Status
Available
Call number
Genres
Publication
Library of America (1998), Hardcover, 992 pagina's
User reviews
LibraryThing member Ani_Na
James Baldwin was one of the best American writers, period. His discussion of black culture in terms of masculinity and gay rights is especially powerful, and as such I liked Giovanni's Room best. Go Tell It on the Mountain is also quite good. The Library of American editions are always worth the
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purchase; Baldwin's essays, collected here, are of special interest for anyone studying up on race relations or black history in America. Show Less
LibraryThing member bexaplex
Go Tell it on the Mountain (1953): About religious fervor, fathers and sons, and one family's striving toward grace. John is the adopted son of born-again Gabriel, who can't help but love his n'er-do-well biological son more than earnest John. I imagine a young Baldwin being very like this book:
Giovanni's Room (1956): Although Go Tell it on the Mountain is more autobiographical, this book feels more personal. Baldwin puts on some masks - the first-person narrator is blond - but only as if to remind the reader of the book's point: "There is something fantastic in the spectacle I now present to myself of having run so far, so hard, across the ocean even, only to find myself brought up short once more before the bulldog in my own backyard..." [p. 223]
David is an American waging a war with his sexuality in Paris, and falling in love - perhaps - with a young Italian barman. The strength of his self-loathing forces him to abandon Giovanni, who rebels against the few options open to him to earn a living and is killed.
Another Country (1962): This is a truly great novel which I hope never to read again. Baldwin focuses on a musician and three couples, describing their attempts at intimacy which they sabotage with their own fear. The experience of reading the book is so very much like the painful journey that the characters take through the novel that it's incredibly difficult to read. While I was reading I flagged these quotations as describing exactly the experience of reading the book:
"Yes, he had been there: chafing and pushing and pounding, trying to awaken a frozen girl." [p. 483]
"So, there they were, as the ghastly summer groaned and bubbled on..." [p. 653]
"'I'm sorry to have hurt your feelings, I'm not trying to kill you. I know you're not responsible for—for the world. And, listen: I don't blame you for not being willing. I'm not willing, nobody's willing. Nobody's willing to pay their dues.'" [p. 657]
"'I'm beginning to think,' she said, 'that growing just means learning more and more about anguish.'" [p. 729]
The prose and the characters and the subject matter are so perfectly matched that one feels awed at Baldwin's mastery. And I hope I won't have to pay my dues again any time soon.
Going to Meet the Man (1965): There is always at least one story in a collection of short stories that I dislike, and I'm not really fond of the first four in this one. They re-use characters from other novels, and so feel like discarded chapters or a bizarre kind of auto-fan-fiction. Sonny's Blues is good, about the nature of addiction. I also liked This Morning, This Evening, So Soon, about a black singer/actor going back to the US with his son after a long hiatus in Europe.
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eloquent, dramatic and passionate. Aunt Florence - the bitter truth teller - is a marvelous character.Giovanni's Room (1956): Although Go Tell it on the Mountain is more autobiographical, this book feels more personal. Baldwin puts on some masks - the first-person narrator is blond - but only as if to remind the reader of the book's point: "There is something fantastic in the spectacle I now present to myself of having run so far, so hard, across the ocean even, only to find myself brought up short once more before the bulldog in my own backyard..." [p. 223]
David is an American waging a war with his sexuality in Paris, and falling in love - perhaps - with a young Italian barman. The strength of his self-loathing forces him to abandon Giovanni, who rebels against the few options open to him to earn a living and is killed.
Another Country (1962): This is a truly great novel which I hope never to read again. Baldwin focuses on a musician and three couples, describing their attempts at intimacy which they sabotage with their own fear. The experience of reading the book is so very much like the painful journey that the characters take through the novel that it's incredibly difficult to read. While I was reading I flagged these quotations as describing exactly the experience of reading the book:
"Yes, he had been there: chafing and pushing and pounding, trying to awaken a frozen girl." [p. 483]
"So, there they were, as the ghastly summer groaned and bubbled on..." [p. 653]
"'I'm sorry to have hurt your feelings, I'm not trying to kill you. I know you're not responsible for—for the world. And, listen: I don't blame you for not being willing. I'm not willing, nobody's willing. Nobody's willing to pay their dues.'" [p. 657]
"'I'm beginning to think,' she said, 'that growing just means learning more and more about anguish.'" [p. 729]
The prose and the characters and the subject matter are so perfectly matched that one feels awed at Baldwin's mastery. And I hope I won't have to pay my dues again any time soon.
Going to Meet the Man (1965): There is always at least one story in a collection of short stories that I dislike, and I'm not really fond of the first four in this one. They re-use characters from other novels, and so feel like discarded chapters or a bizarre kind of auto-fan-fiction. Sonny's Blues is good, about the nature of addiction. I also liked This Morning, This Evening, So Soon, about a black singer/actor going back to the US with his son after a long hiatus in Europe.
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LibraryThing member SeriousGrace
I want to say Giovanni's Room is ground breaking but that's only because it puts homosexuality front and center at a time when one's sexual orientation wasn't so openly discussed (1956). The beauty of the story is that it could take place today or tomorrow in any city or town on the planet.
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Admitting homosexuality isn't any easier today than it was over a half century ago. Giovanni's Room has been called autobiographical because it mirrors Baldwin's personal life: an American expatriate living in France openly engaged to a woman while secretly attracted to men. David is constantly questioning his manhood because he seeks the company of men. His engagement to Hella is nothing more than a cover for his true desires. When his Italian bartender/lover is accused of murder David's world falls apart. More than the plot, Baldwin's writing much be savored. The pictures he paints are raw and honest. Show Less
Language
Original language
English
Original publication date
1998-02-01
Physical description
970 p.; 20 cm
ISBN
1883011515 / 9781883011512
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