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Fiction. Mystery. Thriller. HTML: Frank Quinn, the relentless detective who made his debut in John Lutz's acclaimed thriller Darker Than Night, faces his toughest�and most personal�case yet... An Invitation Written In Blood... A madman is stalking women in the city. By the time his victims are found, they've been dismembered with careful precision, their limbs stacked into a gruesome pyramid and completely cleansed of every last drop of blood. To Catch a Killer�Or Die Next... Accustomed to working on the most grisly homicides, detective Frank Quinn's nerves don't rattle easily. But when the last names of the killer's victims spell out "Q-u-i-n-n," the veteran cop feels a chill run down his spine. Then a fresh victim is linked to the one woman Quinn can't stop desiring. Hunting down killers is what Quinn does best. But this time, Quinn is up against a psychopath that will test him as never before....… (more)
User reviews
In the New York of In For the Kill a serial killer, soon to be dubbed "The Butcher" because of his
They read the clues, always a tantalizing step or two behind the killer. They arrest the wrong man. And in a predictable--but still enjoyable--twist at the end, the bad guy almost gets somebody dear to one of the cops.
While the novel could have used some deft editing--there are a several instances where the exact same description of a character's quirk is given--still, the writing is workmanlike and gets the job done. A good beach read.
A serial killer prowls the
My biggest problem with the characters is the way they show up far into the story and often behave illogically.
While the story is gritty and suspenseful it's predictability eventually left me hoping things would just get to the point.
The end is very unsatisfactory. Dangling story lines, actions unexplained, and a sense of the author rushing through the last improbable chapter left me feeling unfulfilled.
The good guys, the
The serial killer is just another serial killer. His murders are shockingly gruesome, which does raise the stakes, but there isn't much to distinguish him from a host of other fictional killers. His flashback sections drag on and on, for reasons I can't ascertain. His grievances with his mother could've been explained in a few chapters of him reminiscing instead of transporting us back in time for pages and pages.
Again, I question why Lutz used so many female victim POVs, and why he has Team Quinn trot off to basically identical crime scenes over and over. I don't need to read Nift, the medical examiner, explaining how this crime scene is the same as the last one – just like he explained how the last one was the same as the one before that.
The police work (if you want to call it that) isn't exactly top-tier. Team Quinn interviews people, then waits until they're called to the next murder scene. The climax only happens because the cops forget fairly obvious points regarding building construction, and because one of the cops doesn't think it's necessary to inform Quinn that his own daughter is in the same hotel as the “Mom bait” operation. I realize this is fiction, but please, don't run completely off the rails.
This novel is able to keep a three-star rating mainly because Lutz is a technically sound writer. Most of the descriptions are outstanding, and most of the observations and social commentary are spot-on. I just wish the story was better structured, and that the “WTF” moments were culled.
This was a pretty good story fairly well told. It had a few too many