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A true story of love, murder, and the end of the world's "great hush." In Thunderstruck, Erik Larson tells the interwoven stories of two men--Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication--whose lives intersect during one of the greatest criminal chases of all time. Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world transformed; and the rich outdid one another with ostentatious displays of wealth. Against this background, Marconi races against incredible odds and relentless skepticism to perfect his invention: the wireless, a prime catalyst for the emergence of the world we know today. Meanwhile, Crippen, "the kindest of men," nearly commits the perfect murder. With his unparalleled narrative skills, Erik Larson guides us through a relentlessly suspenseful chase over the waters of the North Atlantic. Along the way, he tells of a sad and tragic love affair that was described on the front pages of newspapers around the world, a chief inspector who found himself strangely sympathetic to the killer and his lover, and a driven and compelling inventor who transformed the way we communicate.… (more)
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Thank you, Guglielmo, for the gifts all that human wreckage you left behind have given us all. Rot in peace.
Then, at the precise opposite end of the emotional spectrum, lies the once-infamous, now largely forgotten, Dr. Hawley Crippen, who murdered his termagant of a wife (who *richly* deserved killing, being a female Marconi sans genius), so he could be with his little light-o-love. Didn't work out, needless to say, though if the Scotland Yard inspector had simply been told to go the hell away, the whole chase and capture and hanging might not have had to happen. There was no evidence of a killing, but the Inspector went on a fishing expedition in Crippen's basement--wouldn't be allowed today, not a chance!--and, well...he really did do it. Probably not alone, though....
Well, anyway, you've read The Devil in the White City and Isaac's Storm, so I needn't belabor the point that Larson has a magpie's eye for shiny things, bringing to the nest of the book a trove of odd and telling details about Edwardian London, about the nature of human relationships, about the science of radio waves as it was being discovered; most of all, he brings us characters we feel some connection to, and can really invest in. I know how the book ends before I pick it up, but I find myself wanting Crippen to get away with it and pulling for him and Ethel to make it to Canada *this time*.
They don't. Shame, that.
Wrap yourself in this big, warm greatcoat of a book that transports you back to an optimistic, doomed, bright summer afternoon of a time. It's oodles of fun, if you take it slowly and don't try to gulp it down. It's too big to swallow whole, and half the fun is setting the book down and savoring the images of this vanished world. Recommended to all but the most history-phobic.
With today’s world shrunk to the size of your computer monitor by the Internet and WiFi connections at almost any gathering spot and cell phones capable of operating in almost all areas, very few of us consider just how revolutionary wireless telegraphy was when it came into being. A transatlantic cable already existed between North America and Europe, but you had to be physically connected to it in order to communicate through it. Marconi cut that tie and enabled us to roam, albeit in a limited way, and still communicate over long distances. This was quite a feat for its day and I doubt even those early developers, as Larson points out, Marconi did have competition, could have foreseen where this would someday lead us.
Crime has always been with us and will probably remain with us until humankind ceases to exist. That the seeming miracle of wireless telegraphy was involved with the largest manhunt of that time for one of the most sought after killers, was one of the primary reasons wireless telegraphy became so important a development. It also marked the beginning of competition between communications media to report a breaking story as it was happening, a trend that continues today. The slow speed pursuit of OJ Simpson’s Bronco being covered by all the television stations in the US was the direct descendant of the newspapers of the time covering the Scotland Yard closing in the killer fleeing Europe by using a faster boat to beat him to port in North America.
While hardly a thrilling detective story, the story behind Dr. Crippen helps keep the reader interested. By concentrating on the rivalry between the small fraternity of scientists seeking to develop wireless communication and Marconi’s idiosyncrasies, Larson keeps the reader turning through the pages. We are given many insights to both of these enigmatic historical personages. While some science of the time is introduced, the forensic techniques, while as revolutionary for their time as budding sciences of electronics and electrical engineering, are very quaint and further serve to remind us of how far we’ve come in a little more than a century.
Excellent reading for those fond of true crimes or biographies. Larson’s easy style will also attract fans of historical fiction, although this particular story is non-fiction. It may be a disappointment for readers looking for technical information on the development of wireless communication or early forensic techniques. It is still a satisfying book if you read just for enjoyment.
In the end, I found the book to be uneven. The two stories did not have similar appeal for me, and further, I found myself more or less trying to process events as happening 'side by side' when, often, the wireless telegraphy drama had happened years before much of the action on the Crippen side of things. I enjoyed both stories to some degree, and did enjoy the book as a whole, but am left wondering if I might not have been better served by simply buying a book about the Crippen case.
I’m always intrigued by Larson’s books. He finds murders and happenings that might not be well-known but that are thrilling. I would say that this one is much slower than Devil, but it’s still interesting. A murder mystery and the political world of invention are intertwined in an amazing way. I often forget that advances in technology can affect our lives in unexpected ways.
BOTTOM LINE: If you loved Devil in the White City then don’t miss this one. In my opinion it’s not quite as enthralling, but I still love the mix of education and murder mystery.
I was surprised that one of the later pieces of evidence--a letter claiming to be from Belle Elmore--was not mentioned in the book, one way or the other. And though there was a lot of evidence, it wasn't perhaps quite as damning as it was made out to be. I'm not positive it was Belle in the basement. But then, I'm not positive it wasn't.
Two (seemingly) unconnected stories of Dr Crippen and Marconi. Interesting details of live in Edwardian times and the race for "wireless" and the schemes that happened therein.
Was slightly dissapointed, but still a page turner.
In "Devil in the White City" it was a serial murderer in Chicago at the time of the Chicago World's Fair. Larson used the
In "Thunderstruck" he takes the tale of Crippen (who poisoned his wife and dissected her in London) and weaves it together with the almost simutaneous development of wireless communications by Marconi and others.
Both parts were equally interesting. Although I have always heard of Crippen, I had never really read his story, despite my shady habit of reading a lot of true crime. He is almost a sympathetic character.
Further, I had no earthly idea of the difficulties, duration of effort, or the contortions Marconi went through while trying develop radio. Although you root for him, he is a less sympathetic character than is Crippen.
Unlike "The Devil in the White City," the development in parallel of the two stories is more salient in "Thunderstruck." One tiny point is a little offputting; just because the duality is so apparent, it jars a bit when he switches back and forth a few years in telling the tales.
A strength of "Thunderstruck," however, is the foreshadowing (and the delivery on that foreshadowing) that somehow, finally, Larson will show that these two topics are really related in some way other than mere chronology.
His two protagonists, Marconi and Crippen, are both surprisingly engaging and sympathetic, even though one's an
My only complaint: although it's important to know something about the opposition Marconi faced from his scientific rivals, I think too much time is spent on their complaints, which were the only parts of the book that bogged down. The rest is fine stuff.
75% of the book is about Marconi and much of that is repetitive. His history isn't so interesting that it deserves this much attention. How many times do we need to be told that Marconi was a lousy husband/fiance or that he was stubborn and worked on a
The Crippen part was good, but his behavior didn't match up well with the facts as presented.
Not recommended.
1) Read either the Marconi or Crippen-specific chapters in order (normally every other chapter is about one of them. I
2) Read the last chapter.
The two men are not interwolven as Devil in the White City was so seamlessly; one created something that ended up being a huge disadavantage to the other. Because of the vastly different time periods this book covers, it would have made better reading if it had been two parts (Marconi first, then Crippen), then came together at the end. By organizing the book the way the publishers did (I'm sure to make it more Devil-like), it's jarring and tends to detract from the story. Follow my instructions and you'll enjoy it much more, I promise.
The only
Overall, though, a romp, and recommended.