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Fiction. Science Fiction. LGBTQIA+ (Fiction.) HTML: "Extraordinary . . . A future sci-fi masterwork in a new and welcome tradition." �?? Joanne Harris, author of Chocolat A stand-alone science fiction novella from the award-winning, bestselling, critically-acclaimed author of the Wayfarer series. At the turn of the twenty-second century, scientists make a breakthrough in human spaceflight. Through a revolutionary method known as somaforming, astronauts can survive in hostile environments off Earth using synthetic biological supplementations. They can produce antifreeze in subzero temperatures, absorb radiation and convert it for food, and conveniently adjust to the pull of different gravitational forces. With the fragility of the body no longer a limiting factor, human beings are at last able to journey to neighboring exoplanets long known to harbor life. A team of these explorers, Ariadne O'Neill and her three crewmates, are hard at work in a planetary system fifteen light-years from Sol, on a mission to ecologically survey four habitable worlds. But as Ariadne shifts through both form and time, the culture back on Earth has also been transformed. Faced with the possibility of returning to a planet that has forgotten those who have left, Ariadne begins to chronicle the story of the wonders and dangers of her mission, in the hope that someone back home might still be listening.… (more)
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I don't have an answer any
This book has many of the lovely characteristics of Chambers' other books - it is well-written, evocative and empathetic. The characters are richly drawn and believable.
I don't know what to do with the ending. I can't decide if I love it, or if it's frustratingly open. It invites transformative works in response - the story of each of the three choices.
I do recommend this book, but with more reservations than I would recommend the Wayfarers series. It doesn't offer balm for the wounds it opens, in the way those books do.
The story is eventful, but skips over the sorts of conflict and peril common in exploration stories. There are no villains. Rather, the story's turning points, told through the point of view of ship's engineer Ariadne, are the many discoveries that the diverse crew makes on four very different exoplanets. Obstacles arise, but the spacefarers always find some more or less satisfactory way around them.
The pleasure presented here is to share in the crew's experience; consumed by their work, ever renewing their joy in scientific discovery. A typical encounter, on an ice-covered moon with water beneath the ice cover:
She grabbed my arm. "Oh, my god."
Adrenaline shot through me. "What?"
"Turn off your lights." I did. She did. "Look," she said, pointing.
(...)
Red. A small patch of soft, fluorescent red, shining quietly up through a hazy pane of ice.
It moved.
(...)
But the ice muted the light, blurring its edges, scattering it in hazy auras that shimmered well beyond the source. New colors joined the party - orange, pink - and new shapes as well. There were snake-like things, full bodied things, worms and flowers and combs. Some shoaled by the dozens. Some travelled alone. Some bobbed. Some chased. The ice sheet below us became a luminescent symphony (...) Imagine a summer carnival behind a wintered windowpane. Imagine the most fabulous aurora you've ever seen, shining below your feet.
The book feels like a modern echo of the sense-of-wonder stories of the 1930s.
For example, I find Weir very traditional and he's done nothing to move SF forward - 'A Fall of Moondust' is fairly routine even for Clarke - Charles Logan's 'Shipwreck' and Joanna Russ' 'We Who Are About To...' tackled Weir's first novel concept and put it to bed in the 70s. Chambers is pretty much a soap opera writer who seems unable to handle conceptual breakthrough - for example, 'To Be Taught If Fortunate' really fails to take Blish's concept of Pantropy from the 1950s any further. Her character-focus approach is a lighter version of what Maureen F. McHugh did in the early 90s with far more facility and maturity - not that I'm averse to characterisation, anything but, but Chambers isn't that great at it. I agree that turning a mirror toward society is important, but SF does this metaphorically, through a glass darkly rather than directly like mimetic fiction - SF reflects in a distorting mirror rather than just holding it up to nature such a representational view of Art is pre-modern and a bit simplistic for the fractured realities of the contemporary world, I feel. The vast majority of contemporary SF writers don't really signal paradigm shift very well and are pretty unsurprising in their lack of innovation - they're comfort reads only in my opinion. Look at the work of Dave Hutchinson, Nina Allan, Adam Roberts, Chris Beckett, Tom Toner and old master Gibson, Priest and M. John Harrison. These are the people pushing the envelope. Emma Newman is fine too and Tchaikovsky has his moments (and lots of crap too). I'm not saying don't read contemporary SF at all, I'm saying it really isn't that vibrant currently - especially when compared to (for example) the 1980s. I respect the opposing points of view, as it does mirror that of a large number of readers I see on Goodreads saying this is a masterpiece, but most contemporary SF is inherently explored by conservative writers with seemingly low literary ambitions. There are not truly evolutionary writers right now in contemporary SF (maybe Ada Palmer, and K. J. Parker could fit the bill but what do I know…), though admittedly this is a very tough call for all SF writers now, to innovate after a century or more of mass media - after all, we've all seen everything now...or have we? Have a good day.
SF = Speculative Fiction.
Book Review SF = Speculative Fiction
In the not too distant future, the citizens of earth have crowd-funded (really it's a useful concept at the moment, but not one I think likely to endure) a series of missions to the nearer likely life habitable worlds. The crew are in suspended animation until arrival, and have slight non-permanent gene-mods to cope with the expected conditions. This sin't really about the worlds' they discover - and Becky takes through a few of the more common permutations of ice, water, stone and fire, but about the crew how they cope, and finally elapsed time and conditions on Earth that launched them.
Becky's writing is always sympathetic, the characters are fun, rounded healthy normal people. They live and love in strange circumstances and have been especially selected to cope, but they're not without ties back home, and do they're best to concentrate on the the Why of being sent so far away. Although the story is only told from the engineer's view, to avoid having too much science focus, you as a reader, love all four of them. (I'm not sure a crew size of four is practical, but then the whole premise is a little flimsy anyway. It's not a details story, it's part philosophy and part ethics and as always what it means to be human when you're so far from home.
I think the fourth world (well probably the 2nd is the one I'd cut) is unnecessary, as we've gathered the gist - worlds are very variable and technically life could be almost anywhere. A novella isn't the place to try and mix two themes, and vivid although Becky's imagination is, diversity of alien lifeforms possibilities is best explored in a longer treatise, leaving the focus on this one to be the journey rather than the destination.
Very much worth reading though
It's the first of the
When it comes to the characters and their relationships, there’s
So this left me feeling unsatisfied, but I think that’s because there are particular things I’m looking for as a reader and this book quite intentionally -- and effectively -- chose to focus on something else.
Again, I’m as biased as can be, but I believe somaforming is the most ethical option when it comes to setting foot off Earth. I’m an observer, not a conqueror. I have no interest in changing other worlds to suit me. I choose the lighter touch: changing myself to suit them.
Set at the turn of the 22nd century, Ariadine O'Neill and three other scientists are exploring a planetary system 15 light years from Earth. The novella is divided in four parts as the scientists travel to each of four planets of differing climes and ecologies. Each scientist aboard realize that Earth history is moving faster than from their perspective in space; therefore, Earth would be radically different when, and if, they return.
Besides one event on a water world, this novella lacked any tense or suspenseful moments. Although it was interested to read of the author's description of these four planet's environment, there wasn't enough to hold my attention. Thank goodness this work of fiction was short. At times, I felt as if I was reading a National Geographic article.
I've really loved some of Chambers' other books, but I found this one kind of a disappointment by contrast. It seems like the sort of thing that should
Not that it's a bad book. The writing is fine. The alien planets are at least mildly interesting. The characters, while lightly sketched, do feel like people. And I really do appreciate the themes and questions it raises, especially at the end. But I do wish it had been a little bit more... something.
There is a gentleness to Chambers's prose, a gradual escalation of tension like a slow inhalation. At the end, at the culmination, I gasped. I should never have doubted this author's power.
To be Taught, If Fortunate is devastating and beautiful, the kind of book that leaves a scar in your memory. So well worth reading, but dang.
The four characters in this book form a crew sent from Earth to explore four
I deeply enjoyed this book. The descriptions were lovely, and the whole atmosphere felt slightly dream-like to me, in a really lovely way. I'm not giving it five stars because I do wish it had been a bit longer--in some places in this book, subtlety and brief mentions went a long way for me, but I do with that there had been a bit more elaboration at the ending.
Becky Chambers has always been a character-driven writer and that tendency pays off in spades in this latest work. An account of a long-term exploration of exoplanets, the book is amazingly detailed and imaginative in conjuring not only each planet but how the planets affect the
Although the focus is on the astronauts from earth, the true strength of this novella is the extremely imaginative creation of not one, but three different planets in the same distant solar system. Each planet is markedly different from the others, calling forth different reactions from each member of the crew. As the explorers continue their surveys, Chambers shows how they evolve, how their interactions change, and how their thoughts about Earth as home change over time.
This is a lovely book, well written and carefully imagined. For those readers who would like a break from our reality, I cannot recommend this book more highly.
All this, and there were so many other details I loved. The casual mentions of sexuality, with one bisexual and one asexual character, and neither of these things are dramatic or important to the plot. The accurate and conflicting representations as slow, careful, repetitive, and yet exhilarating when something is found. The delightful naming schemes of the discovered organisms, in keeping with earth taxonomy. Chikondi's pleasure in growing plants, Jack's obsession with rocks, Elena's focus on weather and routine. The way that even at the start of the story, the political landscape of Earth isn't one I recognise.
Highly recommended.