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Westbroek : Harlekijn; 192 p, 21 cm; http://opc4.kb.nl/DB=1/PPN?PPN=853012016
User reviews
LibraryThing member P_S_Patrick
A collection of the authors memories of dialogues with Kafka and of things said by him. He tells us how he wrote these things down in a notebook after he had spoken with Kafka, if Kafka had said anything that he had thought interesting, and this is a collection of those that he has thought worth
One thing that will interest the Kafka fan is the bibliography of works discussed by Franz Kafka and Gustav Janouch, which will be worth looking into for those wanting to see what influenced Kafka, what he liked, and what inspired him.
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publishing. They range from a few lines to a few pages, with most pages containing several. They sometimes are anecdotes, sometimes observations of the world, some are advice, some criticism, and together they give an interesting perspective of Kafka that is not to be seen in his published stories. They have the similar sort of dark and resigned profundity that can be found in his novels, but are more human as a result of them being recorded by someone else. This will be of interest to those who have read any of Kafka's novels, but perhaps confusing or of less interest to those who have not. One thing that will interest the Kafka fan is the bibliography of works discussed by Franz Kafka and Gustav Janouch, which will be worth looking into for those wanting to see what influenced Kafka, what he liked, and what inspired him.
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LibraryThing member antao
In Kafka there is a perfect synthesis of form and meaning that indisputably continues to powerfully inform our world of expression and feeling. It is a VERY complex art, mindboggling in its enigmatic complexity and unity of execution. In The Trial (really you should read it). Joseph K is still a
So for me it is the art. If you want the message without the art you can read reams of social/political/economic theories about rational decision making (the human being as a similar residual data construct: the consumer) or alienated workers, and so on endlessly, but I want the art.
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person, a living breathing 4 dimensional human being (actually so is K in The Castle) who must confront the shadowy nightmarish Court and its endless minions. I would (although maybe I am feeling particularly enthusiastic right now) go so far as to call Kafka's Court one of the finest literary constructs ever, and equally as well executed as it was conceived. It is unreal and deadly real at the same time and perfectly symbolizes all those processes we group under the umbrella concept of bureaucracy. It possesses a newly conceived literary symbol of the "soul" of a real human, i.e., that human's case file, and forces the genuine human to interact with its fatal machinery that is yet all too human (and perverse). And that interaction is also brilliantly executed by Kafka. The human drama, however it plays its symbolic role is completely convincing, completely, overpoweringly, dramatic and engaging as, if you will, storytelling. It is actually an age old story, and yet Kafka made it new in the early 20th century and he did so with both blinding insight into the emerging world and with dazzling literary genius to give it new forms and expression that have not aged a 21st century nanosecond.So for me it is the art. If you want the message without the art you can read reams of social/political/economic theories about rational decision making (the human being as a similar residual data construct: the consumer) or alienated workers, and so on endlessly, but I want the art.
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ISBN
906386020X / 9789063860202