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The fifth book in the Megan Lindholm (Robin Hobb) backlist. Seattle: a place as magical as the Emerald City. Subtle magic seeps through the cracks in the paving stones of the sprawling metropolis. But only the inhabitants who possess special gifts are open to the city's consciousness; finding portents in the graffiti, reading messages in the rubbish or listening to warnings in the skipping-rope chants of children. Wizard is bound to Seattle and her magic. His gift is the Knowing - a powerful enchantment allowing him to know the truth of things; to hear the life-stories of ancient mummies locked behind glass cabinets, to receive true fortunes from the carnival machines, to reveal to ordinary people the answers to their troubles and to safeguard the city's equilibrium. The magic has its price; Wizard must never have more than a dollar in his pocket, must remain celibate, and he must feed and protect the pigeons. But a threat to Seattle has begun to emerge in the portents. A malevolent force born of Wizard's forgotten past has returned to prey upon his power and taunt him with images of his obscure history; and he is the only wizard in Seattle who can face the evil and save the city, his friends and himself.… (more)
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If you have read and enjoyed either of these books, I heartily recommend checking out the other one as well.
(Incidentally, Megan Lindholm also writes under the pseudonym of Robin Hobb)
Still, the story and the characters stay with you and I still have all
It is the story of Wizard - a young(ish) man living on the streets of the emerald city, Seattle. A young man with strange and mysterious powers provided, of course, he takes care of the pigeons. Living on the streets is not easy, but Wizard knows all the tricks - all the ways to blend in and get himself a moderately decent meal. That is until the ill-fated day he enters a particular diner, and helps himself to the remnants of another man's meal. Now, suddenly, he's got a waitress on his tail, clamouring for his attention and doing her very best to twist him away from his Wizardry vows. If that wasn't bad enough, there's a dark shadow stalking him - the mysterious, and deadly, Mir. In the face of his crumbling resolve, is he strong enough to fight? Or will he lose it all, and become nothing more then a bum lying in the gutter?
By this time, I was getting enough and was wondering whether to continue. So I came here and read a few reviews, and I came upon one with spoilers, explaining what the story was about. Apparently,
'Just one little jump rope song!'
'Omens and portents, my dear Rasputin. I have seen the
Wizard is a homeless man living in Seattle, just about managing to keep his appearance on the right side of the line between respectable citizen and homeless bum. His magical powers are linked to a strict set of rules that he must follow and seem to be linked to protecting the city.
To begin with, the Wizard reminded me of the London sorcerors in A Madness of Angels by Kate Griffin, whose power comes from the city itself, but it gradually becomes clear that there is something quite different happening.
Some days he flowed with his power. Today the current of the magic roared against him, and he was hard pressed to cling to a rock in the rapids. But he would survive, like a one-legged pigeon, by keeping a new balance.
A much sadder book than I had expected, as I managed to avoid spoilers before reading it, but one that gives you plenty to think about afterwards.
Mitch is known by his acquaintances in Seattle only as 'Wizard' and refuses to acknowledge any other name. His ability seems to be an affinity for pigeons whom he can summon to be feed in some of Seattle's parks. He's also a homeless refugee of the streets and survives by luck, personal charm, and a mental dedication to 'the rules' assigned to him by ones of his 'friends', and this is shown through a series of ancedotes around his life, from a squat in an abandoned warehouse, through to finding food, and chatting with others on the streets, rarely indeed does he need to perform any magic. A chance encounter with a exuberant waitress breaks one of his rules, and we quickly get shown another view of the same life. Wizard must choose between them, were he capable of such a thing, whilst fighting the ghosts of MIR.
It is well written, the showing rather than telling, of Mitch's life, without judgement. But it's not happy, and it seems almost to be poking fun, although I'm sure it's meant to be sympathetic. Troubling reading.
It has some of the strangeness (in not such a good way) about gender and sexuality that Robin Hobb's Assassin's Apprentice series had. On the other hand, one of the best things about this book is the deep groundedness in its early 1980s Seattle
Wizard's story has a fairy tale feel while the setting is a very gritty and real 1980s Seattle. It's a combination that shouldn't work well together yet it does. Technically this means it can be classified as Urban Fantasy though it is nothing like what the genre has become today.
Is this a story about real magic in Seattle or just a man coping with PTSD by believing himself to be a wizard? Perhaps it is both. I think I might need to reread this one again in the future.