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"After spinning an enthralling world in Witchmark, praised as "thoroughly charming and deftly paced" by the New York Times and as a "can't-miss debut" by Booklist, C. L. Polk continues the story in Stormsong. Magical cabals, otherworldly avengers, and impossible love affairs conspire to create a book that refuses to be put down. Dame Grace Hensley helped her brother Miles undo the atrocity that stained her nation, but now she has to deal with the consequences. With the power out in the dead of winter and an uncontrollable sequence of winter storms on the horizon, Aeland faces disaster. Grace has the vision to guide her parents to safety, but a hostile queen and a ring of rogue mages stand in the way of her plans. There's revolution in the air, and any spark could light the powder. What's worse, upstart photojournalist Avia Jessup draws ever closer to secrets that could topple the nation,and closer to Grace's heart. Can Aeland be saved without bloodshed? Or will Kingston die in flames, and Grace along with it?"--… (more)
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I greatly enjoyed Witchmark last year when I read it as a Nebula finalist. I was quite curious about how the sequel would play out. Polk established a fascinating, original world of powerful magic, devastating storms, and snarled, vicious political power
To my surprise, though, I had a hard time getting into Stormsong. The refreshers about previous events weren't quite enough, leaving me lost for a good while, and the plot cranked up so slowly that I wondered if I should stop completely. The perspective had shifted in this book to Grace, the politically-savvy sister of Miles. I enjoyed her character but things just couldn't get going. Fortunately, I pressed on, and I'm glad I did. Things really picked up halfway through, and the last bit zoomed along, complete with a fantastic ending. As with the first book, the twisty-turny plot is brightened by a deftly-handled romance.
While not as consistently enthralling as the first book, Stormsong absolutely came through in the end.
While Polk crafted a vulnerable, powerful and fascinating character in Tristan, in Grace the flavour changes from one of empathy to one of superficiality. Grace quite often seems more focused on fashion, societal standing, and avoiding controversy than in championing the real cause of empowering the witches who have for generations fed the power-mongers of Aeland, and who now, though freed from bondage, exist in penury and pain.
Altogether a disappointing continuation of what started out to be a fascinating story.