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Available
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Publication
Bantam
User reviews
LibraryThing member EmScape
Banford and March are two women living together on a small farm, trying to make a life from it. Their peaceful existence is interrupted when a young man comes to stay with them and decides to marry March.
I'm not sure I really understood this book. I did read it rather quickly, but it was not really
I'm not sure I really understood this book. I did read it rather quickly, but it was not really
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a book I cared to dwell over. Both young ladies seemed rather silly and naive to me. The young man seemed both cruel and kind. I suppose he is a metaphor for a fox, itself, but I don't really understand the allure. I haven't read anything by this author before, and so might just not be used to his devices. I guess I just really didn't get anything out of this. Show Less
LibraryThing member markbstephenson
This first Lawrence I've read impressed me greatly and induced me to read the Britannica bio on him as well as the 1st chapter of Lady Chatterley's Lover. The Fox, which will never be accused of being obscene, tells the story of an unusual courtship between a soldier on leave and one of two maiden
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ladies trying (with limited success) to run a chicken farm in England during World War I. The soldier shoots a fox which has been despoiling their hen house but then despoils one of the ladies by proposing marriage to and eventually making off with her house mate, leaving this unfortunate woman dead from an accidental tree fall. The slain fox seems perhaps a metaphor for God - or Life Force - and the very equivocal relationship between the newly-weds at the conclusion appears to be a lament by the author protesting what seem to him the unsolvable riddles of Life and Love. Show Less
LibraryThing member kk1
Two women invite a visitor to stay on their farm and while everything seems polite and proper on the surface, as they sit taking high tea, underneath lurks change and danger..
LibraryThing member gbill
“The Fox” is a short story published in 1923, a few years after “Woman in Love” and a handful of years before “Lady Chatterley’s Lover”. It tells the story of two women trying to eke out an existence on a farm during WWI; the pair are beset at first by a fox who comes after their
The fox that vexes them seems to have human characteristics and the soldier who follows has animal characteristics; the two share a common hypnotic power over poor Nellie. I did like the feminist message that came through as the man’s ultimate desire is to conquer the woman and to dominate her (“He wanted her to submit, yield, blindly pass away out of all her strenuous consciousness. He wanted to take away her consciousness, and make her just his woman. Just his woman.”), and aside from the subtle comparison to a brute animal, this is shown to sap the happiness out of the life of what was previously an independent woman. However, the juxtaposition of the fox and the soldier is a little heavy-handed; the adjectives used to describe them are blended a bit too much, and stylistically I don’t think this work is as successful as it could have been.
Quotes:
This image was striking:
“’Kiss me before we go, now you’ve said it,’ he said.
And he kissed her gently on the mouth, with a young frightened kiss. It made her feel so young, too, and frightened, and wondering: and tired, tired, as if she were going to sleep.
They went indoors. And in the sitting-room, there, crouched by the fire like a queer little witch, was Banford. She looked round with reddened eyes as they entered…”
On obsession and rage, which seemed classicly Lawrencian with those exclamation points:
“The boy read this letter in camp as he was cleaning his kit. He set his teeth and for a moment went almost pale, yellow round the eyes with fury. He said nothing and saw nothing and felt nothing but a livid rage that was quite unreasoning. Balked! Balked again! Balked! He wanted the woman, he had fixed like the doom upon having her. He felt that was his doom, his destiny, and his reward, to have this woman. She was his heaven and hell on earth, and he would have none elsewhere. Sightless with rage and thwarted madness he got through the morning. Save that in his mind he was lurking and scheming towards an issue, he would have committed some insane act.”
On happiness:
“…it seemed to her that the whole of life and everything was only a horrible abyss of nothingness. The more you reached after the fatal flower of happiness which trembles so blue and lovely in a crevice just beyond your grasp, the more fearfully you became aware of the ghastly and awful gulf of the precipice below you, into which you will inevitably plunge, as into the bottomless pit, if you reach any further. You pluck flower after flower – it is never the flower. “
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chickens, and then later by a soldier on leave. Lawrence leaves it to us to decide if two women are lovers and it could be interpreted either way, but regardless, the soldier comes between them when he becomes obsessed with the idea of marrying one of them. The fox that vexes them seems to have human characteristics and the soldier who follows has animal characteristics; the two share a common hypnotic power over poor Nellie. I did like the feminist message that came through as the man’s ultimate desire is to conquer the woman and to dominate her (“He wanted her to submit, yield, blindly pass away out of all her strenuous consciousness. He wanted to take away her consciousness, and make her just his woman. Just his woman.”), and aside from the subtle comparison to a brute animal, this is shown to sap the happiness out of the life of what was previously an independent woman. However, the juxtaposition of the fox and the soldier is a little heavy-handed; the adjectives used to describe them are blended a bit too much, and stylistically I don’t think this work is as successful as it could have been.
Quotes:
This image was striking:
“’Kiss me before we go, now you’ve said it,’ he said.
And he kissed her gently on the mouth, with a young frightened kiss. It made her feel so young, too, and frightened, and wondering: and tired, tired, as if she were going to sleep.
They went indoors. And in the sitting-room, there, crouched by the fire like a queer little witch, was Banford. She looked round with reddened eyes as they entered…”
On obsession and rage, which seemed classicly Lawrencian with those exclamation points:
“The boy read this letter in camp as he was cleaning his kit. He set his teeth and for a moment went almost pale, yellow round the eyes with fury. He said nothing and saw nothing and felt nothing but a livid rage that was quite unreasoning. Balked! Balked again! Balked! He wanted the woman, he had fixed like the doom upon having her. He felt that was his doom, his destiny, and his reward, to have this woman. She was his heaven and hell on earth, and he would have none elsewhere. Sightless with rage and thwarted madness he got through the morning. Save that in his mind he was lurking and scheming towards an issue, he would have committed some insane act.”
On happiness:
“…it seemed to her that the whole of life and everything was only a horrible abyss of nothingness. The more you reached after the fatal flower of happiness which trembles so blue and lovely in a crevice just beyond your grasp, the more fearfully you became aware of the ghastly and awful gulf of the precipice below you, into which you will inevitably plunge, as into the bottomless pit, if you reach any further. You pluck flower after flower – it is never the flower. “
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LibraryThing member AliceAnna
Tres depressing! The story didn't really work for me because I couldn't bring myself to care for any of the characters. And with a theme of "Life sucks. What's the Use?," I was less than enthused. I must re-read my Lawrence because, although, I remember his novels as being very dark I don't recall
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them being as depressing as this story. Show Less
LibraryThing member curious_squid
3.8 stars
Really quick read. Loved the tension in the book. Which would typically make it a 4 star book.
On the other hand the the allegory/metaphors in the book were so heavy handed I had to take away a star. (Shades of Old Man and the Sea - *shudder*)
The characters were very flat, but in a short
Really quick read. Loved the tension in the book. Which would typically make it a 4 star book.
On the other hand the the allegory/metaphors in the book were so heavy handed I had to take away a star. (Shades of Old Man and the Sea - *shudder*)
The characters were very flat, but in a short
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story it worked for me, and added a humor & lightness to the story that I enjoyed. Show Less
LibraryThing member Kristelh
Reason read: Reading 1001, animal in title
This is a short story by D.H. Lawrence and it is set during WWI. Two late twenties females are trying to farm. One Nellie is masculine and Jill is feminine. The farm animals (poultry) are harassed by a fox until there is nothing really left of the farm.
It's a short novel with themes of gender roles, sexuality, and femininity. The conjecture would be that Nellie and Jill are in a relationship that is disrupted by the dominate male sexual relationship that is destructive and violent.
This is a short story by D.H. Lawrence and it is set during WWI. Two late twenties females are trying to farm. One Nellie is masculine and Jill is feminine. The farm animals (poultry) are harassed by a fox until there is nothing really left of the farm.
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They had two cows; one ran off looking for a mate and the other pregnant and they were afraid so they sold it before it calved. Nellie tries to kill the fox but ends up entranced by the fox. One day a young man comes to the door of their home. He kills the fox and he becomes the fox who menaces March and Banford.It's a short novel with themes of gender roles, sexuality, and femininity. The conjecture would be that Nellie and Jill are in a relationship that is disrupted by the dominate male sexual relationship that is destructive and violent.
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Language
Original language
English
Original publication date
1922