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Sometimes the Best Bond for a Job is a Jane ... Jane Bond. "What's the story on Bond?" "Your man is a homicidal depressive paranoiac," the doctor reported. "I know that. I want to know what's wrong with him! And be straight with me, man. No medical mumbo jumbo." "He's lost his nerve." N. had suspected as much. After a long while spent staring at the jagged skyline of London, N. came to a decision. He had no other choice but to go through with Pumpernickel's ridiculous plan. Enter Bond, Jane Bond, James's lesbian twin sister and haoless bookstore employee, who steps in to masquerade as her brother at an awards ceremony with the queen. But when the dastardly Sons of Britain (S.O.B.s), a nefarious fraternity plotting to bring the Duke and Duchess of Windsor back to power, show up, it's up to some unexpected heros to save the day. The Powder Puff Girls -- makeup salespersons by day, secret agents by night -- step in to secure the future of Britain while Jane keeps her brother's reputation intact...both in and out of the bedroom!… (more)
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The book takes place in the 60’s, with appropriate cultural and fashion references. The gist of the story is that James Bond has lost his touch and been shipped off to a mental health facility to recover. However, he is also scheduled to receive a medal from the queen, so the loopy plot of convincing Jane to stand in for her brother is conceived. Along with this, the subplots include an all-girl spy ring, a plot to kidnap Queen Elizabeth and put King Edward back on the throne, and Jane’s budding romance with Bridget St. Claire, daughter of society doyenne Lady Emerald St. Claire and member of the aforementioned all-girl spy ring.
The characters are all great fun, from the hapless Agent Pumpernickel to the kindhearted but socially-challenged Lady Edwina Wooley-Booley. Menace is provided by Sir Niles Needlum, the grasping, casually brutal, totally incompetent Agent 008, and as in all James Bond books, the femme fatale Lydia Thorne. The plot is light and swift, and like all good spy thrillers, all of the varied subplots come together in a machine-gun rapid-fire ending.
The coolest thing about the book is how much you come to care about the characters. When reading a parody, character development isn’t usually what I’m looking for—I’m in it for the laughs. This book provides plenty of those, but also gives you reason to be concerned about the characters. You want Bridget and Jane to get together, and for Agent Pumpernickel to reach his retirement safely, and especially for Simon’s bookshop to survive. Although the situation is played for laughs the people aren’t, which added greatly to my enjoyment of the book.