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Fiction. Mystery. Mythology. Humor (Fiction.) HTML:Enter the world of the Nursery Crime Division in this novel from Jasper Fforde, the New York Times bestselling author of the Thursday Next series and The Constant Rabbit Jasper Fforde's bestselling Thursday Next series has delighted readers of every genre with its literary derring-do and brilliant flights of fancy. In The Big Over Easy, Fforde takes a break from classic literature and tumbles into the seedy underbelly of nursery crime. Meet Inspector Jack Spratt, family man and head of the Nursery Crime Division. He's investigating the murder of ovoid D-class nursery celebrity Humpty Dumpty, found shattered to death beneath a wall in a shabby area of town. Yes, the big egg is down, and all those brittle pieces sitting in the morgue point to foul play. "[Forde] knows a thing or two about leaping into new worlds. . . . It's hard not to see what all the enthusiasm is about." -Janet Maslin, The New York Times "A wonderfully readable riot." -The Wall Street Journal.… (more)
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1. It is a murder mystery.
2. The victim is an enormous egg named Humpty Dumpty. (He fell off a wall … or was pushed or possibly shot.)
3. The detective investigating the crime is named Jack Spratt. His partner is Mary Mary.
4. Jack and Mary work for the
5. You should brush up on your nursery rhymes and fairy tales before reading so as to fully enjoy the book. (It took me almost halfway through to dredge up the fact that Jack’s tendency to accidentally off “unusually tall people” was a reference to Jack The Giant Killer.)
4 Other Stories/Tales/Myths Referenced in the Book
1. The Three Little Pigs
2. Jack and the Beanstalk
3. Old Mother Hubbard
4. Wee Willie Winkie
…plus lots lots more.
3 Things I Thought While Reading The Book
1. “Gosh, I just love it when an author has a whimsical and witty sense of humor and isn’t afraid to just have fun.”
2. “I’m sure I’m missing about 25% (and possibly even more) of the jokes and references in this book. But who cares? It is cracking me up anyway.”
3. “Jasper Fforde is kind of a hottie. And he’s smart too.” (Seriously, go Google Jasper Fforde. He's cute!!)
2 Excerpts I Had To Highlight and Share
Excerpt 1:
“…Father liked word games. He was fourteen times world Scrabble champion. When he died, we buried him at Queenzieburn to make use of the triple word score. He spent the greater part of his life campaigning to have respelt those words that look as though they are spelt wrongly but arent.”
“Such as….?”
“Oh, skiing, vacuum, freest, eczema, gnu, diarrhea, that sort of thing. He also thought that ‘abbreviation’ was too long for its meaning, that ‘monosyllable’ should have one syllable, ‘dyslexic’ should be renamed ‘O’ and ‘unspeakable’ should be respelt ‘unsfzpxkable.’”
Excerpt 2:
Mr. Pewter led them through to a library, filled with thousands of antiquarian books.
“Impressive, eh?”
“Very,” said Jack. “How did you amass all these?”
“Well,” said Pewter, “you know the person who always borrows books and never gives them back?”
“Yes….?”
“I’m that person.”
1 Last Thing
I think that you’re either the type of person who likes books like this or you aren’t. Therefore, I’m sure the three possible reactions to this review are:
* “This book sounds aggressively silly and whimsical and that is not my cup of tea at all!”
* “I need to read this immediately!”
* “What the heck took you so long to read Jasper Fforde, Jenners? Haven’t we been telling you how awesome he is for awhile now?”
A funny, cerebral book with lots of word play, silliness and wit to entertain adults. Do not mistake this for a children's book. It is too smart for that!
Fforde gets to have his fun with allusions both to fairy tales and to the cliches of detective novels. Every chapter begins with a brief news article - "Butler Did Do It Shock" or "Red Herring Use to Be Controlled," for example - and those were my favorite parts. I think that Fforde's writing works best in tiny pieces, because the actual plot of the Big Over Easy often dragged, strangely joyless for such a delightful premise. Maybe it's my fault, I'm not much of a fan of mysteries, but the book didn't live up to the hopes I had for it as a whimsical fun read.
It sounds mad, and the strange appearance of nursery characters and aliens alongside the human characters does take a few chapters to get used to, but the strange thing is... this really works! It's like a combination of Shrek and CSI - a real murder mystery but with an intelligent and amusing strand of fairytale mockery woven through the whole thing. The three pigs have just been found not guilty of the murder of Mr Wolff (boiled to death when he came down their chimney), and an alien called Ashley (like us but blue) is working in the NCD trying to adjust to his strange human colleagues.
It's funny, it's very clever, and it's well worth a read. I'm looking forward to the Thursday Next novels now!
I love the juxtaposition of childhood figures and gritty-city crime. I loved the word play and the sly references
Disappointed after losing his last case (prosecuting the three little pigs
Some of them reference sare somewhat blatent - Inspecter Moose in Oxford, but others are more subtle. There are several that relate to the Thursday Next series, but you won't miss much if you haven't read these. Jack Spratt and Mary Mary are book people from Thursday's world she is instrumental in preventing them from being deleted. Quite how they've ended up in Berkshire is not explained - but there seem to be many book / nursey tale characters there too.
Its a cracking read, and does also work as a whodunnit - the contrived and prolonged final twist, as in all good murder stories, is completely unexpected.
As in the original series, this one is enjoyable in large part because of its inside literary jokes and references, as well as its to-die-for overarching premise: a world in which the book is as important as real life and the story is everything. Often over the top but always enjoyable, Fforde has written another sly, fun mystery.
And then there's DCI Friedland Chimes, Jack's archnemesis at the force, whose amazing exploits in the detecting world fill the pages of the prestigious true-crime magazine Amazing Crime Stories. Because crime, and the solving thereof, has become primarily fodder for the entertainment world, any detective who hopes to advance his career must join the Most Worshipful Guild of Detectives, which publishes their adventures (and sometimes even does movie deals). Jack is not even in the running for membership—and even if he was, it wouldn't matter, because Friedland is on the selection committee.
The investigation at hand involves the death, possibly by homicide, of Humperdinck Dumpty, aka Humpty Dumpty. This large egg was known for two things: his womanizing and his shady business dealings. He fell off a wall to his death—but was he pushed? As the investigation unfolds, Jack and Mary are plunged into the seedy underbelly so often concealed under the bright trappings of nursery-rhyme lore. The incredibly complex plot involves a massive failing footcare product company, Wee Willie Winky, the Sacred Gonga, genetic experimentation gone wrong, a large beanstalk, a political refugee from Olympus (Prometheus), a biological weapon, Old Mother Hubbard, and a plot to kill the Jellyman. I can't possibly put this in any sensible order for you; you must read the book yourself.
But that's no hardship; it's good fun. Fforde's tone is playfully satirical and very witty. He affectionately pokes fun at the conventions and characters of detective fiction while reimagining nursery-rhyme characters as real-world people who inhabit this alternate-reality world with no remark by the rest of the population. Oh, and there are aliens too, but surprisingly enough, they are actually rather boring and speak mostly in binary.
Jack's a great character and was brilliantly voiced by Simon Prebble, who reads the audiobook version. He did such a good job with Jack that when I got the next book in the series on audiobook, I turned it off in disgust as soon as I heard Simon Vance's voice for Jack. He was far too pompous. Rather than readjust my perception of Jack, I read the print version of The Fourth Bear. I also liked Mary and her little sidestory of betrayal and ambition. Jack's mother is fun, and his family. And their boarder, Prometheus, is a nice addition. I also thought the villain was very well written.
Though I could have done without some of the cruder elements in the book, I enjoyed this story very much and was motivated to pick up the next one right away (something that didn't happen with Fforde's Thursday Next series). I'd recommend this to mystery fans looking for something a little whimsical and different.
Finally, I've refrained thus far—but in a mystery story centering on the murder of a large egg, it is extremely tempting to use the adjective "hardboiled." Fforde must be rubbing off on me...
I think it's actually the exact opposite of what I like reading...
Maybe it's good if you like Terry Prachett's kind of fiction... not if you like Lawrence Block's.
I was aware before I started that Fforde is known for satire and other forms of humor in his writing, things I'm heartily in favor of. I had high hopes for this book. The alternate universe inhabited by the characters, roughly late 20th or early 21st century Britain but with numerous twists, certainly is a fertile field for Fforde to plow. It's a world in which the boundary between fiction and reality is blurred in a number of imaginative ways, not the least of which is that the citizens of this universe take it for granted that police work and criminal prosecutions are the servants of entertainment, and demand that those endeavors be conducted accordingly. It's an interesting conceit, and one which could haul heavier philosophical freight than Fforde hitches to it with his poking of fun at numerous clichés in modern detective fiction as well as in nursery rhymes. I realize that the book is full of literary and social allusions, some of which I caught, and some I'm sure I missed, but eventually they seemed to have been thrown in just because the author could, as though all editorial functions had been switched off in his brain. He never missed a chance to name his characters in a punning allusional way, and before too many chapters went by, that habit was becoming more irritating than amusing. Some subtlety, giving more credit to the readers' intelligence, would have been welcome. It's way too obvious, for example, for the lead detective of the Nursery Crimes Division to be named Jack Spratt, and for him to hate eating fat, to kill giants, and to cut down overgrown beanstalks.
Perhaps it was with sly deliberation that Fforde invested his plot with some of the same “mistakes” his fictitious population of readers decry in write-ups of criminal investigations. Maybe it was just laziness. Either way, I nearly gave up on this book when the plot dragged on so slowly, with no real progress being made in the search for Humpty Dumpty's murderer for about three quarters of the book. Since this was the first book in what the author seemed to know would become a series, perhaps it was justifiable for him to spend so much time on peripheral aspects of the characters' lives, past and present, but it certainly put a damper on any plot momentum early on in the book.
There was some character development in the book, but not enough to make me feel any real empathy for the main characters, the ones which no doubt reappear in later books in this series (Nursery Crimes).
I came away from this reading experience with very mixed feelings. I had a few really good laughs, more yawns, a few groans. To me, Fforde's ideas for humor seem better than his execution of them. He seemed more interested in going for cheap laughs than in developing some of the genuinely promising themes he introduced. Unlike other reviewers, I'm afraid I didn't find this book to be either a toss away diversion or a well thought-out satire. It fell short on both counts. I won't be running to the bookstore to seek out more of his works, and may not even finish reading the ones I currently own.
His livelihood hangs in the balance of one last chance when aging playboy, Humpty Dumpty is found dead after a rowdy night on the social scene. When the whole town becomes suspect, Jack is sent, head spinning, down a rabbit hole of red herrings and literal goose chases, causing the public to seriously question whether he should be in the field at all. As the clock ticks down the minutes on Jack’s ailing career, the absurd becomes normal and normal becomes completely obsolete.
This is a fantastic spoof of the detective story. There is a lot of great, dry British humor throughout, recalling Monty Python at many a turn. The plot is fast paced from the get go and never loses momentum. At times, the nursery rhyme and kid-lit word plays are put on a bit thick but some of the more subtle allusions to Grimm and Potter are well worth the cheese. And you needn’t worry about the nursery rhyme theme watering down the adult content. There is plenty of sex, wine and violence to go around. This is most certainly the dark side of the cradle.
I can’t believe I haven’t read anything else by Jasper Fforde. He is definitely on my list of authors to explore more. I think that there is another NCD book and I hope he’s working on others.
This (along with SOMETHING ROTTEN) probably represents the most straight-forward and atmosphereless of Fforde's prose. The ideas are still great, and the plot is thoroughly entertaining, but this book isn't as clever or funny as his Thursday Next books by a long margin. One of the joys of TN books is the broad spectrum of references, whereas this book keeps it down to the narrower spectrum of (mainly) Nursery Rhyme characters. That said, there's still plenty of room for jokes based on Prometheus (who appears), the media's approach to crime, and the crime genre overall, and more besides.
If you haven't read Fforde before then go straight for THE EYRE AFFAIR. This book simply isn't as charming and enjoyable as the Thursday Next novels, but if you've read those and you're hungry for more Fforde, then you will enjoy this book.
Oh, and I find it startlingly clever how this book ties into THE WELL OF LOST PLOTS in such an original and mind-bending way. A careful and talented prose-writer Fforde may not be, but he is one of the most intelligent and imaginative plot-writers in fiction at present.
FAVORITE QUOTE: "Beautiful," said Megan wistfully, clasping her hands together holding them at her chin, dreaming of a time when she could dress up in ball gowns, go to parties and be kissed by a handsome prince- althought she would accept a knight, if there were problems regarding availability.
The main characters are Detective Inspector Jack Spratt and his partner Detective Sergeant Mary Mary. They are called in to investigate the death of one Humperdink Aloysius Jehoshaphat Stuyvesant Van Dumpty III. Better known as Humpty Dumpty. Apparently he fell off the wall he was perched on. The question that plagues the detectives throughout the book … Did he fall or was he pushed? Actually, neither. But I’ll let you read it and find out for yourself.
Jasper has written a very clever and witty book. There are several references to his other creation, Thursday Next. The book is full of throw away lines about other nursery characters. The gingerbread man is a convicted felon who likes to dismember people. Jack Spratt’s first wife died because she could “eat no lean” and Jack has a problem with killing giants. (Technically only the first one was a giant, the other four were just really tall.) Through a concatenation of circumstances Jack’s mother ends up with a beanstalk outside her house. Mary Mary spends all her time trying to dump her boyfriend. Apparently she’s dumped him several times, but he just doesn’t leave.
Not only are there references to nursery rhyme characters, but there are sly references to contemporary fiction detectives. There is Inspector Moose who is from Oxford, Miss Maple and even Commander Adam Dogleash. All in all it’s a very funny book and one that I highly recommend.
Humpty Dumpty is dead and the Nursery Crime Division investigate. The easiest suspect is his wife who shoots herself, but Jack Spratt and his assistant Mary Mary aren't convinced.
Not