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Overview: "I, Hasan the son of Muhammad the weigh-master, I, Jean-Leon de Medici, circumcised at the hand of a barber and baptized at the hand of a pope, I am now called the African, but I am not from Africa, nor from Europe, nor from Arabia. I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road; my country is the caravan, my life the most unexpected of voyages." Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.… (more)
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This novel follows what is known of his life, but is clearly a novel rather than a history. Leo's character is thoughtfully imagined, and he is surrounded by friends and family who are living, breathing people. The novel is narrated chronologically by Leo in the form of a letter to his son, with each chapter covering the events of one year. The chapters are included in larger books, i.e. The Book of Granada, The Book of Fez, etc, each including the chapters of his life in the context of the major events of his life. The prose is straight-forward, as Leo interacts with other historical figures, and with his family members and friends. There are a few described incidents that seemed a little far-fetched, but the world was smaller then, so perhaps it was easier to meet people from your past by chance many years after you last saw them.
The descriptions of his caravan journeys across North Africa, the Sahara, the Atlas Mountains, and of Timbuktu were riveting. I'm not sure how much of the events and places described were taken from his "Description of North Africa." It is a fact, however, that Leo's book, "Description of North Africa," became a best-seller of sorts in its own time, as Europeans knew very little and were starved for information about this part of the world. Leo's other adventures--his time in Egypt during the Ottoman onslaught, the journey to Mecca, his involvement in the European religious strife of the early 16th century--make for equally compelling reading.
It is a story of the impermanence of kingdoms and dynasties, at the level of states or just familial, owing to the vissistudes of fate and occurance. A story about the corruption of great wealth (whether Muslim or Christian) and the complete debasements of populations treated only as tax revenue sources or fodder for wars justified in the lofty tones of religion, but more often than not serving more venal purposes. With sufficient, isolated examples of different ways of living to provide a contrast. At the same time there are personal stories of great passion, commitment, love, dedication; the strained relationships of fathers and growing sons; the pain of things uttered that cannot be taken back; stories of petty intrigues that stretch across decades and ruin whole families. A tapestry of the uncontrollable and unforeseeable paths of life. It ia also striking how integrated the world was becoming in the 16th century with booming trade between Europe, Asia, North and Central Africa: early globalization.
In Granada, prior to its fall, the author presents the schism that still seems to afflict the modern Muslim world: between those who would seek to adapt to and learn from the modern world while preserving their faith, and those for whom any compromise is blasphemy and the pursuit of belief is the key to life and glorious death. Hasan also argues, "As long as the caliphs were rulers, Islam was radiant with culture. Religion reigned peaceably over the affairs of this world. Since then, it is force which rules, and the faith is often nothing but a sword in the hands of the sultan."
Maalouf is a master storyteller, able to paint frescos with his words and create emotion and life in his characters. What a great gift this work is!