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"When Belle Yang was forced to take refuge in her parents' home after an abusive boyfriend began stalking her, her father entertained her with stories of old China. The history she'd ignored while growing up became a source of comfort and inspiration, and narrowed the gap separating her--an independent, Chinese-American woman--from her Old World Chinese parents. In Forget Sorrow, Yang makes her debut into the graphic form with the story of her father's family, reunited under the House of Yang in Manchuria during the Second World War and struggling--both together and individually--to weather poverty, famine, and, later, Communist oppression. The parallels between Belle Yang's journey of self-discovery and the lives and choices of her grandfather, his brothers, and their father (the Patriarch) speak powerfully of the conflicts between generations--and of possibilities for reconciliation" -- from publisher's web site.… (more)
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I am fond of the
The book is about the expectations and assumptions that parents have for their children and those that kids have for their parents. Belle Yang (here referred to by her Chinese name Xuan) moves back with her parents after cutting ties with her abusive boyfriend, chillingly portrayed as a mouthless giant. As she receives both criticism and compassion from her father, he tells her the story of his youth and their ancestral home back in China. His grandfather was a landowner before the Communists took over, a patriarch to four sons and their families. He would eventually lose his land and position of authority and see both betrayal and boundless devotion from his sons.
The memoir also tells of Xuan and her father and how they meet half-way in their differences. Their compromises show the importance of coming to terms with the mistakes you have made that have hurt yourself and others, and being willing to forgive others and yourself. The book also perfectly demonstrates the powers of familial love and finding your own self-worth.
While the majority of this family tale is engaging and fascinating as one watches a family fortune made to ensure the comfort of generations only to watch said generations jockey for position and push apart the security for their own gains while forgetting that forces from the outside will pull indiscriminately at anything and everything. Juxtaposing this against Belle's own inability to leave her father's house and it becomes an interesting study in the parental line between protection and the feeling of imprisonment. Unfortunately, Belle's work towards the later portion of the work loses the early intimate and detailed feel as her father no longer had access or was willing to tell certain stories. To make up for this, Belle flips back and forth between present and past with increasing frequency, but these jumps are often without warning and should have been done either in a slightly different frame or drawing style to clearly denote the changeover.
Belle clearly has a talent for this medium, it just would have been better if the latter part of her story had not felt so rushed and full of missing parts. The first half is fantastic.
While graphic novels written from a personal perspective are
Xuan (translated as Forget Sorrow) is the only daughter of Chinese parents who had immigrated from
As a teenager she was scornful and embarrassed of her parents' old-fashioned ways and accented English. In order to try and mend her relationship with her father after her experiences in China, she listens to stories about his father, three uncles, and grandfather.
Xuan's ancestors had settled in Manchuria in the early 19th century and eight generations later lived by collecting rent from farmers on their land. When young, her father lived with his family in an enclosure that also sheltered his grandparents and his uncles' families. Through these stories we learn about the complicated politics of this extended family and how they tried to exist in the middle of invasions, wars, revolutions, and famines.
By learning about her ancestry and the history of China's tumultuous past, she made peace with her parents and herself. This graphic novel was part of this journey as she shares her family's history with us.
To a Western eye, the story seems choppy and fragmented and we must fill in the story as best as we can. But we learn quite a bit about how a family struggles to exist in the rough and difficult times. The black and white art is simple but the characters stand out and are distinctive.
I read Pearl S. Buck's books when I was in high school and her haunting stories of China really affected me. Forget Sorrow brought back these stories back to me.
I liked this. The family story is nice, and the atmosphere is really strong. I liked seeing a lot of everyday-life stories about early 20th-century China, and these make the book very illuminating. RIYL Persepolis-es. The family relationships are
My favorite parts were the meditative conversations the author's grandfather and great-grandfather had, and their parallels with Belle and her dad, which elevate the book to something rarer and more special. Those lessons are good. "I'm just going in circles. I'm stuck."/"If your soul achieves peace, you can attain your goals." And especially: "Do not become attached even to your anger."
The theme that Belle is hiding at her parents' to escape an abusive, stalking boyfriend and recover from her terror -- it sets up her opportunity to be told this story by her father, but I was frustrated by the framing sometimes. It's maybe a little too important to be such a small player in this story.
The ARC has some copy issues that will need to be cleaned up, so hopefully there won't be many problems in the first editions. There's some misaligned type (words that don't fit into their bubbles), some asterisks that don't have follow-up notes, some panels where the person in the inset says, "Inset: [whatever I am saying!]" Also, one panel looked like it had an accidental run-in with the "eraser" cursor in Photoshop. But I could read around those easily enough. And I'm pretty glad I did so.
Unlike the other reviewer who found this to be a quick read, I found the book to be very measured and slow-going. The story-telling is dense, with stories told inside of other stories. And there are many shifts in time, between the present day story of Belle Yang herself, and the past tense history of her Father's life, and her Grandfather's, and so on.
But the story is very much worth the time it might take to read it. If one has grown up where knowledge of one's ancestry is important, than it behooves one to take the time needed to deliniate that ancestry. This is what Belle Yang has done. And the book she has created very much merits a careful and measured reading.
But I did have difficulty with the
The story itself was very well-structured and always engaging. The only quibble there was how blithely the ex-boyfriend was written off at the end.
While the author's father's life in China is well-developed, the time he spent in Taiwan, Japan and the US is only given cursory treatment. Given the troubles the father survived in China, I found the meek response to the stalker issue in the US surprising. The tough laws in the US should have cut those abuses short effectively. As it is, the symmetry of a family terrorized by kin or near-kin in China and the US does not point to forgetting sorrow.
I'll be honest, I enjoyed Yang's illustrations. But... that's about it. The story sort of feels all over the place. I understand that she is transcribing the story as her father gives it to her, and her illustrations of this are engaging and distinctive. However, I think the mark of a good author who is penning a memoir is knowing how to take all of what is given and put it in some semblance of order for the reader. I have a hard time keeping up with where we are going in the story and when in the story we are. I would have bumped my rating another star if there was a more cohesive timeline. I would have bumped it one more if we had heard more about the abusive boyfriend. I mean, really, that's what everyone wanted to hear about anyway.