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In The traveler, John Twelve Hawks introduced readers to a dangerous world inspired by the modern technology that monitors our lives. Under constant surveillance of the 'Vast Machine,' a sophisticated computer network run by a ruthless group, society is mostly unaware of its own imprisonment. Gabriel and Michael Corrigan, brothers who were raised "off the grid," have recently learned they are Travelers like their long-lost father, part of a centuries-old line of prophets able to journey to different realms of consciousness and enlighten the world to resist being controlled. But power affects the brothers differently. As The Traveler ends, Gabriel hesitates under the weight of responsibility. Michael seizes the opportunity and joins the enemy.… (more)
User reviews
It's not as good as the first one and it wasn't all that great to start with. The two brothers are hunting their father and the race is on to find him and help society, but it's never explained how Travellers help society and it really isn't obvious why people are doing some of the things they do.
Readable, yeah, but it has a long way to go to be great.
I am looking forward to the third book.
John Twelve Hawks' first book
Of course, this review isn't about The Traveler, but rather about it's sequel, The Dark River. Which is a shame, because there was so much to say about The Traveler, and only one striking thing to say about The Dark River: Like Jordan, Hawks should have stopped when he was on top. The Dark River is a profound disappointment on so many levels. The novel reads more like a script for a Hollywood sequel, picking up where the The Traveler left off, but capitalizing only on the fact that we wanted to know what would happen to Gabriel, Maya, and the rest of his characters. No new twists to Hawks' fictional world are presented until the end, and then in such a way as to make the reader think he was hastily throwing together a mish-mash of world religions to perpetuate his nebulous ideas and intentionally leave a cheap cliff-hanger ending so as to keep the reader returning for the third book in the series.
The book isn't all bad. Hawks does develop his characters a bit, but it is difficult to do as violent action sequences begin with the first five pages and don't stop until the final scene. The development that does occur feels forced and formulaic at times. In short, The Dark River left me with the same impression as one gets when an excellent and original feature film is turned into a television series for continued profit. There really isn't much here that's new, only a continuation of the same ideas that leads to different spectacular fights and occasional intrigue.
For this series to take such an enormous fall in quality between the two novels is astoundingly disappointing. So disappointing that I likely won't be returning for the third book. The epic shot was made at the end of the first, and I prefer to remember the series as it was when it was on top of it's game.