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Terry Goodkind returns to the epic Sword of Truth saga in a tale of sweeping fantasy adventure bound to enthrall his growing legion of fans. In Temple of the Winds, the New York Times bestselling fourth novel in the series, the Seeker of Truth Richard Rahl and Mother Confessor Kahlan Amnell risked their lives and souls to free the land of D'Hara from the scourge of a magical plague. But in doing so they accidentally unleashed the Chimes, a magic whose threat will reach far beyond D'Hara. Now it has become terrifyingly clear that the Chimes have the potential to bring down all that Richard and Kahlan have worked to protect, and even the power of the Sword of Truth may not be enough to stem the tide of their unleashed magical force. But if the Chimes cannot be stopped, first they will ravage Richard and Kahlan, then all of D'Hara, and then the entire world....… (more)
User reviews
But this book, even if I do see it as falling off in enjoyment from the earlier books, is still very entertaining as Richard and Kahlan combat the power of the chimes leaching magic from the world. There are still characters I love here, and there's still humor, and there's still imagination in Goodkind's world-building to burn. And I do like that there are consequences here to actions from previous books. So even if here I could see the shark's fin protruding from the water, he hadn't jumped for me. Yet.
Because of the change from action to politics, the book was a slower read for me. There were times I just couldn’t motivate myself to read, but plugging through leads to some rewarding reading the last few chapters, leading to a climax with ramifications that will impact future novels.
Overall, not a bad book, not the best so far, but an important transitional book.
This book, however, was just plain bad. After reading Soul of the Fire I decided not to waste my time with any more Goodkind.
His stories are engaging enough, so that's not an issue. They are extremely pornographic in their depictions of sex, rape, torture, and war...if that's your thing. It's
"Hissing, hackles lifting, the chicken's head rose. Kahlan pulled back. Its claws digging into stiff dead flesh, the chicken slowly turned to face her. It cocked its head, making its comb flop, its wattles sway. "Shoo," Kahlan heard herself whisper. There wasn't enough
In "Soul of the Fire" by Terry Goodkind.
Goodkind is responsible for the worst thing ever written by a human being; the now legendary evil chicken scene (above).
I read along the fantasy cliches and admittedly fascinated by the creepily detailed sex and torture scenes - wow, there are adults who write this sort of smut in fantasy? A woman who can’t have sex because she’ll have an orgasm which will destroy her partner (and why can’t she just masturbate beforehand?)? A hero who gets deflowered by a sexy S&M torture nymph? Torture, torture, torture, big hulking Teutonic soldier men, graphic sexual violence, wow how does this sort of thing get published next to Tolkien? But one book is a bad taste curiosity, a whole series of increasingly unhinged writing is just appalling. His books are ranty ultra-conservative bullshit with bizarrely detailed descriptions of near rape, child dissection, sexual torture, child killing, sexual assault, kicking children in the face, rape, cheesy romantic sex, evil chickens, intelligent goats, and attractive women in either skintight dresses (somehow their curves always got described, of course) or skintight leather (how do they sneak up on enemies in the dark? How much talc do they have to wear?). It is near explicitly described that these things are what happens to society when it doesn’t follow Objectivism, and I’m not kidding. I just hope the covers put people off..
Goodkind is not only a hack, he's an Ayn Rand hack. "Wizard's First Rule" is the only book that I have purposefully abandoned at a train station, hoping that it would go to some "Lost Items" limbo. Maybe it’s still there...
[2018 edit: Urgh, did not need this reminder of the crap I read back in the day.]
Wikipedia describes this culture this way: "Both the Anders, black-haired people who govern the city, and the Hakens, red-haired people under the boot of Ander oppression, occupy Anderith. From an early age, Hakens are kept under control and disrespected by the Anders and are taught that this oppression is a necessity to protect the Hakens from their violent ancestral ways. Most Hakens have bought into this idea and willingly subject themselves to the oppression."
In the book, this oppression of the Hakens is clearly attributed to the idea that at some past point in their history, the Hakens had been the dominant race and their current situation was in retribution for their crimes towards the Anders at that time.
Whether Goodkind meant this parallel or not, it was too close to the way white supremists here view the U.S. - that whites are being (unjustly) oppressed by people of color in payment for historical injustices. I don't want to be reading anything right now that feels like justification for white supremists!
I also enjoyed how things played out at the end, though I'm not sure it made much sense.
I feel like Goodkind spends a lot of time building new characters up and developing them in really creative ways, only to have them meet their ends in extremely anti-climactic situations that felt rushed and left me wondering what the point of learning about them was in the first place.
That rushed feeling permeates the last 60 pages or so of the book. One moment everything is fine, and then suddenly the enemy is there and everything quickly wraps up in catastrophe. It doesn't feel measured. It doesn't feel like good storytelling. It feels like the author put too much time into the build-up and then realized he only had 50 pages to find some sort of conclusion. The ending was choppy and unsatisfying. Goodkind also puts too much weight on weak storylines. The prime example is
The story could have been better if Goodkind had spent less time detailing characters and a culture that were disposable and had spent more time developing the main characters instead. Throughout the story, all of the main characters fail to work together. The actions they take aren't believable given their situations.
The story just feels like a wasted opportunity, or like filler material.