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The first thrilling novel in Raymond Khoury's New York Times bestselling Templar series. In 1291, a young Templar knight flees the fallen holy land in a hail of fire and flashing sword, setting out to sea with a mysterious chest entrusted to him by the Order's dying grand master. The ship vanishes without a trace. In present day Manhattan, four masked horsemen dressed as Templar Knights stage a bloody raid on the Metropolitan Museum of Art during an exhibit of Vatican treasures. Emerging with a strange geared device, they disappear into the night. The investigation that follows draws archaeologist Tess Chaykin and FBI agent Sean Reilly into the dark, hidden history of the crusading knights--and into a deadly game of cat and mouse with ruthless killers--as they race across three continents to recover the lost secret of the Templars.… (more)
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The ending of the thriller is not very fulfilling. Of course, given the previously-mentioned moral debate that occupies so much of the novel, it's hard to see the author ending with anything other than the very predictable resolution. The actual ending of the book in the epilogue was, however, enjoyable.
Even the basic premise of the plot...that exposing the Catholic Church as a fraud would somehow cause all mankind to abandon religious squabbling and unite in a rationalist world...somehow overlooks the fact that many of the world's religions would feel quite vindicated if this were so and redouble their fervor.
I did, however, enjoy the brief flashbacks to the Templars who fled the fall of Acre.
Another commuting audio book: Richard Ferrone was only fair as the narrator. He's one of those who thinks melodrama in the voice heightens the story. In my opinion, he was mistaken in this thought.
I really enjoyed the first part but toward the middle of the book the story just began to lose steam. Highly improbable (and that's okay, but this was like bang bang bang improbable) and personally, I just didnt' think the Templars' secret was built up to enough considering the opening. I think I would buy another book by this author -- but he needs to let the suspense build more if he writes another mystery/suspense type novel.
I will say that it was no DaVinci Code ripoff, which was good. In fact, there was actually nothing in common with the DaVinci Code in this book. So don't think in those terms if you've read Dan Brown's book. It's okay, and I'll leave it at that; I wouldn't dissuade anyone from reading it.
If you do buy it don't bother to read it. The characters are badly drawn and inconsistent. The story is non-sense. The ending is predictable and left me with the feeling "what was the 'effin point then". crap crap crap crap crap. That's alot of crap.
Very recommended.
But really, the worst part of the book was the Hollywood ending where the bad guy dies and our heroes live happily ever after, miraculously spared even the moral quandary they found themselves in through that death.
The story takes us back and forth between the present and the past as he tries to use the
This was a good try and I look forward to the next book as the author learns to keep his writing at the same quality as the first third of this novel was written. And he needs to not force plots but let them develop naturally. He tries to add a twist. The book is worth reading for the beginning if nothing else.
Secret that could topple the church - check
secret catholic group out to preserve secret - check
chunks of exposition to fill in history - check (but at least this involved debate not preaching)
Government agent wrestling with conscience - check
no, it's not the Da Vinci Code, it
mentor from the burning city of Acre as the West loses it's hold on the
Holy Land. They are carrying with them a small chest that contains the
secret of all secrets and must carry it back to the Order's Grand
Master. But the ship they
Fast forward to modern day Manhattan, where the Metropolitan Museum is
having a black tie opening night for a huge new exhibit called
"Treasures of the Vatican." Amid all the pomp and circumstance, TV
cameras and celebrities, four knights in armor on horseback ride down
the street, up the steps, and into the museum where they brutally attack
anybody who gets in their way. Archaeologist Tess Chaykin dives for
cover behind one of the display cases and watches in fascinated horror
as one of the horseman breaks the glass of the case and steals one piece
in particular, an ancient geared device. He utters a cryptic Latin
phrase and leaves with his treasure while the other horsemen load their
bags with gold and jewels. Tess teams up with FBI anti-terrorist
specialist Sean Reilly to investigate. As the story unfolds, they learn
that the object of their quest will change the whole world as we know it
-- proof that the Christian religion is based on a lie.
This book is bound to be compared to "The Da Vinci Code" because they
deal with basically the same premise -- that Christianity is based on a
lie. Dan Brown writes with much more suspense than Khoury, but Khoury's
literary style is different. It's not nearly so fast paced, and he
weaves a tangible tale by jumping backwards in history to the 14th
century, then back to present day as his story unfolds. The ending
wasn't very satisfactory, IMO, but it was probably the only ending that
he could have come up with. After all, mainstream readers can only take
so much. I give the book a 4.
The story: there's a display on exhibit from the Vatican, and on the opening night, 4 horsemen dressed as Templars come riding up, decapitate one guard with a sword, then proceed to
One of the witnesses was archaeologist Tess Chaykin, who notices the leader only took one item: a sort of machine. She teams up with FBI agent Sean Ryan and they discover that the machine was a code device, and its use may uncover documents calling into question the history of the Catholic church.
Then one by one the thieves are being killed, and it's a race to find the machine and the documents with the thief on the one side and the agents of the church on the other.
It's kind of like National Treasure (which I loved). Lots of action and intrigue and the irresistible lure of secret societies and behind-the-scenes manipulation. I'm a huge sucker for this sort of story. It even has a romance. What more could I ask? Seriously, I read most of this book with a huge grin on my face, it was just so fun and exciting.
So why the difference between my reaction and the Amazon reviews? You know I had to read through a whole bunch of them to try to figure it out.
* First objection: it's too much like The DaVinci Code. Well, only in the background premise that the Catholic church is covering up something and has agents who'll keep the secret at all costs. That's not an idea that originated with The DaVinci Code--any large and powerful organization is going to spawn stories like that. Besides, I enjoyed this one much more--The Last Templar was a more dynamic, action-packed book, more fun to read.
* Second objection: it's not factually accurate. Well, no, it's not. It's fiction. But I do have to agree in parts here--it's unrealistic the way Dirk Pitt books are unrealistic. There's a diving scene, for example. 100 feet of water over a town flooded by a dam. No diving lights, but they can go into a submerged church building and see what they're doing. And there's a convenient piece of metal sticking out of a pillar they can use to pry up the floor... and removing it makes the entire building collapse. Very Hollywood, I agree. It's why I gave the book 4.5 stars instead of 5.
* Third objection which only a few reviewers really outright said, but which you could read between the lines of quite a few of the reviews: the implied criticism of the Catholic church. Obviously, this didn't bother me a bit, not being a fan of organized religion. But to clarify things, I didn't think Khoury was writing about actual facts. Do I think that there's a document somewhere proving that Jesus wasn't divine? No, I don't. Even if there were, I don't think it would have as great an effect as the characters in the book feared--it's all about faith, isn't it? People have a great capacity to dismiss all kinds of facts in the face of faith, so why not that one, too. I do think there's probably quite a bit of truth in how the book describes the assembling of the Christian Bible, though possibly not in the details. And to tell you the truth, that part was surprisingly sympathetic to the church. But again, I didn't read this as nonfiction, and I don't really care whether or not it's true. It's plausible in the world of the story, which might as well be in a galaxy far, far away.
This is going on my keeper shelf, and I've put The Sanctuary in my Zooba queue.