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From idea to flesh to myth, this is the story of Alec Checkerfield: Seventh Earl of Finsbury, pirate, renegade, hero, anomaly, Mendoza's once and future love. Mendoza is a Preserver, which means that she's sent back from the twenty-fourth century by Dr. Zeus, Incorporated - the Company - to recover things from the past which would otherwise be lost. She's a botanist, a good one. She's an immortal, indestructible cyborg. And she's a woman in love. In sixteenth century England, Mendoza fell for a native, a renegade, a tall, dark, not handsome man who radiated determination and sexuality. He died a martyr's death, burned at the stake. In nineteenth century America, Mendoza fell for an eerily identical native, a renegade, a tall, dark, not handsome man who radiated determination and sexuality. When he died, she killed six men to avenge him. The Company didn't like that - bad for business. But she's immortal and indestructible, so they couldn't hurt her. Instead, they dumped her in the Back Way Back. Meanwhile, back in the future, three eccentric geniuses sit in a parlor at Oxford University and play at being the new Inklings, the heirs of C. S. Lewis and J. R. R. Tolkien. Working for Dr. Zeus, they create heroic stories and give them flesh, myths in blood and DNA to protect the future from the World to Come, the fearsome Silence that will fall on the world in 2355. They create a hero, a tall, dark, not handsome man who radiates determination and sexuality. "Now," stranded 150,000 years in the past, there are no natives for Mendoza to fall in love with. She tends a garden of maize, and she pines for the man she lost, twice. For Three. Thousand. Years. Then, one day, out of the sky and out of the future comes a renegade, a timefaring pirate, a tall, dark, not handsome man who radiates determination and sexuality. This is the beginning of the end. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.… (more)
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In general, my reaction to these books has been (1) she's stretching an interesting story into too many books, and (2) everything reminds me of something else. (In no particular order, some of these have been: All of Me, Ruddigore, Captain Feathersword, Real Science....)
So the series is above average, and I'll keep on reading to find out how the series ends, but I don't think I'll miss it when I'm done.
While you need to have read the prior books to get up to speed on the various plotlines, this book, unlike The Graveyard Game, does have a satisfactory conclusion, that also suggests possible paths for the remainder of the series. There's lot of adventure and surprises, and it's all well-told. To me though, this is more of a comic book than the previous entries. Magical technology -- electronic, computational, and biological -- is invoked at the drop of a hat to make the necessary events happen. If The Graveyard Game was too much in-between everything, with no beginning or ending, this suffers a bit from tying too many things up too neatly. Still, I recommend it for anyone who's even moderately enjoyed the previous volumes.
I had my trepidations at first when hearing that the main protagonist of "The Life of the World to Come" was neither Mendoza nor Joseph (the only two 'leads' of this series so far). Instead, it would have been of a (technically) brand new character of Alec
However, after completing the book (in one night), I'd have to say this is probably the most interesting of The Company books so far. It is with this book where all the connections begin to be shown. Between past and present, Dr Zeus and the cyborgs, and Mendoza and Project Adonai. And all with the knowledge that the Silence in 2355 is getting closer and closer.
Highly Recommended after reading the previous books in the series.
The Life of the World to Come is book number five out of a total of nine. Four more books! Just four! What else will I read when I’m done (ok that is a silly question, for there is so much more to read,
Let’s have a quick look at that cover, shall we? Now that is an example of a really bad one. I would never pick up a book with a cover like that! It’s rather cheesy and pretending to be futuristic. And really doesn’t reflect the book – or the series – well at all.
And back to the book. Baker has finally brought us to Zeus. Or rather, the three eccentric men who work for Dr Zeus and created the tall dark hero who keeps appearing in Baker’s earlier books and charming the pants off of our dear botanist Mendoza (re: In the Garden of Iden, Mendoza in Hollywood). So while it opens with Mendoza, still exiled in Back Way Back, this fifth book is more about Alec Checkerfield, an Earl and not-quite-human. Fascinating fellow, yes. But could we get more from Mendoza, please?
So in this, the fifth book, more about the world at large is revealed, secrets are uncovered, and there are hints of erm, well, The Life of the World to Come.
It's all very noble on the face of it, but as time goes on, the Company's motivations and methods begin to seem more suspect to many of the agents. Do the people of the 24th century really appreciate what they've done? What will happen when the agent finally 'get' to that century? Why does no one ever receive any communications or supplies from later than the year 2355? What Happens?
The series is very slow-moving, in some ways, because although the focal point of the series is the cyborg botanist Mendoza, some of the books look at events from other points of view and other characters. So although the stories themselves might be full of action, the larger picture hasn't developed very quickly.
'The Life of the World to Come' is an excellent entry in this series. Mendoza does appear - and plays an essential part - but the story focuses on Alec Checkerfield - neglected orphan, child prodigy, rogue, playboy, not to mention the Seventh Earl of Finsbury. Not to mention obsessed with pirates. A dissolute man of the 24th century - and a Company experiment. Coincidentally, he's a dead ringer for the only two men that Mendoza has ever loved, in her long, long life.
In this book, the reader finally gets a good look at the 24th century - it's worse than even the Company agents might have guessed.
My only quibble is that, although the trio of Company men who devise the Adonai project are just too dorky to be believed. They're funny, sure - but the amount of unchecked power they have, in their bungling way, just doesn't fit in with the smooth sophistication we see in the higher-ups. Perhaps it will be explained in a later book...
I have enjoyed all of Kage Baker’s Company novels and this is no exception.