes, I can see where the comparison came from. It probably reminds me most of the feel of LeGuin's 'Annals of the Western Shore' trilogy. The similarity is not so much in actual content, but in what is dwelled on; the themes
This will also appeal to those looking for post-apocalyptic YA who are interested in more thoughtful, character-oriented stories instead of just action.
The setting is a dystopian future Scandinavia, which has been under an oppressive Chinese (New Qian, that is) rule for generations. Water is mysteriously scarce, and controlled by the corrupt and brutal military junta. Noria is a young woman who has brought up in the tradition of the tea ceremony, a ritual that helps give peace and stability to people whose lives have too little of those elements. She has a secret. Her family knows the location of a secret fresh water spring. When she is left alone in the world, will she choose to keep her knowledge to herself, even as her friends and neighbors go thirsty?
The themes of secrets, knowledge, sharing and trust run through the story, contributing to a lovely and satisfying tale. No, the author is not as masterful as LeGuin - but few are.
I received a copy of this title through the Goodreads First Reads giveaway. Much appreciation for the book.
Noria Kaitio, 17, is studying with her father to continue the family tradition of tea master. Set in future Finland, now part of the New Qian
Major Bolin has been protecting her father but when Commander Taro comes on the scene it becomes clear that he is suspicious and plans to discover their secret and destroy her family.
Noria also explores the plastic filled landfills of garbage with her friend Sanja, who is able to repair many broken things. They find a disk that mentions yet another secret, a secret Noria also wants to learn.
This dystopian novel by Finnish author Itäranta is set in one small area of a very change future world. Although some of the large global scale catastrophes are hinted at or mentioned, the setting remains in this one small part of Finland and the story stays focused on the effects the new world has on one person in that small part of the new world.
The writing in Memory of Water can be described as poetic, delicate, atmospheric, and expressive. The juxtaposition of a hard, harsh world being described in beautiful prose can be startling, but the contrast helps set the tone of despair even as the carefully crafted writing flows along so seductively. While there is tension in this novel, it is not overwhelming. It flows along at an even pace, picking up speed slowly.
Although not stated, I'd place this among other YA dystopian fiction selections based on the age of the character and the uncomplicated linear plot. The writing is a step up from most YA selections, however.
Disclosure: My Kindle edition was courtesy of HarperCollins for review purposes.
Excerpt
harpervoyagerbooks.com/2014/05/27/excerpt-of-the-memory-of-water-by-emmi-itaranta/
Set in a post-apocalyptic world where
As war rages on in distant parts of her country, water rationing becomes stricter and stricter until Noira has to make difficult choices–to move to the city to be with her mother, to attempt an expedition to the Lost Lands or not, and whether or not to continue to commit water crime by hiding the spring and help those in need in her village.
This beautifully-wrought story is part coming-of-age novel, part warning, both about nurturing the planet and man’s inhumanity to man.
In this post-climate change world, water is in very short supply, and the government use the water supply to
It works well as a background and was pretty convincing overall. the only item that really threw me out of the book was an almond tree (almonds need large amounts of water and I can't see them being grown in a region with severe water shortages).
Then ending is not what you'd expect from a usual suspense theme.
Heard as audio book. The reader's rhythm and voice greatly added to feeling like you are in a different culture, where one must weigh the consequences of one's actions.
A dystopian future in a world where waste ran rampant, climate change went unchecked,
It's quite lovely.
The writing is accomplished with fleshed out characters, but a bit drawn out in inundating one in thoughts of water, snow and ice of a distant past, heat, and insects; and the descriptive text is
Nevertheless, the story held my attention, at my point in life evoking a doleful feeling overall.