Status
Available
Call number
Publication
Vintage (2004), Edition: New Ed, 432 pages
Description
Fantasy. Fiction. Literature. Mystery. HTML: A New York Times Notable Book and "thoroughly gripping" historical mystery: On a ship packed with Irish immigrants, one passenger is a killer (People). In the bitter winter of 1847, leaving an Ireland torn by famine and injustice, the Star of the Sea sets sail for New York. On board are hundreds of refugees, some of them optimistic, many more of them desperate. Among them are a maid with a devastating secret, the bankrupt Lord Merridith accompanied by his wife and children�??and a killer stalking the decks, hungry for the vengeance that will bring absolution. This journey will see many lives end, while others begin anew. Passionate loves are tenderly recalled, shirked responsibilities regretted too late, and profound relationships shockingly revealed. In this spellbinding tale of tragedy and mercy, love and healing, the farther the ship sails toward the Promised Land, the more her passengers seem moored to a past that will never let them go. "O'Connor's luscious book brews the suspense of a thriller with the scope and passion of a Victorian novel�??seasoned in authentic historical detail and served up in language that is equal parts lyrical and gritty." �??Booklist "Engrossing . . . will hold historical fiction fans rapt." �??Publishers Weekly… (more)
User reviews
LibraryThing member eleanor_eader
This novel has made it onto my rather slim list of favourite reads this year; it has certainly raised the bar of my expectations of historical fiction. The quality of writing, the rich soup of firmly believable characters all intertwined and seemingly doomed by their connections, the choice of
The Star of the Sea sets sail for America bearing its handful of first-class passengers and its steerage section crowded with destitute, starving Irish men and women; some bearing a murderous resentment for Lord Meredith, fleeing bankruptcy with his wife and their two sons, for his perceived role of evicting landlord. The family’s maid, Mary Duane sails with them, her cargo a personal history that embroils Meredith (no saint, but a strangely sympathetic sinner) with Pius Mulvey, a prison escapee who, despite his back-story of abhorrent misdeeds, is also more compelling to the reader than repellent; such is O’Connor’s gift for character. Also aboard is the book’s ‘author’, American journalist (and aspiring novelist), Grantley Dixon, lover of Laura Meredith, whose presence torments Lord Meredith equally for the man’s relentlessly touted social conscience, and relationship with the Earl’s wife.
Entwined with the unfolding drama, like another character, is the atmosphere of a famished Ireland and her people, and the conditions those lucky enough to be fleeing to a new life must survive or perish more miserably, perhaps, than if they had remained on shore, and the way the one tragedy colours the story, motives, and drama of the other is O’Connor’s primary accomplishment here.
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narrative styles, the feeling of low tragedy told as high adventure, the ravaging journey which is somehow preferable to the shuffling starvation that has overwhelmed Ireland, the murder mystery told almost backwards, building a quite astonishing tension… I am firmly smitten with O’Connor’s style, which grants a rapport between the reader and the meanest, lowest character within the pages – whoever you might deem that person to be. The Star of the Sea sets sail for America bearing its handful of first-class passengers and its steerage section crowded with destitute, starving Irish men and women; some bearing a murderous resentment for Lord Meredith, fleeing bankruptcy with his wife and their two sons, for his perceived role of evicting landlord. The family’s maid, Mary Duane sails with them, her cargo a personal history that embroils Meredith (no saint, but a strangely sympathetic sinner) with Pius Mulvey, a prison escapee who, despite his back-story of abhorrent misdeeds, is also more compelling to the reader than repellent; such is O’Connor’s gift for character. Also aboard is the book’s ‘author’, American journalist (and aspiring novelist), Grantley Dixon, lover of Laura Meredith, whose presence torments Lord Meredith equally for the man’s relentlessly touted social conscience, and relationship with the Earl’s wife.
Entwined with the unfolding drama, like another character, is the atmosphere of a famished Ireland and her people, and the conditions those lucky enough to be fleeing to a new life must survive or perish more miserably, perhaps, than if they had remained on shore, and the way the one tragedy colours the story, motives, and drama of the other is O’Connor’s primary accomplishment here.
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LibraryThing member turtlesleap
In the mid-1800's, thousands of Irish people fled from hopeless poverty and the devastating effects of the potato famine. This book examines the voyagers on one such ship from the perspective of an American wirter. Passengers on the Star of the Sea range from the very poor to the titled nobility
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who bore much of history's blame for the horrific effects of the famine. These people, their motives and their obsessions, are examined both in terms of their individual experiences and the interactions they have had with one another. O'Connor has dealt with the subject most even-handedly and with a restraint that makes the facts all the harder to bear. The book is illlustrated with excerpts from contemporaneous writers and news articles, some so blistering in their hatried and ignorance that they are shocking. All this is wrapped around a first class thriller that keeps the reader in suspense throughout the book. Highly recommended. Show Less
LibraryThing member thewindowseatreader
It is 1847. There is a devastating famine in Ireland. People are dying at an insanely high rate. The rich delight in their social affluence, while the poor suffer deplorable conditions of disease, hunger, and filth. With hopes of reaching America, the fortunate (or not so fortunate) board the Star
The depth of writing employed by Joseph O'Connor in Star of the Sea is not something to which I am accustomed, but I am left spellbound nonetheless. It was published in 2002, but it read more like a classic. The language was lovely, and if I was a more competent book reviewer I would be able to present you with several lovely quotes to exemplify this language of which I speak... but you will have to simply discover it for youself! :)
In the first chapter, the reader is informed of the murder that will take place on board the Star, but divulging this seemingly large detail in the opening pages gives absolutely nothing away. The ending was still surprising, and I venture to say there are still several plotlines and complexities that I do not fully understand (I need a book club for discussion!). What I most loved was O'Connor's ability to illuminate the atrocities of famine and poverty while maintaining a moving, engaging plot.
Final thoughts: If you prefer quick plot twists and lots of action, this one might be a bit drawn out for you. Otherwise, I highly recommend Star of the Sea.
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of the Sea for a journey across the Atlantic that only a percentage of the passengers will even survive.The depth of writing employed by Joseph O'Connor in Star of the Sea is not something to which I am accustomed, but I am left spellbound nonetheless. It was published in 2002, but it read more like a classic. The language was lovely, and if I was a more competent book reviewer I would be able to present you with several lovely quotes to exemplify this language of which I speak... but you will have to simply discover it for youself! :)
In the first chapter, the reader is informed of the murder that will take place on board the Star, but divulging this seemingly large detail in the opening pages gives absolutely nothing away. The ending was still surprising, and I venture to say there are still several plotlines and complexities that I do not fully understand (I need a book club for discussion!). What I most loved was O'Connor's ability to illuminate the atrocities of famine and poverty while maintaining a moving, engaging plot.
Final thoughts: If you prefer quick plot twists and lots of action, this one might be a bit drawn out for you. Otherwise, I highly recommend Star of the Sea.
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LibraryThing member jacquid
The general view was that, although there was often a wonderful use of language, the structure and plot were overly complicated, and the constant change of names was both confusing and distracting. Despite these perceived flaws, most of us managed to finish it and the book did stimulate an
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interesting discussion on the history of the Irish famine. Summary from my book group Show Less
LibraryThing member Dorritt
Forget that this was published in 2004 – this is a Dickensian novel, full of complex characters, vivid storytelling, biting social commentary, Victorian literary experimentation, and bitter wit, all overlaid by a seemingly infinite empathy and compassion for humanity – even those whose bitter
This is also a very Irish novel, bleak and beautiful, couched in lyric language and imagery, full of characters who might have just stepped out of Irish ballads – hard drinking laborers, cruel landlords, wily thieves, wastrel balladeers, doomed lovers, wronged servant girls – and set in 1847, the great potato famine. Except that, in O’Connor’s adept hands, these archetypes gain flesh (so that we feel their pain), hearts (so that we experience their sorrows) and souls (making it impossible for us to deny their humanity).
Reading these past two paragraphs, I realize there’s a risk of scaring people away with all the sorrow and despair stuff. While I can’t pretend anyone actually ends up living happily ever after at the culmination of this tale, I can reassure potential readers that if you enjoy Dickens, you’ll enjoy this for many of the same reasons. Aside from memorably multi-faceted characters, period ambiance, and bracing satire, a significant enticement is the choice O’Connor has made to let the story unfold through a variety of different literary forms – captain’s logs, newspaper articles, bits of letters and diary entries, police interviews, etc. This literary device not only allows the story to be told through multiple perspectives, but provides ample range to for the author to showcase his formidable narrative creativity and dexterous storytelling.
For this is, above all, a story about stories, and especially storytelling. This is O’Connor reminding us that two million Irish dead of famine isn’t a statistic – it’s two million separate stories, each one tragic in its own unique way. And it’s about the power that all of us possess to shape our own narratives, especially the decisions we make about how we to cast ourselves in the stories we tell to ourselves and others: whether we see ourselves (or wish to be seen by others) as protagonists or antagonists, dissemblers or truth-tellers, victims or villains. Just in case we as a society begin to forget that what we think of as “reality” will always be relative, as long as history continues to be fashioned by the narratives of the survivors, and the narratives of those who do not survive fade gradually away.
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lives shape them into monsters. Though the events of the novel are claustrophobically confined to the decks of Star of the Sea, a rotting hulk making one final transatlantic run from Ireland to the U.S. bearing a cargo of tainted coal, toxic mercury, a scattering of first class passengers, and a seething stew of steerage passengers, character backstories drag us across fragrant green Irish fields littered with heather, through cruel workhouses, sordid brothels and corrupt jails, inside bleak British boarding schools, down roads lined with emaciated Irish dead, then back again through the villages poor in wealth but rich in love and generosity. All the things that Dickens did so heart-breakingly well. This is also a very Irish novel, bleak and beautiful, couched in lyric language and imagery, full of characters who might have just stepped out of Irish ballads – hard drinking laborers, cruel landlords, wily thieves, wastrel balladeers, doomed lovers, wronged servant girls – and set in 1847, the great potato famine. Except that, in O’Connor’s adept hands, these archetypes gain flesh (so that we feel their pain), hearts (so that we experience their sorrows) and souls (making it impossible for us to deny their humanity).
Reading these past two paragraphs, I realize there’s a risk of scaring people away with all the sorrow and despair stuff. While I can’t pretend anyone actually ends up living happily ever after at the culmination of this tale, I can reassure potential readers that if you enjoy Dickens, you’ll enjoy this for many of the same reasons. Aside from memorably multi-faceted characters, period ambiance, and bracing satire, a significant enticement is the choice O’Connor has made to let the story unfold through a variety of different literary forms – captain’s logs, newspaper articles, bits of letters and diary entries, police interviews, etc. This literary device not only allows the story to be told through multiple perspectives, but provides ample range to for the author to showcase his formidable narrative creativity and dexterous storytelling.
For this is, above all, a story about stories, and especially storytelling. This is O’Connor reminding us that two million Irish dead of famine isn’t a statistic – it’s two million separate stories, each one tragic in its own unique way. And it’s about the power that all of us possess to shape our own narratives, especially the decisions we make about how we to cast ourselves in the stories we tell to ourselves and others: whether we see ourselves (or wish to be seen by others) as protagonists or antagonists, dissemblers or truth-tellers, victims or villains. Just in case we as a society begin to forget that what we think of as “reality” will always be relative, as long as history continues to be fashioned by the narratives of the survivors, and the narratives of those who do not survive fade gradually away.
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LibraryThing member Lisa2013
recommended for: historical fiction fans, especially patient readers, as this book improves as it progresses
have to say that this is a time when I really appreciate my book club. I ended up enjoying this book, but it was very slow going for a long time. If I hadn’t been reading it for my book
My favorite part was the fictional description of how Charles Dickens got the information that led to his writing the book Oliver Twist. I was smiling through that whole short section of this book. Still smiling thinking about it.
The writing is poetic & beautiful. Obviously well researched historical fiction. There is a mystery but what’s revealed is not what ended up being most important to me. What fascinated me most were the development of the many interesting characters, and especially the impeccable descriptions of what it must have been like in famine stricken Ireland in the mid 1800s.
have to say that this is a time when I really appreciate my book club. I ended up enjoying this book, but it was very slow going for a long time. If I hadn’t been reading it for my book
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club, I believe I would have put it down toward the beginning and never gone back to it, but I am so glad that I felt obligated to read it and therefore finished it. My favorite part was the fictional description of how Charles Dickens got the information that led to his writing the book Oliver Twist. I was smiling through that whole short section of this book. Still smiling thinking about it.
The writing is poetic & beautiful. Obviously well researched historical fiction. There is a mystery but what’s revealed is not what ended up being most important to me. What fascinated me most were the development of the many interesting characters, and especially the impeccable descriptions of what it must have been like in famine stricken Ireland in the mid 1800s.
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LibraryThing member SmithSJ01
A very unusual literary tale about refugess fleeing from Ireland to New York in 1847. The journey takes 26 days and during these the reader gets to know the story of 3 of those fleeing the bitter winter, famine and their lives.
Lord Merridith, thrown out of his home by his father and now bankrupt;
It took me a while to get into the Dickensiann style of writing but once I did, O'Connor had me captivated. Not only is the style Dickensian but Dickens himself appears as a character. I really felt like I was reading one of the 'classics' to be honest and possibly have a dictionary at hand for some of the more challenging vocabulary!
The narrative is fabulous and O'Connor's characters are completley rounded due to his vocabulary and description. If this had not been recommended to me I would not have bought it. It took me about 80 pages to get into before I felt I was on board, so persevere if you think it's not for you.
Enjoy the journey through the characters' lives through some wonderful writing as they make the journey to the promised land. But as the old saying goes - is the grass always greener on the other side?
Lord Merridith, thrown out of his home by his father and now bankrupt;
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the maidservant with devastating secrets and the story of Pius Mulvey, the aspiring novelist. It took me a while to get into the Dickensiann style of writing but once I did, O'Connor had me captivated. Not only is the style Dickensian but Dickens himself appears as a character. I really felt like I was reading one of the 'classics' to be honest and possibly have a dictionary at hand for some of the more challenging vocabulary!
The narrative is fabulous and O'Connor's characters are completley rounded due to his vocabulary and description. If this had not been recommended to me I would not have bought it. It took me about 80 pages to get into before I felt I was on board, so persevere if you think it's not for you.
Enjoy the journey through the characters' lives through some wonderful writing as they make the journey to the promised land. But as the old saying goes - is the grass always greener on the other side?
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LibraryThing member vaitele
Beautifully written but harrowing account of a shipload of poor Irish refugees from the famine seeking a new life in America, Enlivened by the sterling characters of the Quaker ship's captain and the kindly ship's surgeon set against the unfeeling greed of the ship's owners and English aristocratic
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land holders in Ireland. Show Less
LibraryThing member 1Owlette
Fascinating, powerful depiction of a journey from famine-struck Ireland to America. The multiple viewpoints and guest appearance of Charles Dickens can be distractingly whimsical at times, but also reflect the writer's fresh and adventurous approach to this work.
LibraryThing member atheist_goat
Really good. Really, really good. Highly recommended.
LibraryThing member tibobi
It took me a little while to get into this story but once I did, I found it to be an enjoyable read. A murder mystery of sorts that takes place on a ship heading to America. Lots of interesting characters. Overall, a good read.
LibraryThing member Clurb
A handful of larger-than-life characters embroiled in a twisting, all but incestuous plot. Tthe story's great but the best bit is that O'Connor manages to incorporate into that a respectable knowledge and understanding of Anglo-Irish politics, and he does it in a way that enhances the story. I
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liked this a lot. Show Less
LibraryThing member eekthecat
Joseph O’Connor’s Star of the Sea tells the story of the tortuous voyage from famine stricken Ireland to the Promised Land of the U.S. The refugees undertake the perilous journey in an effort to escape the horrors and deprivations of their pasts. The further they travel from home, the more they
A murderer is on board the ‘Star of the Sea’, a killer whose identity is unclear. The masks are gradually lifted in this psychological study of transgression and desperation, an analysis that also includes accounts of great compassion and humanity. A difficult text to classify Star of the Sea is at once a ‘whodunnit’, a thriller, a love story and a historical fiction novel.
Passengers are segregated throughout the voyage, primarily thought the class barriers that exist between the First Class and steerage passenger, though issues such as nationality, religion and gender also play a part. As the novel progresses these borders are breached to reveal that it is what these characters share that results in the deepest rifts and most shocking consequences.
In this meticulously researched piece O’Connor interrogates the notion of English Imperialism as being the sole cause of Ireland’s misfortune. Other contributing factors, particularly the abject failure of Irish landlords to aid their starving tenants, are examined. A complex text, made up of personal recollections, letters, diaries, illustrations, newspaper articles and ballads. The density of form heightens the sense of verisimilitude achieved through insistent attention to detail and a compelling writing style.
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are burdened by the weight of past events. The rotting decks of the rickety old ship represent an intricate game of ‘Snakes and Ladders’ where character’s stars ascend though chance events only to ride back down the serpents tail again.A murderer is on board the ‘Star of the Sea’, a killer whose identity is unclear. The masks are gradually lifted in this psychological study of transgression and desperation, an analysis that also includes accounts of great compassion and humanity. A difficult text to classify Star of the Sea is at once a ‘whodunnit’, a thriller, a love story and a historical fiction novel.
Passengers are segregated throughout the voyage, primarily thought the class barriers that exist between the First Class and steerage passenger, though issues such as nationality, religion and gender also play a part. As the novel progresses these borders are breached to reveal that it is what these characters share that results in the deepest rifts and most shocking consequences.
In this meticulously researched piece O’Connor interrogates the notion of English Imperialism as being the sole cause of Ireland’s misfortune. Other contributing factors, particularly the abject failure of Irish landlords to aid their starving tenants, are examined. A complex text, made up of personal recollections, letters, diaries, illustrations, newspaper articles and ballads. The density of form heightens the sense of verisimilitude achieved through insistent attention to detail and a compelling writing style.
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LibraryThing member gercmbyrne
A great read, this is O'Connors best book, better than the Salesman and a far cry from his Secret Diary days. Star of the Sea boasts much less evidence of the humour of the latter than of the uncompromising writing of the former, but it has a cynical wry undertone that prevents the book descending
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into didacticism or moralizing. It's a wonderful intelligent look at an aspect of the Famine and its aftermath but manages to be universal in its themes at the same time. Show Less
LibraryThing member karensaville
2nd book of book club 2004. I enjoyed learning about the potato famine etc. of Ireland and the terrible journey and hard ship the passengers had to endure. However, I found the style of writing to be irritating as there were footnote references throughout the book as in more classical novels and
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log references at the beginning of every chapter from the ships captain. Also very small print. A clever book but not my cup of tea. Show Less
LibraryThing member literature-geek
This book concealed such an amazing cast of characters. I instantly fell in love with Pius Mulvey as a man of enigma and endless misery. This book is realistic and gains momentum before its tragic end.
LibraryThing member joeltallman
One of those multi-charactered, ambitiously-researched historical novels that should be annoying and slow, but is instead emotional and even suspenseful.
LibraryThing member s_mcinally
Good story, found the captains log boring. Found parts went on and on. Easy reading.
LibraryThing member edwardsgt
Written as a contemporary, more or less, record of the Star of the Sea ship carrying a mixture of people, mainly Irish to a new life in America in 1847, at the height of the potato famine. Also records the background of a number of the Irish characters and provides an interesting insight into the
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lives and privations they experienced. Show Less
LibraryThing member tbrennan1
I read this book lately while on vacation in the countryside. A boat leaves Ireland in 1847 during the Great Famine bound for America with a diverse set of passengers all with different reasons for undertaking the voyage. Joseph O'Connor presents the reader with a murder mystery against the
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background of famine ,land evictions and vengeance. A superb story which enlightens the reader of the horrific conditions pertaining in Ireland that Famine year while setting up the background for the murder at sea and then leading us to a startling denouement. Very highly recommended. Show Less
LibraryThing member Glorybe1
I was not sure about this book to begin with, it took me a while to get into it and work out who was who! I found it confusing when the author kept calling Lord Kingscourt, David Merridith sometimes and Kingscourt at others, it was a while before I realised that they were one and the same! But when
The Star of the Sea is a ship sailing to America from Ireland at the time of the famine. The Steerage passangers had pawned, stolen and done all manor of things to get the fare together and leave the hideous privations that had taken hold in Ireland when the potato crops failed, three or four years in a row. They had NOTHING and dreamed of finding a paradise across the Atlantic in America.
In steerage we hear the story of a murderer, and why he had to commit this terrible crime. In first class were Lord Kingscourt and his wife and two young sons who were also fleeing Ireland,(Kingscourt was perceived as one of the despicable landlords, evicting the poor, starving, sick tenants who could not pay their rents) along with their maid Mary Duane, who features quite significantly in the story. And there was also a newspaper reporter who happened to be Laura Kingscourt's lover. And is a very uncomfortable character.
The story jumps back and forth from the ship taking this volitile mixture of passengers to America, and Connemara in Ireland highlighting the terrible living conditions for the people there.
I thought the book thought provoking but entirely predictable. Uncomfortable at times for the unfairness of it all, and the misery that the English caused these people. It wasn't for me entirely enjoyable, but was compelling nonetheless
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I had worked out who was who and what part they played in the story I did started to understand it better!!The Star of the Sea is a ship sailing to America from Ireland at the time of the famine. The Steerage passangers had pawned, stolen and done all manor of things to get the fare together and leave the hideous privations that had taken hold in Ireland when the potato crops failed, three or four years in a row. They had NOTHING and dreamed of finding a paradise across the Atlantic in America.
In steerage we hear the story of a murderer, and why he had to commit this terrible crime. In first class were Lord Kingscourt and his wife and two young sons who were also fleeing Ireland,(Kingscourt was perceived as one of the despicable landlords, evicting the poor, starving, sick tenants who could not pay their rents) along with their maid Mary Duane, who features quite significantly in the story. And there was also a newspaper reporter who happened to be Laura Kingscourt's lover. And is a very uncomfortable character.
The story jumps back and forth from the ship taking this volitile mixture of passengers to America, and Connemara in Ireland highlighting the terrible living conditions for the people there.
I thought the book thought provoking but entirely predictable. Uncomfortable at times for the unfairness of it all, and the misery that the English caused these people. It wasn't for me entirely enjoyable, but was compelling nonetheless
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LibraryThing member iain1976
Essentially a very simple story, The Star of the Sea charts ship of immigrants crossing the Atlantic from Ireland to America. What makes this book special is the intertwining narratives and the sheer depth of characterisation.
Absolutely wonderful.
Absolutely wonderful.
LibraryThing member janerawoof
This brought home to me more than any dry history could the extent of and devastating effects of the Irish Potato Famine in the 1840s. Through this novel I felt keenly the suffering of the Irish and the devastating effects of the Potato Famine. For many, thrown off their small plots of land by
This is the story of the 1847 voyage of a ship filled with emigrants: the "Star of the Sea" and her captain and crew. One man from Connemara, Pius Mulvey, is forced to undertake the murder of impoverished Lord Kingscourt--David Merridith, an Englishman. Those who order him are members of a clandestine group of agitators, the "Hibernian Defenders" who hate how cruelly the landowners have treated their tenant-farmers. They say if Mulvey doesn't do the job, he himself will be killed. The story consists of the captain's log for each day at sea [28] and its events. As the journey progresses it becomes bleaker and more grim. Then various chapters give the backgrounds of Mulvey, Mary Duane whom he seduces, Mirridith and family, and many others. An American newspaperman, Dixon, is on board and writes from his point of view continuing after the ship reaches America, its difficulties with the authorities, until concluding on Easter 1916.
The writing was gorgeous and amazing. The author waxed poetic on occasion. Sometimes the writing was strong and clipped. The story twisted and turned interweaving all these lives.
A strong, vivid image taken from the description of when the Hibernian Defenders threaten Mulvey:
"He remembered their eyes, so frightened and convinced. The black stained sackcloth of the hooded masks they wore. The slashed out holes where their mouths appeared. They were wielding the tools of their livelihood, but as weapons -- scythes, mattocks, loys, billhooks. Now they had no livelihood left. Centuries stolen in one stunning moment. Their fathers' labour; their sons' inheritances. At the stroke of a pen, they were gone.
Black and green fields. The green of the banner draped across the table, spattered with ribbons of Mulvey's blood. The glint of the weapon they had made him take, the fisherman's knife pressed to his chest, while they raged at him about freedom and land and thievery. The words SHEFFIELD STEEL etched into the blade. He could feel it now, in the pocket of his greatcoat, nestled to his lacerated thigh. He remembered the things they said they would do with that knife if he didn't stop whingeing about murder being too heavy to put on him. When they held him down and started to cut him, Mulvey screamed to be allowed to kill."
A poetic description of the ocean:
"Maritime wreckage. Bone and driftwood. Darker now: the wind blasting and stopping, like exchanges on a battlefield when ammunition is low. Everything had a blue and shadowy look."
Sometimes we "heard" voices of some of the passengers; each was distinct. The plot presented some as interviews, letters [even to misspellings and Irish dialect], an excerpt from a novel of the newspaperman, as songs or prayers. One chapter was a litany to the Virgin Mary; I could hear the frightened steerage passengers reciting the words. I could feel the captain was a compassionate Quaker through his writing. I really empathized with the characters and their conditions. I felt the stench and squalor of steerage conditions. I appreciated the long and detailed "Notes & Acknowledgements" at the end; I feel the reality and truth of the novel.
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their heartless landlords, the way to escape their poverty and privation was to emigrate to America.This is the story of the 1847 voyage of a ship filled with emigrants: the "Star of the Sea" and her captain and crew. One man from Connemara, Pius Mulvey, is forced to undertake the murder of impoverished Lord Kingscourt--David Merridith, an Englishman. Those who order him are members of a clandestine group of agitators, the "Hibernian Defenders" who hate how cruelly the landowners have treated their tenant-farmers. They say if Mulvey doesn't do the job, he himself will be killed. The story consists of the captain's log for each day at sea [28] and its events. As the journey progresses it becomes bleaker and more grim. Then various chapters give the backgrounds of Mulvey, Mary Duane whom he seduces, Mirridith and family, and many others. An American newspaperman, Dixon, is on board and writes from his point of view continuing after the ship reaches America, its difficulties with the authorities, until concluding on Easter 1916.
The writing was gorgeous and amazing. The author waxed poetic on occasion. Sometimes the writing was strong and clipped. The story twisted and turned interweaving all these lives.
A strong, vivid image taken from the description of when the Hibernian Defenders threaten Mulvey:
"He remembered their eyes, so frightened and convinced. The black stained sackcloth of the hooded masks they wore. The slashed out holes where their mouths appeared. They were wielding the tools of their livelihood, but as weapons -- scythes, mattocks, loys, billhooks. Now they had no livelihood left. Centuries stolen in one stunning moment. Their fathers' labour; their sons' inheritances. At the stroke of a pen, they were gone.
Black and green fields. The green of the banner draped across the table, spattered with ribbons of Mulvey's blood. The glint of the weapon they had made him take, the fisherman's knife pressed to his chest, while they raged at him about freedom and land and thievery. The words SHEFFIELD STEEL etched into the blade. He could feel it now, in the pocket of his greatcoat, nestled to his lacerated thigh. He remembered the things they said they would do with that knife if he didn't stop whingeing about murder being too heavy to put on him. When they held him down and started to cut him, Mulvey screamed to be allowed to kill."
A poetic description of the ocean:
"Maritime wreckage. Bone and driftwood. Darker now: the wind blasting and stopping, like exchanges on a battlefield when ammunition is low. Everything had a blue and shadowy look."
Sometimes we "heard" voices of some of the passengers; each was distinct. The plot presented some as interviews, letters [even to misspellings and Irish dialect], an excerpt from a novel of the newspaperman, as songs or prayers. One chapter was a litany to the Virgin Mary; I could hear the frightened steerage passengers reciting the words. I could feel the captain was a compassionate Quaker through his writing. I really empathized with the characters and their conditions. I felt the stench and squalor of steerage conditions. I appreciated the long and detailed "Notes & Acknowledgements" at the end; I feel the reality and truth of the novel.
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LibraryThing member infjsarah
Picked for my reading group and I really didn't think I'd like it. But I did. The writing is very dense and certainly at first I was needing a dictionary at times to look up words. But I was never bored or wanting to stop reading. It's done in a dense Dickens imitation style. I usually dislike
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"literary" fiction but occasionally it can work. But no wonder the Irish hate the British! Ironically the person who selected the book disliked it on his reread. Most of the rest of the group also disliked it or couldn't finish it. One even suggested it was a "piss take" based on the author foreword - which I didn't read until the end (he does have a point actually). Show Less
LibraryThing member maryreinert
The Star of the Sea coffin ship leaving Ireland with hundreds of famine refugees along with a few passengers in upper class is the main setting for this story. Lord Meredith along with his wife, Laura, their two sons, and a nanny are in the upper deck. Lord Meredith is basically destitute and
In steerage is a strange man named Pius Mulvey but has been known to go by many names. He and his brother Nicholas took far different paths; Nicholas becoming a priest and Pius a thief, swindler, and murderer.
The book is basically told from the annuals of the Captain, but there are intervening chapters giving the lives of these characters.
At times the story got a bit confusing, but the overall plot is interesting and all the characters are products of their environment and the decisions they have made. I especially liked the final chapters which told what happened to them. Good read.
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carries with him a family history of greed and selfishness. Mary Duane, the nanny, has known the family throughout her life and their connection isn't unveiled until near the end. An American journalist, Grantley Dixon, is also on board.In steerage is a strange man named Pius Mulvey but has been known to go by many names. He and his brother Nicholas took far different paths; Nicholas becoming a priest and Pius a thief, swindler, and murderer.
The book is basically told from the annuals of the Captain, but there are intervening chapters giving the lives of these characters.
At times the story got a bit confusing, but the overall plot is interesting and all the characters are products of their environment and the decisions they have made. I especially liked the final chapters which told what happened to them. Good read.
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Subjects
Awards
Language
Original language
English
Original publication date
2002
Physical description
432 p.; 5.08 inches
ISBN
0099469626 / 9780099469629